In the lead-up to the 2017 General Election, we have linked each of these issues to objects from the collection, or education programmes, run by Te Papa. In this post, Curator Pacific Cultures, Rachel Yates looks at the three Pacific collection items that identify the varied ways Pacific people have positively contributed to the larger New Zealand economy.
It’s New Zealand Music Month! Rachel Yates, Curator Pacific Cultures, looks at the influence of Bob Marley on the musical landscape of New Zealand. Since 2001, driven by the New Zealand Music Commission, the month of May has been dedicated to the promotion and celebration of local New Zealand artists
In 1994, four years before the opening of Te Papa, Samoan novelist and scholar Albert Wendt was an advisor for the planned Pacific exhibitions. He requested that we abandon the use of terms like ‘traditional art’ in our labels and display signage. ‘Traditional means nothing to me!’ he said. At
New technology is making it easier than ever to offer everyone a glimpse behind the scenes at Te Papa. We’ve shared tens of thousands of images collection objects in high resolution, and we’ve opened our venue spaces to Google Maps so that you can peek inside the museum. Recently, we’ve been
Join me, Cat Williams, over the coming months as I investigate and conserve one of Te Papa’s recent acquisitions – a painted wooden shield from Papua New Guinea. Yes, it is decorated with The Phantom! Items in our national collection have fascinating biographies and often there is still much to
Deep in the jungle of Bangalla lives a masked comic-strip marvel known as the Phantom, a guardian of the innocent who fights against the destruction of injustice. His powerful feats, which stretch over four hundred years, earned him the alias of the ‘Ghost Who Walks’ and the ‘Man who Never
On our recent co-collecting project in Guåhan with Humanities Guåhan we spent time in the workspaces of indigenous Chamorro blacksmiths, carvers and weavers. The next blog in our ‘inside the artist studio’ series delves into the practices of two weaving practitioners, James Bamba and Mark Benavente. Both artists have collaborated on several