A lot of people gathered in the forecourt of a large building. There are hay bales marking the path the people have to queue in.

Thousands of people have worked at Te Papa – while it was being designed, then constructed, and since it opened to the people of Aotearoa New Zealand on 14 February 1998. Several kaimahi have worked here since before we opened, or from Day One, while many younger kaimahi have only ever known Te Papa as the national museum. Many of us are somewhere in between. As we celebrate our 25th anniversary, some of our kaimahi share their memories of our place of work, Te Papa Tongarewa.Read more

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In: Behind the scenes

Aotearoa New Zealand has a plethora of weird and wonderful plants. The ferociously spiky speargrasses are some of our most distinctive plants and an iconic feature of New Zealand’s high-country, especially when flowering. Te Papa Research Scientist Lara Shepherd and Botany Curator Leon Perrie recently embarked on a new projectRead more

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In: Behind the scenes, Science
A white six-petaled flower on a stem. There's another flower behind it.

Massey University student Hayden Jones and Botany Curator Carlos Lehnebach are launching a citizen science project aiming at solving the identity crisis that surrounds one of our most common terrestrial orchids and your observation could provide the clue to solving this taxonomic imbroglio. Maikuku – the white sun orchid (ThelymitraRead more

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In: Behind the scenes, Collections Online, Science

Rona Chapman, Art History and Public Policy student at Victoria University, recently spent time as an intern with our Knowledge and Information and Art teams. While here, she registered over 300 of our important artwork files, and wrote about several paintings and prints that are now on show in the exhibition Hiahia Whenua | Landscape and Desire. Along the way, she found a personal connection to some of the artworks, a series of lithographs by Edith Halcombe made nearly 150 years ago.Read more

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In: Art, Behind the scenes, History

Film photography and negatives have had a bit of a resurgence lately but they were once the only way to get pictures made. A large part of our current project digitising the Spencer Digby / Ronald D Woolf Collection is processing around 250,000 photographic negatives. But how does a photo negative get from our storerooms onto Collections Online? Imaging Technician Cat Watters tells us about part of their role in the digitising project team.Read more

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In: Behind the scenes, Collections Online, Photography

When we think of Te Papa’s collections, we generally think of boxes neatly arranged systematically on shelves, everything in its place. But perhaps every collection / Collection Manager at Te Papa has a pile of material in boxes or on shelves in the ‘waiting to be processed’ category. Maybe this material needs more information, maybe someone else needs to look at it, or maybe it was put aside because it was ‘too hard’ or perhaps just forgotten about. Kaitiaki Taonga Collection Manager Bridget Hatton describes the Botany Collection’s recent Botany Blitz along with some of the findings. Read more

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Last year, Te Papa received a grant from Lotteries NZ towards the digitisation of the Spencer Digby / Ronald D Woolf Collection of around 250,000 photographic negatives shot between the 1930s and 1980s. The project is now well underway! Imaging Technician Ashleigh James McKenna gives us an insight into how the negatives are managed.Read more

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In: Behind the scenes, Photography