Te Papa Botany Curator Heidi Meudt has published a new comprehensive study on the pollen of southern hemisphere forget-me-nots (Myosotis, Boraginaceae). The new study is the third and final publication detailing the morphology of forget-me-not pollen using scanning electron microscopy (SEM). The first two studies, published in 2016 and 2020,Read more

A darkish photo with two red four-petalled flowers.

Knowing where species occur and how common they are is key for conservation management. Last year, Te Papa botanists Lara Shepherd and Leon Perrie were part of an expert panel that assessed the conservation status of every indigenous vascular plant species in the Greater Wellington region – over 1000 inRead more

A black and white photo of five dogs tied up to a wooden fence. Some are sitting some are standing.

Could Artificial Intelligence really appraise Te Papa’s public records? Collections Data Manager Gareth Watkins and Archivist Jennifer Twist tested it on thousands of records and got results that were faster, less resource-intensive, and more consistent than expected – until they weren’t. This post unpacks the experiment, the limits we encountered,Read more

A collection of books showing spine-out. Some are sitting on top of each other, and some are side-by-side.

One of the best ways to explore Te Papa’s collections is through the dozens of books published by Te Papa Press. The objects discussed within their pages also appear on Collections Online, which records over a million items from Te Papa’s collection. Seeing an opportunity to connect its titles with these digital object records, Te Papa Press is creating publication records for its titles on Collections Online.Read more

Recording the distributions of weeds both in Wellington and further afield is an ongoing interest for Te Papa’s Botany Curator Leon Perrie and Researcher Lara Shepherd. Together they have added hundreds of weed specimens to Te Papa’s herbarium since the Covid lockdown. One recent weed collecting trip to Upper Hutt demonstrated how the use of common names can lead to confusion.Read more

Aotearoa New Zealand is a hot spot for forget-me-nots (genus Myosotis), with about 50 species found here and nowhere else. Te Papa Botany Curator Heidi Meudt teamed up with botanist Jessie Prebble from Manaaki Whenua, and Massey University scientists Jennifer Tate, Sofie Pearson, and Weixuan Ning to generate and analyse quite a bit of new genetic data to study the taxonomy and relationships of endemic forget-me-nots. Their new paper paints a complex yet compelling picture of how these species have evolved and radiated throughout the mountains of Aotearoa New Zealand, and makes an important contribution to their taxonomic revision.Read more

Pen and ink drawing of a rabbit or hare.

This September, students from Te Herenga Waka Victoria University of Wellington’s School of Design Innovation visited Te Papa to learn about animal illustration. Art curators Rebecca Rice and Lizzie Bisley showed them a group of artworks from across the collection. Starting with Albrecht Dürer’s 1505 engraving The large horse, the works ranged from the 16th to 20th centuries, showcasing a huge variety of styles, techniques, and approaches to representing animals. After looking at these works, the students drew their own animal illustrations in Te Papa’s Te Taiao | Nature space. Curator Art Lizzie Bisley discusses how it went.Read more

Black and white photo of Three unknown women using office equipment. Boxes of accounting machine cards are piled up on the floor.

It would be hard to miss that Artificial Intelligence (AI) has seen an exponential rise in programming, availability, use, and debate in the last few years. Here at Te Papa, we’ve been looking at possible use cases for the Digital Museum, and investigating safe ways to connect the collections to visitors. In this blog, Collections Data Manager Gareth Watkins describes his experiments with ways Generative AI can tell richer stories and enable deeper connections to our collection database.Read more

In 1997 Te Papa purchased approximately 1000 nineteenth- and twentieth-century silversmiths and jewellers’ tools. The collection was started by jeweller Norris Blaxall in the early 1920s and his son Kevan continued to assemble and document the collection. Jessa Roylands, a Museum Studies student at Victoria University of Wellington, has been researching the tools, and shares some insights into the process of creating beautiful, glossy enamelled jewellery.Read more