Today we’re publicly kicking off Voices of Asian Aotearoa. Under this initiative, we’ll be generating a variety of projects focused on the languages and cultural identities of different Asian New Zealand communities. Curator Grace Gassin introduces our first project, Chinese Languages in Aotearoa, which also includes a callout for the next stage – illustrators, we’d like to hear from you!
Forty years ago, Aotearoa New Zealand erupted into violent protests when the South African Springbok rugby team toured the country from July to September 1981. History curator Stephanie Gibson takes us through some of the items in our collection that record what many people wore as personal protection during the protests.
This month we opened a mini-exhibition called Feathermania: Fashion to Die For based on one of the chapters in History Curator Claire Regnault’s recent book, Dressed: Fashionable Dress in Aotearoa New Zealand from 1840 to 1910.
Here, Claire describes some of the objects in the exhibition in more detail, including some of the problems associated with the popularity of rare bird feathers and the impact on their population as well as society.
In February we ran a workshop focussing on the Covid-19 experiences of people from international student and migrant backgrounds (including partners and family members), co-facilitated by researcher Sarah Jane D. Lipura. Here, Curator Asian New Zealand Histories Dr Grace Gassin shares insights from the kōrero. If there is one thing
It’s been a year since Aotearoa New Zealand went into lockdown in a move to restrict the spread of Covid-19. During this month-long period people sought to process the magnitude of what was happening through creative expression and entrepreneurial adaptations. Read about three taonga that Te Papa has collected to tell the story of this time.
Just over six months ago, we lived in a very different Aotearoa. Six months later, what would we remember from then? On May 28 2020, we reopened our doors to the public after three months of closure due to Covid-19 lockdown. To acknowledge the time we’d spent apart, and to welcome our manuhiri (visitors) back into the building, we wanted to give them the opportunity to capture a small, personal moment in history, a snapshot in time as we collectively adjusted to our ‘new normal’.