""

Conservator Anne Peranteau visited Broadgreen, an historic house in the Stoke neighborhood, to give some advice on the display and storage of collection items. Anne tells us about some of her favourite items in the Broadgreen collections.  Last month I filled my suitcase with my tricks of the trade and headed to Nelson.Read more

Intern Keira Miller in the lab, preparing materials for dyeing. Photo by A. Peranteau, copyright Te Papa.

Have you ever thought about the history of the humble pocket?  This past winter, Keira Miller, an intern from the University of Glasgow’s Center for Textile Conservation, helped us with the treatment of some detachable 18th century pockets for the exhibition European Splendour 1500-1800.   Keira writes about the importance of pocketsRead more

The sheer Versace day dress at far right (GH013642), on display in April 2001 alongside three other Versace dresses in Te Papa's collection.

Catwalk glamour This week I’ve been working on couture garments that are destined for display at Expressions in Upper Hutt. The Catwalk to Cover exhibition will include fashions from Te Papa’s collection by international and New Zealand designers alongside photographs that capture the dynamism, creativity and glamour that epitomize theRead more

Rugby jersey [1905 replica], 2011, New Zealand, by Robertina Downes, Deborah Cumming, Manawatu Knitting Mills Ltd, New Zealand Rugby Museum. Commissioned 2011. Te Papa (GH017325). After padding out for display.

Recently I blogged about preparing an 18th century gown (now on display in European Splendour).  A few weeks ago, the same skills were applied to a very different type of garment—the replica All Blacks “Originals” 1905 jersey. The jersey will be on display in Hamilton until January 8th in the Waikato MuseumRead more

Textile conservator Anne Peranteau, and costume mount maker Sam Gatley describe the process of preparing two 18th century dresses for display in exhibtion. Historic dress, historic problems Anne Peranteau – In 1951, Te Papa was given three 18th century dresses, all dating to approximately 1780. Our work in the textile lab is currently focusedRead more

Dance garment, c. 1900, Malawi (Chewa culture), Photograph by Kate Whitley. Copyright Te Papa MA_I.374711

Witchy tale In 1936, the Dominion Museum was given a gift so rare and strange that it made the news.  Described in the Auckland Star and in museum records as a “witch doctor’s outfit”, the garment was subsequently displayed for many years in the Buckle St building that opened thatRead more

East & West Missionary Exhibition A survey of the costume and textiles Te Papa’s International History collections now underway has shown that many of our collections from Africa and Asia retain links with an exhibition held almost 90 years ago.  In most instances, they have not been exhibited since then. Read more

Throne of Emperors: coming soon to Te Papa!

Kung hei fat choy!  Happy New Year of the Horse!  We are galloping along with preparations for the exhibition China: Throne of Emperors which will open in the Visa gallery on the 22nd of March.                 In addition to more than 150 ceramic,Read more

Recently I completed a two year project to conserve a unique Micronesian textile.  It was such a pleasure to get acquainted with this very rare object with distinctive features–I was amazed to see that the colour changes in the patterned end of the cloth had been created by either interlinking or knotting  warps of two colours together (photomicrograph image below),Read more

Hopefully many of you have seen or plan to see our newest Eyelights gallery exhibition that opened on the 24th of September.  Uniformity: Cracking the Dress Code  features uniforms worn in various contexts—school, church, battlefield, rugby field, and even those worn on the street.  A previous post about Uniformity talkedRead more