The Associate Minister of Arts, Culture and Heritage Hon Grant Robertson has long been a huge fan of Colin McCahon. Here, he reveals what the artist’s Otago Peninsula in particular means to him.
According to TechWomen only 26 percent of those working in New Zealand’s tech sector are women – only 4% above the world average. This statistic shocked educator Jessie Robieson who’s now making it her mission to improve these numbers.
We catch up with one of the organisers of last year’s Young Feminist Hui, Olivia Trass, to find out what issues she is discussing now, one year on, and what she took away from the hui.
Washing a charcoal drawing in water?! Paper conservator Jennie Cauchi takes us behind the scenes of her work to treat a 1950s drawing by Colin McCahon.
Would you have the patience to spend 10 years trying to find something practically invisible? Botanist Carlos Lehnebach recently discovered his ‘holy grail’ – a collection of tiny ghost orchids in the Wellington region.
Olivia Martin, a Master of Museum and Heritage practice program student at Wellington’s Victoria University, spent three months working on a placement at Te Papa. Here she describes her work on a group of photographs.
Have you ever had to explain to customs at the airport what the odd-looking object is in your hand luggage? Head of Science Susan Waugh explains why she had a Hector’s dolphin skull in her carry-on.
Modern Art Curator Lizzie Bisley tells us about what’s happening at Te Papa to celebrate this anniversary, and introduces us to one of her favourite McCahon paintings now on display ‘The Angel of the Annunciation’.
How was the name James Bond originally chosen? Curator Invertebrates Rodrigo Salvador tells an unlikely story involving the ‘Father of Caribbean Ornithology’.
Educator Martin Langdon shares our Learning Team’s 2019 Matariki kaupapa which involved collaborating with other GLAM institutions in the Wellington region so they could reach more tamariki – after all, Matariki is a time for sharing, renewal, and innovation.
The classic 1960s film ‘Blow-Up’ had quite and impact on the photographers featured in our exhibition ‘The New Photography’. Here, photography curator Athol McCredie reflects on the movie, its themes, and some of the ways it connected to New Zealand photography.
Awhina shares her journey and allows us an insight into the collaborative approach that she took to develop this important book.