We catch up with one of the organisers of last year’s Young Feminist Hui, Olivia Trass, to find out what issues she is discussing now, one year on, and what she took away from the hui.
Washing a charcoal drawing in water?! Paper conservator Jennie Cauchi takes us behind the scenes of her work to treat a 1950s drawing by Colin McCahon.
Would you have the patience to spend 10 years trying to find something practically invisible? Botanist Carlos Lehnebach recently discovered his ‘holy grail’ – a collection of tiny ghost orchids in the Wellington region.
Olivia Martin, a Master of Museum and Heritage practice program student at Wellington’s Victoria University, spent three months working on a placement at Te Papa. Here she describes her work on a group of photographs.
Have you ever had to explain to customs at the airport what the odd-looking object is in your hand luggage? Head of Science Susan Waugh explains why she had a Hector’s dolphin skull in her carry-on.
Modern Art Curator Lizzie Bisley tells us about what’s happening at Te Papa to celebrate this anniversary, and introduces us to one of her favourite McCahon paintings now on display ‘The Angel of the Annunciation’.
How was the name James Bond originally chosen? Curator Invertebrates Rodrigo Salvador tells an unlikely story involving the ‘Father of Caribbean Ornithology’.
Educator Martin Langdon shares our Learning Team’s 2019 Matariki kaupapa which involved collaborating with other GLAM institutions in the Wellington region so they could reach more tamariki – after all, Matariki is a time for sharing, renewal, and innovation.
The classic 1960s film ‘Blow-Up’ had quite and impact on the photographers featured in our exhibition ‘The New Photography’. Here, photography curator Athol McCredie reflects on the movie, its themes, and some of the ways it connected to New Zealand photography.
Awhina shares her journey and allows us an insight into the collaborative approach that she took to develop this important book.
Our Earthquake House has had a makeover. It includes a new immersive video experience featuring actors Rachel House and Rākau Tamaira. Experience developer Ralph Upton describes what filming was like, and why the earthquake house had to change.
For over 25 years, Guy Ngan’s large-scale Forest in the sun (1976) hung in the Beehive before being gifted to our collection. Now it’s back on display, exhibiting at The Dowse until September. Senior Digital Editor Daniel Crichton-Rouse speaks to Curator Textiles Anne Peranteau about the prep work involved, as well as the artwork’s weavers Joan Calvert and Jean Ngan.