Conservator Catherine Williams is investigating one of Te Papa’s recent acquisitions – a painted wooden shield from Papua New Guinea featuring The Phantom – from a conservation perspective, and blogging about it along the way. If you missed her first post, read it here. Uncovering the mysteries of a collection
Conservator Anne Peranteau visited Broadgreen, an historic house in the Stoke neighborhood, to give some advice on the display and storage of collection items. Anne tells us about some of her favourite items in the Broadgreen collections. Last month I filled my suitcase with my tricks of the trade and headed to Nelson.
Conservator Linda Waters, and her colleague Tijana Cvetkovic, have been helping Bronwyn Holloway-Smith of the Mural Search and Recovery Project investigate whether a 1960s mural by Mervyn E Taylor called ‘First Kumara Planting’ ’ is still intact, hidden under white paint in the old Soil Bureau building in Taita.
Have you ever thought about the history of the humble pocket? This past winter, Keira Miller, an intern from the University of Glasgow’s Center for Textile Conservation, helped us with the treatment of some detachable 18th century pockets for the exhibition European Splendour 1500-1800. Keira writes about the importance of pockets
Catwalk glamour This week I’ve been working on couture garments that are destined for display at Expressions in Upper Hutt. The Catwalk to Cover exhibition will include fashions from Te Papa’s collection by international and New Zealand designers alongside photographs that capture the dynamism, creativity and glamour that epitomize the
Recently I blogged about preparing an 18th century gown (now on display in European Splendour). A few weeks ago, the same skills were applied to a very different type of garment—the replica All Blacks “Originals” 1905 jersey. The jersey will be on display in Hamilton until January 8th in the Waikato Museum
Textile conservator Anne Peranteau, and costume mount maker Sam Gatley describe the process of preparing two 18th century dresses for display in exhibtion. Historic dress, historic problems Anne Peranteau – In 1951, Te Papa was given three 18th century dresses, all dating to approximately 1780. Our work in the textile lab is currently focused