Accompanying the portrait wall in Tūrangawaewae: Art and New Zealand are digital interactives that allow you to dive deeper into the conservation efforts that prepared the paintings for exhibition, and reveal hidden histories. Conservator Paintings Linda Waters writes about what the back of a painting can tell you.
One of the significant taonga exhibited Ko Rongowhakaata is a nose-less poutokomanawa (centre post) called Rongotueruora, affectionately known as ‘Iron Man’. This taonga was in a very fragile state when conservator Nirmala Balram came to inspect him. Nirmala takes us through the treatment of Iron Man, and his journey from Gisborne to display at Te Papa.
Field work is a key part of scientific research at Te Papa. Each year, Research Scientist Heidi Meudt spends about three weeks in the field collecting specimens for her taxonomic research on native New Zealand Myosotis. In December 2016, she recently traveled to the southern South Island and Stewart Island together with Collection
Conservator Catherine Williams is investigating one of Te Papa’s recent acquisitions – a painted wooden shield from Papua New Guinea featuring The Phantom – from a conservation perspective, and blogging about it along the way. If you missed her first post, read it here. Uncovering the mysteries of a collection