Accompanying the portrait wall in Tūrangawaewae: Art and New Zealand are digital interactives that allow you to dive deeper into the conservation efforts that prepared the paintings for exhibition, and reveal hidden histories. Conservator Paintings Linda Waters writes about what the back of a painting can tell you.
Field work is a key part of scientific research at Te Papa. Each year, Research Scientist Heidi Meudt spends about three weeks in the field collecting specimens for her taxonomic research on native New Zealand Myosotis. In December 2016, she recently traveled to the southern South Island and Stewart Island together with Collection
Conservator Catherine Williams is investigating one of Te Papa’s recent acquisitions – a painted wooden shield from Papua New Guinea featuring The Phantom – from a conservation perspective, and blogging about it along the way. If you missed her first post, read it here. Uncovering the mysteries of a collection
Conservator Anne Peranteau visited Broadgreen, an historic house in the Stoke neighborhood, to give some advice on the display and storage of collection items. Anne tells us about some of her favourite items in the Broadgreen collections. Last month I filled my suitcase with my tricks of the trade and headed to Nelson.
Conservator Linda Waters, and her colleague Tijana Cvetkovic, have been helping Bronwyn Holloway-Smith of the Mural Search and Recovery Project investigate whether a 1960s mural by Mervyn E Taylor called ‘First Kumara Planting’ ’ is still intact, hidden under white paint in the old Soil Bureau building in Taita.