The insect collection at Te Papa holds a hidden wealth of vibrant foreign specimens. Due to a reorganisation process, Technicians had a chance to rehouse and examine the foreign specimens. Natural History Technician Shaun Thompson talks about what he learned about our foreign insect collection.
Recently, Curator Invertebrates Entomology Dr Julia Kasper re-discovered a box of audio tapes stored alongside our entomology collection. They were recorded by Sir Charles Fleming in his pioneering study of our country’s cicadas in the 1960s and 70s. Intern Finlay Dempster explains the significance of these audio tapes and the man who made them.
Melanie Ioane-Warren, one of our Natural History interns, talks about the important collection of bird bones gathered by the late Augustus Hamilton. Melanie is working on this bone collection together with Curators Alan Tennyson and Rodrigo Salvador, and GNS scientist Karyne Rogers. In 1875, the clipper ship Collingwood departed England
Richard (Dick) Dell specialised in the study of marine invertebrates, especially molluscs (shells). His interests and expertise also included crustaceans, and one of the more memorable names that he coined was for a spectacular deep water crab. Te Papa turned 150 years old on 8 December 2015. To celebrate 150
Our national museum’s third director was New Zealand’s first Rhodes Scholar, but was cut down in his prime. Te Papa turned 150 years old on 8 December 2015. To celebrate 150 years since the opening of the Colonial Museum in Wellington, the exhibition ‘You called me WHAT?!’ is open on
A museum exhibition? In our school? Not quite! But what about a museum case? For around 50 years in the 20th century, Te Papa’s predecessors delivered important, informational, and sometimes downright kooky exhibition suitcases to schools around the country. How do I know? My research project has had me rummaging
I’ve only been a curator for 7 months and even if you were the brainiest most well read person in the world, a curator is really only as good as their knowledge of their museum’s collection. So in familiarising myself with the Taonga Māori collection at Te Papa, I’ve been systematically going