Tag Archives: collections

Collections Online tour; part 4, Places and Categories

Carrying on our tour of our recent Collections Online release. Previously we’ve discussed Objects, Topics and People. Today; Categories and Places.

When we document our collection objects and related knowledge we use controlled vocabulary to describe the type of objects, the subjects and concepts related, the materials they are made of and the techniques used. We use a couple of excellent thesauri from the  J. Paul Getty Trust and Library of Congress, and a few we’ve worked on ourselves.

Using controlled vocabularies means that as curators and collection managers go about their work of researching and documenting our collections, they are using consistent terminology which create relationships between the object they are working with and other objects and topics in the collections without having to know about those other objects. This makes “like” objects much easier to find.

By using these thesauri we are using terminology that makes our data more findable and shareable, nationally and  internationally. Of course there are quite a few concepts and words that are peculiar to New Zealand, so we add those into the appropriate place, into the appropriate thesaurus. Thesauri also have broader and narrower relationships between terms which allows you to browse around related content, there’s a couple of examples below. Alternate names and spellings for terms in the thesaurus also means content is more “findable”.

We are also developing our own classification systems for objects from our Taonga Maori and Pacific Cultures collections, and are looking at other existing classifications which could also help refine our descriptions. It’s an ever-evolving area, but the more we work at it, the more accurate and accessible it makes our collections.

For a more in-depth explanation of  thesauri and controlled vocabulary, try this presentation from Murtha Baca of the Getty Vocabulary Program, from the Special Libraries Association 2008 conference.

OK, so now onto how this actually translates into Collections Online.

Categories
These are thesaurus terms used to describe and relate our objects and topics. In our Collections Information System we use the Getty’s Art and Architecture Thesaurus to describe object types, materials, techniques, periods and styles. We use the Library of Congress’ Thesaurus for Graphic Materials I to describe subjects.

Because the thesaurus is hierarchical you can browse through broader and narrower concepts, possibly finding and learning about categories or ideas you didn’t know about. Interested in rifles? Note they are part of the broader category “long guns”; click on that link and see all the long guns, then browse back down to shotguns, and carbines and muskets. Or maybe try the subject category Theatrical productions. See the descriptive notes from the Getty and Library of Congress, as well as related terms, alternate spellings or names, again making it easier to find the objects you might be interested in.

Shadows

A few more categories to start you off:

Places. For this we primarily use the Getty’s Thesaurus for Geographic Names. Places cover where people are born or die, and places that objects depict, were made at, or are influenced by. Like Categories, Places are hierarchical, so you can browse through countries, regions, towns and cities, and see objects, people and topics related to those places. Try Hawke’s Bay. From there you can browse down to Napier, Hastings, or some of the smaller places in Hawke’s Bay and see objects from our collection that relate to those places.

Our natural environment specimens aren’t currently available via place browsing, as they have historically used a different place name system. However this is not an uncommon problem, and we (and others) are looking at how best to resolve that. We also we have a few tricks coming up that will help bring the humanities and natural environment collections closer through mapping, more on that later.

 Tauranga

See what depicts, was made, or refers to these places:

Some of you may be asking where tagging fits into this. We’ve got a few ideas that we’ll discuss on the blog a bit later.

Next entry in this Collections Online introduction series: Linking out

See Te Papa on TVNZ6 from tomorrow!

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Join Simon Morton and Riria Hotere for your personal guided tour of the nation’s treasures when TVNZ6, in partnership with Te Papa and Vero, launch Tales from Te Papa on Tuesday 1 September!

Tales from Te Papa is a series of mini-docos (between 2-5 minutes long) showcasing significant objects and taonga from the collections of Te Papa and other museums.  I know Simon from his Saturday afternoon programme on Radio New Zealand, ‘This Way Up’ and he has also hosted the show  ’Why We Buy?’ for TVNZ. 

Riria Hoter and Simon Morton - your guides to NZ's cultural treasures in Tales from Te Papa

Riria Hotere and Simon Morton - your guides to NZ's cultural treasures in Tales from Te Papa

Riria works here at Te Papa in our awesome Education team and has featured on the te reo programme ‘Korero Mai’.  Using their inquisitive minds, they get to know some of the curators and collection managers at Te Papa and discover the fascinating and sometimes unexpected stories from Te Papa’s collections.

Tune into TVNZ6 at 8.25pm Tuesday 1 September to catch the premiere episode.  The episodes will screen each night between 6pm and midnight so keep an eye out.  If you miss any, they will be available on TVNZ6′s website and we will get them on here as soon as possible too.

We’d love to know what you think so have a look and feel free to comment  – you may even have some suggestions for future programmes!

Collections Online tour; part 3, People and Organisations

OK so far on our tour of Collections Online we’ve covered Objects and Topics.  These wouldn’t exist without people. 

People and organisations
Artists and makers, collectors, historical figures; basically people and organisations that are related to the objects or topics in the collection.

At these pages you can see basic biographical information, and all the topics and Collection Objects that relate to the person in question. You can filter objects by relationship such as see those that depict the person, or the objects the person made, or once owned, and so on. You’ll also see other instiutions or organisations content that relates to that person via the DigitalNZ results at the right of the page.

We’ve also got a few plans on how better to link to sources of info on artists and historical figures.

Rembrandt van Rijn

More interesting people to try out:

Next entry in this Collections Online introduction series: Places and Categories

Collections Online tour; part 2, Topics

Continuing our tour of the new version of  Collections Online, today we look at topics.  As well as making our collections accessible online, we’re also trying to make more of our knowledge and research available. One way we are doing that is through topics.

Topics
Topics range from simple groupings of content we want to highlight,  through to more “authored” hierarchical narratives. They could be something that has come from months of research or simple an idea  a curator had at lunch.

As well as creating new topics from current research, we’ve also gathered up some texts that were scattered around in disparate places, added them to Collections Online, and relating them to objects, people and other topics.  This makes information that was previously difficult to find, or maybe only available if you could find the book, available to a wider range of people. It also enables us to share this content with collaborative projects such as DigitalNZ.

WWI topic

Take a look at a few examples:

And don’t forget, all these topics are linked to collection objects, parties, categories and other topics.  Browse away!

Next entry in this Collections Online introduction series: People

Collections Online tour; part 1, objects

Our new version of Collections Online has much more content, types of information, and browsing possibilities than before. There’s a bit too much to explain in one post so we’re going to break it up over a series of posts. First up, the obvious, Te Papa’s Collection.

Motor Car, 1903, Peugeot, Gift of A.R. and J.D. Green, 1955

Objects
Of course a primary goal of ours is to provide access to our collections. The Collection objects currently available on Collections Online come from the range of Te Papa’s collections, with some areas represented better than others. Objects and works from the entire Art, History and Pacific collections, and much of our Taonga Maori and Photography collections, have at least a basic record online, with many having images and extended descriptions. We also have many records from our natural environment collections.  Currently there are over 150,000 records, with over 40,000 of those having images. We release more objects, images and upgraded information every day.

In this new version of Collection Online we’ve added a few features to better describe our objects:  

  • Multiple images, e.g. the Peugeot , or John Reynolds’ Cloud,  and most of these are zoomable. We’ll be looking to add other types of media soon.
  • Down the right hand side you’ll see related People, Places and Categories. We’ll talk about these individually in more detail later but in short, they add context and help you browse through to related objects and content
  • Related objects, for example images from a Photograph album
  • Just for fun, we’ve also added a randomiser. You can access this from the Collections Online home page, and we’ve also got a random object on the main Te Papa homepage.

Next entry in the Collections Online tour: Topics 

Want to learn about mosses and liverworts?

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I am helping to organise the 2009 John Child Bryophyte Workshop.   Bryophytes comprise mosses, liverworts, and hornworts.  The Workshop also covers lichens, and it provides a great opportunity  to learn more about these fascinating plants.  Novices are welcome, with guidance provided for beginners.

The workshop will be based at Pukeora Estate, near Waipukurau in Hawke’s Bay, 15th-20th October.

Contact me (leonp@tepapa.govt.nz, 04 381 7261, or Leon Perrie, Te Papa, PO Box 467, Wellington) for more details.

And, to see some of these tiny plants in their fine detail, check out the fantastic images on our Collections Online.

moss1

The big art book

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Art at Te Papa - coming soon.

Hi there, I’m William McAloon, Curator of Historical New Zealand Art here at Te Papa. Over the last couple of years I’ve been working on a big book on Te Papa’s art collection. Art at Te Papa features over 400 works, from the 15th century to the present day. The cover star is Michael Illingworth’s painting Untitled, 1971.

The book is due out in April. Te Papa’s art curators all contributed entries on individual works, as have a range of other writers, and I’ve written about the history of the national art collection. Art at Te Papa clocks in at well over 400 pages and every work is reproduced in glorious colour.

Claire Murdoch, publisher at Te Papa Press, has just come back from China where she has been overseeing the printing of the book. She bought back a set of pages, hot off the press.  They haven’t been trimmed or stitched or bound or anything – we’re doing two editions, a softcover and a special limited-edition case-bound hardcover – so it’s not a book just yet, but it still looks amazing.

The limited edition ... gorgeous

The limited edition … gorgeous.

The enormous effort that went in to every aspect of the production  – the photography, the design, checking proofs, matching colours, and much, much more – all looks like it’s paid off handsomely.

I’ll be posting about the book over the coming months, about what’s in it and what it was like bringing it all together.  There’ll be lots more information about it on the Te Papa website and in the media too, so keep an eye out.

Lancewood hunting

Field-work is one of the best aspects of working as a Natural Environment curator at Te Papa. I get to spend about three weeks a year in the field collecting plant specimens.

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Te Papa’s 4WD. If seen outside Wellington, there is a good chance this vehicle is being used to collect plants, whales, or fossils.

I’ve recently returned from ten days field-work in the South Island, collecting samples for our research on lancewood (horoeka, Pseudopanax crassifolius) and fierce lancewood (P. ferox). This is in collaboration with Lara Shepherd from Massey University. Lancewood is a common forest tree and we are using DNA analyses to determine where it survived in New Zealand during the last glacial period. This follows our previous research on the forest fern Hooker’s spleenwort (Asplenium hookerianum), which seems to have survived throughout New Zealand, and conflicts with evidence that Metrosideros trees (rata and pohutukawa) were confined to only a few refugia.

Fierce lancewood, named for its bigger ‘teeth’ on the leaf margins, is more sparsely distributed that lancewood. Given the discontinuous distribution of fierce lancewood, we expected each population to exhibit its own diagnostic set of genetic variation. Preliminary results suggest this might be true for Auckland and Wellington populations, but, at this stage, we can’t genetically distinguish populations from the southern South Island, indicating the geographic discontinuity there is a geologically-recent phenomenon. We collected specimens to augment our existing sampling (the northern South Island, in particular, was a bit of a gap for us for both lancewood and fierce lancewood).

pseudopanax_ferox_juvenile_leaf1
Apex of a leaf from a juvenile fierce lancewood, showing the curious ‘paint-splash’ coloration. I have heard it hypothesised that the prominent white splashes draw attention to the marginal ‘teeth’, themselves a putative defence against moa herbivory.

The trip was largely successful, with the weather good and the plants cooperative (in that we could find them where they were supposed to be). We now have to process the samples in the laboratory, which isn’t nearly as much fun but still necessary if we are to address the questions we’re interested in.

pseudopanax_ferox_juvenile2

A juvenile of fierce lancewood.

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