Today is the 150th anniversary of the battle of Te Ngutu-o-te-manu. This was a major battle in the third Taranaki war, also known as Tītokowaru’s war. Here, history curator Katie Cooper speaks to two new members of the Te Papa whānau – Caitlin Lynch and Ben Manukonga – about the importance of commemorating the New Zealand wars and the power of objects.
Scott Flutey, a summer scholar from Victoria University of Wellington, has just finished an Honours year in History. He dives into the world of stamps and postal history. I’m currently researching the Gerald Ellott philatelic collection at Te Papa as part of the three-year Soldiers of Empire research project, led by Professor Charlotte
William Strutt’s View of Mt Egmont, Taranaki, New Zealand, taken from New Plymouth, with Maoris driving off settlers’ cattle, 1861 has been described by some as the ‘holy grail’ of colonial New Zealand painting. Paintings of this calibre are few and far between in New Zealand’s art history, as budding
“The Battle of Gate Pa was arguably the most important battle of the New Zealand Wars, in terms of both its political effects and its wider implications for military technology. Historians have failed to appreciate its full significance because the contemporary British interpretations, on which they rely, were dominated by
Early last century, New Plymouth man William Gordon assembled a photographic record of people (both Māori and European) who served in the New Zealand Wars of the 1860s. The Dominion Museum (Te Papa’s second predecessor) purchased the photographs in 1916 as part of the Gordon Collection. Recently, I have been