Despite their age Carleton Watkins’ photographs have an enduring appeal. Their large scale and simple beauty makes them stand out amongst the vast array of nineteenth century landscape photographs. Often Watkins’ photographs don’t simply document or show facts – they disorient our sense of identity and place in front
This studio portrait by Melbourne photographer Arthur Burman, shows Martinho Lowande and his sons dressed in their performance outfits and was taken just prior to their performances in New Zealand. Lowande, billed as the ‘Great Brazilian Bareback Hurricane rider’, performed bareback horse riding stunts while supporting either one of his two sons (aged
Te Papa recently acquired more cabinet card photographs by Blenheim photographer, William H. Macey. Macey’s photographs are a great example of the strength of photography occurring in the regional centres of New Zealand during the late nineteenth century and up to World War I. You can read more about Macey
It is the beginning of June in New Zealand and if you are a photographer it is the perfect time to go camping. Despite the dire warnings from his friend (referred to as ‘Titfaddle’) concerning the folly of making a six week camping trip in the middle of winter, Alfred Burton and his son Harold, left
Te Papa’s beautiful collection of early colour photographs made using the autochrome process is the focus of new article published by the online journal The Public Domain Review. The article can be accessed on either The Public Domain Review or OpenGlam. Lissa Mitchell – Curator Historical Documentary Photography More Photography?