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There are many obvious differences between digital photography and traditional photography. One that probably doesn’t spring to mind is a photograph’s reverse side, which is non-existent in digital. Lissa Mitchell, Curator Historical Photography, looks at the ‘other side’ of photography.Read more

  Despite their age Carleton Watkins’ photographs have an enduring appeal. Their large scale and simple beauty makes them stand out amongst the vast array of nineteenth century landscape photographs. Often Watkins’ photographs don’t simply document or show facts – they disorient our sense of identity and place in frontRead more

Man and sons dressed for performance

This studio portrait by Melbourne photographer Arthur Burman, shows Martinho Lowande and his sons dressed in their performance outfits and was taken just prior to their performances in New Zealand. Lowande, billed as the ‘Great Brazilian Bareback Hurricane rider’, performed bareback horse riding stunts while supporting either one of his two sons (agedRead more

This studio portrait of Anne Eliza Leak (also known as Thomson) was set up to emphasise her feet as a prominent part of the image. Leak is seated on a legless chair on top of a table along with a display of examples of activities and handicrafts she could makeRead more

Te Papa recently acquired more cabinet card photographs by Blenheim photographer, William H. Macey. Macey’s photographs are a great example of the strength of photography occurring in the regional centres of New Zealand during the late nineteenth century and up to World War I. You can read more about MaceyRead more

 It is the beginning of June in New Zealand and if you are a photographer it is the perfect time to go camping. Despite the dire warnings from his friend (referred to as ‘Titfaddle’) concerning the folly of making a six week camping trip in the middle of winter, Alfred Burton and his son Harold, leftRead more