For the past four years, Te Papa’s scientists Lara Shepherd and Leon Perrie have participated in the iNaturalist City Nature Challenge – a global competition that connects people with nature by encouraging them to record the wildlife in our cities. This year, as well as being behind the camera, we also had fun in front of the lens whilst being filmed for a short documentary about the challenge and goals.Read more

With Halloween coming up and summer around the corner, it is time for bloodsucking beasties to come out. Insect curator Julia Kasper specialises in flies and bloodsucking insects and has a strong interest in the historical and cultural aspects of entomology. Here, she sheds a bright light on the vampire world and explains what actually caused the diseases that were blamed on – and furthered the belief in – the vampire.Read more

Pen and ink drawing of a rabbit or hare.

This September, students from Te Herenga Waka Victoria University of Wellington’s School of Design Innovation visited Te Papa to learn about animal illustration. Art curators Rebecca Rice and Lizzie Bisley showed them a group of artworks from across the collection. Starting with Albrecht Dürer’s 1505 engraving The large horse, the works ranged from the 16th to 20th centuries, showcasing a huge variety of styles, techniques, and approaches to representing animals. After looking at these works, the students drew their own animal illustrations in Te Papa’s Te Taiao | Nature space. Curator Art Lizzie Bisley discusses how it went.Read more

A black and white photo of a large building.

When we think about New Zealand’s national museum, we often think about Te Papa, with its enormous building on the waterfront and bicultural philosophy. ‘Our Place’. Or we might imagine the National Museum at Buckle Street with the National War Memorial or the carillon standing tall in front – a place you might remember visiting as a child. But our national museum’s history begins over 100 years before that, in 1865, to be exact. Curator Mātauranga Māori Amber Aranui takes us back to this creatively documented time. Read more

The front and back of a pāua shell on a black background.

The discovery of the Manawatāwhi pāua, unique to the Three Kings Islands, highlights the need to build taxonomic expertise to speed up work to describe thousands of as-yet unnamed species. Authors Kerry Walton, Curator Invertebrates, Te Papa, Hamish G Spencer, Sesquicentennial Distinguished Professor of Zoology, University of Otago, and Nic Rawlence, Associate Professor in Ancient DNA, University of Otago discuss the ramifications of the new find. This article was first published on The Conversation, 3 September, 2024.Read more

This Psychrolutes microporos, also known as “Mr Blobby,” the blobfish, is the iconic ambassador for The Deep Sea and personifies everything we air-breathers seem to find weird about it. The image, one of the internet’s first viral memes, has been claimed by a myriad of organisations, usually without the actual photographerRead more

A species of sedge hiding under our noses for over a hundred years has been revealed by Te Papa’s Science Researcher Lara Shepherd, Botany Curator Leon Perrie and the University of Auckland’s Marley Ford. Schoenus vacillans is a sedge described from Coromandel in 1878. However, botanists since 1906 have consideredRead more

Black and white photo of Three unknown women using office equipment. Boxes of accounting machine cards are piled up on the floor.

It would be hard to miss that Artificial Intelligence (AI) has seen an exponential rise in programming, availability, use, and debate in the last few years. Here at Te Papa, we’ve been looking at possible use cases for the Digital Museum, and investigating safe ways to connect the collections to visitors. In this blog, Collections Data Manager Gareth Watkins describes his experiments with ways Generative AI can tell richer stories and enable deeper connections to our collection database.Read more

In 1997 Te Papa purchased approximately 1000 nineteenth- and twentieth-century silversmiths and jewellers’ tools. The collection was started by jeweller Norris Blaxall in the early 1920s and his son Kevan continued to assemble and document the collection. Jessa Roylands, a Museum Studies student at Victoria University of Wellington, has been researching the tools, and shares some insights into the process of creating beautiful, glossy enamelled jewellery.Read more

A cream-coloured stamp with a green border and rust-coloured image of a bird sitting in a tree.

The Manumea, or tooth-billed pigeon (Didunculus strigirostris), is an endemic bird of Sāmoa, currently on the brink of extinction. How can museums help to protect this national treasure? In this blog, Research Assistant Annika Sung examines how Te Papa’s collections can teach us about the Manumea and its entwined relationship to various aspects of Sāmoan life and culture.Read more

Three large tractors in the snow at Antarctica.

As Wikipedian in Residence at Te Papa, Siobhan Leachman researched the research expeditions the museum has undertaken since the Colonial Museum was founded in 1865. Siobhan and Digital Channels Outreach Manager Lucy Schrader show how sharing this information through the open linked data platform Wikidata has made it easier to learn about the expeditions and what they discovered.Read more

Eight people are looking at a tapa costume in a glass case. One of the people is talking about it.

In 2021, with the Te Papa Foundation’s support, Te Papa acquired a rare book of tapa cloth samples, one of many assembled by Alexander Shaw in 1787. At the wānanga in 2023, artists were given the opportunity to respond to the Shaw book and exchange knowledge between tapa experts from acrossRead more