Tag Archives: collections

Do you know this building?

 Te Papa has an enormous collection of photographs, negatives and transparencies by Brian Brake (1927 – 88), one of New Zealand’s best known photographers.  Brake became famous while working overseas as a photojournalist – one of his best known works is the Monsoon photo essay, which he took in 1960.  He also photographed extensively in New Zealand, taking many images of scenery and historic buildings.  Many of these have come to us with nothing to tell us where they are, but maybe they’re just up the road from you.  So I’m hoping you might be able to identify these for us … send us your ideas!

1 – Old wooden buildings – maybe Arrowtown?

New Zealand Historic Buildings:, 1960 s - 1980 s, New Zealand. Brake, Brian. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

New Zealand Historic Buildings, 1960s – 1980s, New Zealand. Brian Brake. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

 2 – Where and who is he?

New Zealand Historic Buildings: Monument, 1960 s - 1980 s, New Zealand. Brake, Brian. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

New Zealand Historic Buildings: Monument, 1960s – 1980s, New Zealand. Brian Brake. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

3 – A wee wooden church somewhere:

New Zealand Historic Buildings: Church, 1960 s - 1980 s, New Zealand. Brake, Brian. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

New Zealand Historic Buildings: Church, 1960s – 1980s, New Zealand. Brian Brake. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

 

4 – A monument or a building?  Nice location …

New Zealand Historic Buildings:, 1960 s - 1980 s, New Zealand. Brake, Brian. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

New Zealand Historic Buildings, 1960s – 1980s, New Zealand. Brian Brake. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

5 – Maybe Otago?

New Zealand Historic Buildings:, 1960 s - 1980 s, New Zealand. Brake, Brian. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

New Zealand Historic Buildings, 1960s – 1980s, New Zealand. Brian Brake. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

6 – This reminds me of some of the old East Coast freezing works . . .

New Zealand Historic Buildings:, 1960 s - 1980 s, New Zealand. Brake, Brian. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

New Zealand Historic Buildings:, 1960s – 1980s, New Zealand. Brian Brake. Gift of Mr Raymond Wai-Man Lau, 2001. Te Papa

News from Loans: Masterton Museum Collection

A little while ago I told you about the return of the Masterton Museum collection to Aratoi, thereby honouring a 58 year-old agreement.  In that collection there were some really interesting items so I thought I would tell you about another one of them.

 It is a very pretty blue glass orb with a neck, looking something like a vase.   It is filled with liquid, incorporates brown string knotted around the neck to create a carry handle, and is firmly stoppered with a cork  and a cement plug.  Does this arouse your interest?  Are you curious?

Hardens Hand Grenade Fire Extinguisher. Photographer: Andrea Hearfield.Te Papa

Hardens Hand Grenade Fire Extinguisher. Photographer: Andrea Hearfield.Te Papa

Around the circumference of the bottle, moulded into the glass are the words “Hardens Hand Grenade Fire Extinguisher”.  This should give you a hint!

 Yes… this is an early type of fire extinguisher made of thin, fragile glass so it shattered easily when thrown at the seat of a fire.  These kinds of extinguishers were made in the USA from the 1860s to around 1910.  Early versions were filled with harmless salt water but some were filled with the more toxic carbon tetrachloride.

 We weren’t sure about the Masterton Museum grenade extinguisher so, just to be on the safe side, we packed it up super-securely and pasted warning signs all over the packaging.  I can report the grenade made it safely over the hill.

 We are about to take a second and much smaller consignment over to Masterton at the end of the week.  I expect it will be as rewarding as the first trip.

News from Loans: A Collection Returns Home

In any museum collection you will find items or entire collections that were lent at some point in the distant past, sometimes more than a hundred years ago.  It is always rewarding when a relationship is re-established with the owner and the items or collection can be returned to its rightful place.  This happened to us recently at Te Papa when the Masterton Museum collection was delivered to Aratoi: Wairarapa Museum of Art and History.  The story goes something like this… 

 The Masterton Museum was established in the early 1890s, initially just a display case in the Masterton Institute building but later housed in a building rented by the Masterton Central School.  By 1953 that building required extensive repairs and a deal was made with the Dominion Museum (now known as Te Papa) to “take over all the exhibits considered reasonably worth while, would restore them where practicable, label them and give them a home in Wellington.  Also that, should they be required at some future date if and when a new building were available, they would be returned to Masterton.” (Letter dated 8 September 1954)

 Nearly 60 years later a small contingent of Te Papa staff made their way over the Rimutaka mountains in a truck and car, carrying 148 items identified as the Masterton Museum collection.  We were met by Aratoi staff, Rangitane and Kahungunu who warmly welcomed us, and the collection, back to the Wairarapa.

The collection is wide in its composition and reflects the kind of collecting typical of the late nineteenth century.  The collection consists of taonga Māori; items collected in Australia, the Pacific, Africa, Egypt, and Asia; natural history specimens (including two Huia and a number of Moa bones), as well as items with a national historical significance and those closer to home with strong Masterton or Wairarapa connections.

One of the more fascinating items is a circular ship’s biscuit made by G Wilkie & Co. Sydney. Ship’s biscuit, also known as hardtack, was a staple of a sailor’s diet.  It was usually made of flour, water and salt and double or triple baked to ensure it lasted on long voyages.  Sailor’s often had to soak the biscuit in liquid before they could consume it. 

Ship's biscuit.  Photographer: Robert Clendon.Te Papa

Ship’s biscuit. Photographer: Robert Clendon.Te Papa

This particular ship’s biscuit is inscribed “from H.M.S. Galatea at Nelson NZ. April 1869. Captain H.R.H. Prince Alfred” giving us a tantalising glimpse into history.  Prince Alfred, the 4th child and 2nd son of Queen Victoria, joined the Royal Navy in 1858.  In 1866 he was given command of the HMS Galatea and he set off on a world tour in 1967.  The Galatea arrived in Nelson on 18 April 1869.  A newspaper reported “Various excursion parties in local steamers sailed around the ship.  The Prince lands at 10 o’clock today [19 April 1869].  A Maori dance takes place in the afternoon and a ball at night.”  The biscuit is inscribed on the back with a donor’s name; possibly “Mrs Boyes”, it’s too hard to make out.  We wonder how she came by the biscuit – perhaps she attended the ball…

 See the newspaper item

 There are other fascinating items in the collection and Aratoi are planning to include them in an exhibition later on in the year.  Wait until you see the cow hairballs or a drinking bowl that once belonged to the Hawaiian King Kalakawa (1836-1891).  How about a hue (gourd) reputedly taken in a raid at Parihaka in 1881 or a Crypto Bantum safety bicycle used in Masterton in 1903 by Mr Howarth?

 It is really warming to know that we were able to honour our 1954 agreement and see the collection return home.

Surviving a shipwreck – the wreck of the Dundonald

In my last post I touched on the shipwreck of the Dundonald on Disappointment Island in 1907, and the rescue of its survivors by the Hinemoa when she was taking scientists to the Auckland Islands.  The Auckland Islands were on a major shipping route, but the available charts were not always accurate, and several ships were wrecked there in the late nineteenth and early twentieth centuries.  The twelve Dundonald crew who survived spent eight months on the islands during a freezing sub-antarctic winter, eating what they could catch, and making shelter without any equipment.  

Survivors of wreck of the barque "Dundonald". From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Survivors of wreck of the barque “Dundonald”. From the album: 1907 Sub-Antarctic Expedition. November 1907, Auckland Islands. Attributed to Samuel Page. Te Papa

 

Smashed on the cliffs

The Dundonald was sailing from Sydney to England with a cargo of wheat when she ran aground on the 6th of March, 1907.   Some survivors gave their story to the newspapers when they finally returned to the mainland.  These extracts from Charles Eyre’s account were published in the Auckland Star on 2 December 1907.

” The weather on the night of the 6th of March was very thick and heavy … Suddenly the land was seen right ahead.  We tried to wear the ship short round, but she would not stay, and went stern first into a crevice of the cliffs.  Orders were given to clear the lifeboats, but it was found to be useless, as there was a big sea, and rocks all around us … One tremendous sea washed clean over us, and although we managed to hang on, the next one washed us all away … I caught hold of one of the shrouds and climbed up (the mast)”.

The next day Eyre found that several other men had spent the night clinging to the mast.  Eventually they struggled to shore.  “There were sixteen of us out of 28 that got ashore, which left twelve to be accounted for as drowned … we were all very much exhausted when we got ashore, being very hungry and cold … Later on we discovered there was no depot (of emergency supplies) on that island.  This was a great disappointment to  the mate … he sank rapidly and died the twelfth day after the wreck.”  The mate was an elderly man called Jabez Peters, from Glasgow.  Among those who died in the wreck were Captain Thorburn and his young son, and sailors from around the UK and Scandinavia.

Find out more about emergency depots for shipwrecked sailors in the Sub-Antarctic Islands

Staying alive

“The first day after getting ashore, we subsisted on raw mollymawk. … We managed to scrape through the winter all right by living on sea hawks, mollymawks, and seals … we did not know how to kill (the seals).  At first we used to whack them with a stick, but one of the fellows happened to hit one on the nose, and it rolled over, so after that we had no difficulty in dispatching them.” 

Sea Lion on shore of Enderby Island. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Sea Lion on shore of Enderby Island. From the album: 1907 Sub-Antarctic Expedition. November 1907. Attributed to Samuel Page. Te Papa

The men soon realised they would need some form of shelter to survive the snows of winter.  ” We then decided to dig holes in the ground, which we did with our hands.  Above the holes we built up sticks and put sods on top, forming huts about six feet long and four feet wide”.  One of their huts was used as a cook-house by the scientific expedition which eventually discovered and rescued the men.

Shipwrecked mariners camp, Disappointment Island. Auckland Islands seven miles distant in background. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Shipwrecked mariners camp, Disappointment Island. The Auckland Islands are just visible on the horizon. From the album: 1907 Sub-Antarctic Expedition. November 1907, Auckland Islands. Attributed to Samuel Page. Te Papa

A desperate plan

“(We) knew the depot was on the other island, which was about six miles distant, but we did not know how to get across.  … In July three men built a boat of canvas and sticks. To do this we had to put pieces of our clothes and blankets and sew them together, and the task was all the harder as the ship’s sailmaker and carpenter were both drowned.”

The first boat made it to the main island, but the men couldn’t find the depot, and returned empty handed after several days of searching.  A second boat was smashed as it left shore.  “We build a third (boat) in October … we got to the large island, but as we reached the shore we struck a rock and the boat was smashed, sending us all into the water … the mishap put out a fire we had carried in the boat on a sod.  We had carried it in order to save matches, of which we had only two. These got wet, and even after drying them for three days we could not get a light.”  Without a fire, the men subsisted miserably on raw seal meat.

Frame of coracle used by shipwreck survivors to reach Relief Depot, Auckland Islands, where whaleboat was stored. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Frame of coracle used by shipwreck survivors to reach Relief Depot, Auckland Islands, where whaleboat was stored. Charles Eyre is on the left, and another survivor, John Gratton, on the right of the boat. From the album: 1907 Sub-Antarctic Expedition. November 1907, Auckland Islands. Attributed to Samuel Page. Te Papa

The men walked fifteen miles across the island to locate the depot.  “There was a good boat at the depot, but no sails, so we cut up our clothes to make a sail … we had found clothes at the depot and exchanged them for what we were wearing, and we had also cut each others’ hair and beards, which over the seven months we were on the other island had grown so long that we looked like  a lot of ‘spring poets’.  As we got near our old camp our mates did not know us in our new ‘toggery’ and they thought we were sealers.”

The survivors then moved over to the main island and kept close watch for the Government steamer which called at the islands every six months. The small amount of biscuits and tinned meat they found in the depot was carefully rationed in the meantime – the butter, coffee, tea and sugar which should have been there had been stolen.

Rescue

Charles and the others were finally rescued when the Hinemoa arrived on 16 November.  Before they left the islands, they retrieved the first mate’s body from Disappointment Island and buried him at the small cemetery at Port Ross, alongside other shipwrecked mariners.  The ceremony was attended by all the survivors, the crew of the Hinemoa, and the members of the scientific expedition.

Read Eyre’s full account of the wreck

See maps and more information about shipwrecks in the Auckland Islands

The Amazon’s final home run

 The Amazon Softball Club, the first and last lesbian softball club in New Zealand, has kindly donated a selection of team uniforms and ephemera to Te Papa. The Amazon’s formed at the height of gay liberation in 1977. The Wellington based club provided a space for self-identified lesbians to socialise, find solidarity and develop confidence in their sporting abilities.

 The fight for equality and gay liberation began in the 1960s and New Zealand took major steps forward with the introduction of The Homosexual Law Reform Act in 1986 and the Human Rights Bill in 1993. The Homosexual Law Reform Act decriminalised sexual relations between men aged 16 and over. Sexual relations between women were not illegal, but lesbian women also suffered discrimination and heavily supported the reform act. The Human Rights Bill introduced in 1993 made discrimination based on sexual orientation and gender identity illegal, giving freedom of expression to members of the LBGT community.

 The latest Marriage Equality Bill put forward to parliament by Labour MP Louisa Wall has been a hot topic of public debate in the recent weeks. This bill intends to give same-sex couples the right to a legal marriage and equal rights to adoption which are not currently allowed under the Civil Union Act. If this bill is successful it will be another step forward in the fight for equality and gay liberation.

Amazon Softball Club 2012/2011.Te Papa

Amazon Softball Club 2012/2011.Te Papa

 The Amazon Softball Club is part of New Zealand’s lesbian history and over the last 30 years the club has carved out a legacy on the sport’s field as an affiliated member of the Wellington Softball Association. Competitive and social teams played against other women’s softball teams from around New Zealand. The name Amazons represents mythological female warriors and their eye-catching purple uniforms symbolised the international colour of gay pride.

Amazon Softball Club team uniform c.1990.Te Papa

Amazon Softball Club team uniform c.1990.Te Papa

One team was promoted to Major Reserve during the 1988/1989 season and became a source of pride for the lesbian community in Wellington. Among the items donated are the team’s first uniforms, knickerbockers, stirrups and also invitations and certificates from the 10 year anniversary held in Wellington in 1987. This set of items adds to Te Papa’s growing collection which represents New Zealand’s gay and lesbian social history. Unfortunately the club disbanded in 2011 due to lack of members. Amazons were a central part of the lesbian community in Wellington, which they created for themselves.

Here is a promotional video for the Amazon Softball Club, shot in 2010 by Francesca Jago that illustrates the comradeship and encouraging atmosphere team members were a part of.

Read more about the reform bill in Kirstie Ross’s blog post.

Were you a member or supporter of the Amazons?  What are your memories? Leave a reply below as we would love to hear about your experiences!

Fieldwork in the Subantarctic Islands, a hundred years ago

I’ve been enjoying our scientist’s fieldwork posts.  We have scientist’s photographs from several historic field trips in the photography collection.  My favourites are in this photo album from the 1907 Expedition to the Subantarctic Islands.  The Expedition was initiated by the Canterbury Philosophical Institute with support from the Government, and studied plants, animals, soils and marine life on the Auckland and Campbell Island groups, as well as a few outliers.

Dr Cockayne, botanist, inspecting native florae. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Dr Leonard Cockayne inspecting ‘Poa litorosa’. November 1907, Auckland Islands. Photo attributed to Samuel Page. Te Papa.

 The islands were of real interest to scientists, as they wanted to compare the distribution of species with other parts of the world.  The famous British botanist Joseph Hooker had studied plants near the coast during the 1840s, but no one had looked inland or at some of the smaller islands.  

The Expedition party was made up entirely of New Zealand scientists such as botanist Leonard Cockayne.  There was also a cook, the crew of their transport ship Hinemoa, and a small crew for a whaleboat to ferry the scientists about.   

Scientific members & assistants of the Expedition. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Scientists and assistants of the Auckland Island party of the Expedition. November 1907. Front row: E R Waite, Doctors Cockayne, Benham and Farr. Middle row: G V Hudson, Captain Dorrien-Smith, H D Cook, B C Aston, J S Tennant, R Speight. Back row: S Page, A M Finlayson, G S Collyns, H B North. Photo attributed to Samuel Page. Te Papa

 

Whaleboat, used by Expedition, and crew in Carnley Harbour. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Whaleboat and crew in Carnley Harbour. November 1907. The head of the crew was Whaitiri, from Ruapuke Island. Photo attributed to Samuel Page. Te Papa

The Hinemoa left Bluff on 14 November 1907, and returned at the end of the month.  The scientists made the most of their time on the islands by splitting between the Auckland Islands and Campbell Island.  This photo album was put together by the cook to the Auckland Islands group, Mr W B North, and donated to Te Papa by North’s son years later. 

Magnetic survey tent, Auckland Islands. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Magnetic survey tent, Auckland Islands. November 1907. Photo attributed to Samuel Page. Te Papa

The expedition members were astounded to find a group of shipwrecked sailors on Auckland Island.  These men had survived the wreck of the barque Dundonald eight months before, and ate birds, seals and roots until they managed to reach the cache of emergency stores left by the Government.  Their story is an epic tale, so I’ll cover it in my next post.

Survivors of wreck of the barque "Dundonald". From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Survivors of wreck of the barque “Dundonald”. November 1907, Auckland Islands. Photo attributed to Samuel Page. Te Papa

The Expedition was a great success.   The scientists described a huge range of flora and fauna, and found a number of new species.  Some of the specimens they collected are now in Te Papa’s collection.  A detailed report was published in 1909 and was well received in the scientific world.  The trip was also covered by several newspapers – the Otago Witness did a two-page spread of photographs on Christmas Day, which includes some of the photos in this album.

Snares Island. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Snares Islands. Page, Samuel. Te Papa

Penguin rookery, Snares Islands. November 1907. Attributed to Samuel Page. Te Papa

Graphania erebia (Hudson, 1909); holotype; holotype of Melanchra erebia Hudson, 1909, collected 29 Nov 1907, Erebus Cove, Port Ross. Auckland Islands. New Zealand. Te Papa

One of the specimens collected during the Expedition. Graphania erebia (Hudson, 1909); holotype; holotype of Melanchra erebia Hudson, 1909, collected 29 Nov 1907, Erebus Cove, Port Ross. Te Papa

Sea Lion on shore of Enderby Island. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Sea Lion on shore of Enderby Island. November 1907. Attributed to Samuel Page. Te Papa

Views in Carnley Harbour. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Views in Carnley Harbour. November 1907, Auckland Islands. Attributed to Samuel Page. Te Papa

Auckland Islands crab. From the album: [1907 Sub-Antarctic Expedition]; circa 1908; North, W. November 1907, Auckland Islands. Page, Samuel. Te Papa

Auckland Islands crab, November 1907. Attributed to Samuel Page. Te Papa

 

Caring for our photographic negatives

We have an enormous collection of photographic negatives and transparencies on glass and film, going back to the 1870s. They include all sorts of images from studio portraits to holiday snaps, landscapes, photographs of sports teams, and artists’ negatives and transparencies.  

Moa bone and skin, New Zealand. Burton Brothers, Maker unknown. Te Papa

Moa bone and skin, about 1880, by the Burton Brothers, New Zealand, collodion glass negative. Te Papa (C.014977)

Many negatives are chemically unstable and, if left in an uncontrolled environment, will deteriorate to the point where you can no longer ‘read’ the image they carry. 

Keeping the works cold

 A very cold environment helps to preserve them – so we keep our negatives in two walk-in cold storage vaults. One vault is kept stable at 2 degrees Celsius and 35% relative humidity. This vault is used to store negatives and transparencies on a film base. The second vault is kept at 13 degrees Celsius and 35% relative humidity, and is used to store negatives on glass plates.

Cellulose acetate film was used for negatives from the 1920s. It tends to break down to acetic acid, causing the film to shrink. This makes the binder layer form channels and spots, and the image becomes difficult to read.

Within the cool stores, the negatives are stored in lockable drawers for earthquake protection. 

 

Making more space

Steve McStay and Paul Simpson slide an empty drawer into the plan chest unit.

The existing drawers in our cool store have been filled, so we’ve begun a project to create more storage space. We’ve just finished installing the first group of new drawers, in the film vault.  

We decided to move the existing cabinets as well as add new ones. In the new layout, the drawers go up to near ceiling height, except where we need to leave space for the cooling or air filtration plant. 

The drawers are heavy as they’re made of steel and are constructed to take a lot of weight. We enlisted the help of our building-management team to get them into the store.

New drawers for slides and colour prints

One of the biggest new cabinets is an oversize drawer unit to hold mounted 35mm slides. Our next job is to transfer thousands of slides from a range of cupboards, drawers, and boxes into the new drawers. 

We also want to store our collection of older colour prints in 2-degree storage because they can fade at room temperature. We’ve included a big set of plan drawers for those.  

The new slide drawers, with one of the many boxes of slides waiting to be transferred to their new home.

Next steps

Our next step is to install new drawers and cupboards in the 13-degree vault, where we store glass negatives.

Along the way, we’ll do some small but important projects, like making special card folders (called sink mats) for glass plates that came to us broken. We’ll also be photographing over 1,500 glass plate negatives made by Berry & Co, a Wellington photography studio that operated in the 1910s and 1920s, and adding the images to Collections Online.  See more about Berry & Co WWI soldiers in our collection.

West Coast Fern Fieldwork 2012, 1 – what we were doing

I’m just back from 10 days collecting ferns in the South Island’s West Coast.

From previous collections, we knew of several currently unrecognised species of fern that occur on the West Coast. We investigated these records, visiting the sites to collect more material for our studies and to assess the plants in the field, including gauging population sizes for conservation rankings. Most of the previous records were old and lacked detailed locality information. This meant they took a lot of re-finding, but we were successful in most cases.

Gleichenia ferns often grow entangled with one another and with other plants; hence their common name of tangle ferns. But our understanding of them is also in a tangle. Two or three species are currently recognised in New Zealand, but I think there are at least five. The picture is of a new species. It looks similar to the others from above, but very different when viewed from below. I hope to formally describe it in a year or so. Then I will be able to show you the differences. Our fieldwork significantly extended the known occurrences of this fern. Photo Leon Perrie. © Te Papa.

Some of these poorly known ferns are uncommon. While we found some to be more widespread than previously thought, others appear to be teetering on the cusp between the Department of Conservation’s rankings of ‘At Risk’ and ‘Threatened’.

We also collected specimens of several ‘problem’ fern species, whose boundaries are unclear. They need further study, including with genetic analyses, which our new collections will facilitate.

Altogether, we collected about 170 specimens. These will begin to appear on Te Papa’s Collections Online in the next few weeks. However, there are some that we won’t be able to confidently identify without a lot more work.

With me were: Patrick Brownsey, Te Papa Research Fellow; Wendy Hogg, RSNZ Primary Science Teacher Fellow; and Mike Gemmell, VUW postgraduate student.

Other blog posts about our West Coast fern fieldwork cover:

Where we went.

Sticherus (umbrella ferns).

New, problematic, and interesting species.

Favourite photos

Animal miscellany

Te Papa’s Collections Online.

Into the Night: Jason Greig’s monoprints

When we were developing the Collecting Contemporary exhibition, I unconsciously developed a secret soundtrack – a mix-tape, if you like – of music that came to mind as I thought about the various works in the show. It was Jason Greig who, quite unknowingly, got me started on this track.

In addition to being a wonderfully talented contemporary printmaker, Jason is also a musician and is part of the rock metal band Into the Void, along with fellow New Zealand artist Ronnie van Hout.

Greig’s works contain a bewildering amalgam of literary, musical, and historical references and these are often alluded to in his titles. One work that appears in Collecting Contemporary is a terrific monoprint that he has called Seven years of labour for the instruments of time, 2003.

Jason Greig, 'Seven years of labour for the instruments of time', 2003. Te Papa.

Jason Greig, ‘Seven years of labour for the instruments of time’, 2003. Te Papa.

The title of this work is taken from a song by the Blue Öyster Cult, a 1980s prog rock band. The rock opera is called ‘Imaginos’ and it was released in 1988.

For the eagle-eyed among you, yes, this work featured in Jason’s survey exhibition The Devil Made Me Do It, some years back at the Christchurch Art Gallery.

Download the original brochure from that exhibition (PDF, 4.29MB)

Thinking about other works by Greig in Te Papa’s collection, other songs come to mind. Take The Phaedra Chain III, 2010, for example.

Jason Greig, 'The Phaedra Chain III', 2010. Te Papa.

Jason Greig, ‘The Phaedra Chain III’, 2010. Te Papa. (N.B. This work is not currently on public display.)

While Greig might be referring to the character of Phaedra in Greek mythology, he could as likely be referring to the subject of Lee Hazlewood’s ‘Some Velvet Morning’, originally released in 1968. Personally, the work makes me think of This Mortal Coil’s ‘Song to the Siren’ from 1983.

On the floating, shapeless oceans
I did all my best to smile
til your singing eyes and fingers
drew me loving into your eyes.

And you sang ‘Sail to me, sail to me;
Let me enfold you.’

Here I am, here I am waiting to hold you.
Did I dream you dreamed about me?
Were you here when I was full sail?

Now my foolish boat is leaning, broken love lost on your rocks.
For you sang, ‘Touch me not, touch me not, come back tomorrow.’
Oh my heart, oh my heart shies from the sorrow.
I’m as puzzled as a newborn child.
I’m as riddled as the tide.
Should I stand amid the breakers?
Or shall I lie with death my bride?

Hear me sing: ‘Swim to me, swim to me, let me enfold you.’
‘Here I am. Here I am, waiting to hold you.’

The other work by Jason Greig in Collecting Contemporary is Gideon, 2010.

Jason Greig, 'Gideon', 2010, Te Papa.

Jason Greig, ‘Gideon’, 2010. Te Papa.

This work brings to mind Oscar Wilde’s novel The Picture of Dorian Gray, 1890 and, in some ways, also Major-General Horatio Gordon Robley’s contentious collecting of Māori moko mokai. For some reason, however, I have yet to settle on my internal soundtrack selection for this work. Pondering whether Julee Cruise’s ‘Into the Night’ from 1989 might fit the bill…

~
Sarah Farrar
Curator of Contemporary Art

Talk: mapping NZ’s plants

Next Tuesday night (27th March), I’m giving a talk at Wellington’s Otari Wilton’s Bush about how (and why) maps are generated from dried plant specimens in collections like those of Te Papa. I’ll also introduce some of the new internet tools that are making distribution information about New Zealand’s plants more readily available.

Details: 7.30pm, 27th March 2012, Otari Wilton’s Bush Information Centre, 160 Wilton Road.

Hooker’s spleenwort fern (Asplenium hookerianum) and its distribution in New Zealand based on specimens in Te Papa’s collection.

For those interested, but unable to attend, these are some of the useful internet resources:

NZ Plant Name Database

NZ Plant Conservation Network

Te Papa’s Collections Online 

NZ Virtual Herbarium

NZ eFlora

I intend to finish the talk with some discussion of the ‘weedy’ native plants present in Wellington.

Find out more about Te Papa’s plant collections.

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