Film photography and negatives have had a bit of a resurgence lately but they were once the only way to get pictures made. A large part of our current project digitising the Spencer Digby / Ronald D Woolf Collection is processing around 250,000 photographic negatives. But how does a photo negative get from our storerooms onto Collections Online? Imaging Technician Cat Watters tells us about part of their role in the digitising project team.
Last year, Te Papa received a grant from Lotteries NZ towards the digitisation of the Spencer Digby / Ronald D Woolf Collection of around 250,000 photographic negatives shot between the 1930s and 1980s. The project is now well underway! Imaging Technician Ashleigh James McKenna gives us an insight into how the negatives are managed.
‘Adkin’s photographs provide an honest, in-depth insight into rural life in New Zealand during the first half of the 20th century.’ Danielle Campbell, a Museum and Heritage Studies student at Victoria University, discusses her three favourite Leslie Adkin photographs that she came across during her summer internship at Te Papa.
We have an enormous collection of photographic negatives and transparencies on glass and film, going back to the 1870s. They include all sorts of images from studio portraits to holiday snaps, landscapes, photographs of sports teams, and artists’ negatives and transparencies. Many negatives are chemically unstable and, if left in an