A sculpture made from stained kauri and nephrite, with the stone form featuring shell eyes

Kia haere mai, te atakura, he tio, he huka, he hauunga Let the red-tipped dawn come with the sharpened air, a touch of frost and the promise of a glorious day… In May this year, leading Māori artist Fred Graham was lost to us. He was a central figure inRead more

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In: Art, Māori
A watercolour of a weka with a spoon in its mouth.

As part of their coursework in COMD211 Tuhi Pikitia I Drawing I, Te Herenga Waka University students recently had the unique opportunity to visit Te Papa for a session led by Curator Art Lizzie Bisley, focused on the rich history of animal illustration. Held in an intimate reading room, the visitRead more

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A clump of daisies growing on a rocky mountain.

Nancy Adams was one of New Zealand’s most prolific botanists and a talented artist. She made substantial contributions to Te Papa’s herbarium collection and produced a vast number of botanical illustrations, which were included in widely distributed and well-regarded books about New Zealand flora. As part of their summer research, Lucia Adams and Margo Montes de Oca spent some time looking through several of Nancy’s field guides which were published as part of the ‘Mobil New Zealand Nature Series’ – in particular, Mountain Flowers in New Zealand (1980) and New Zealand Native Trees (1967). You may recognise these books – they are beautiful, helpful and accessible guides to plants in the New Zealand bush.Read more

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A line-drawn map of a garden plan in front of a large building.

Nancy Adams was a key player in the early decades of the Dominion Museum (predecessor to Te Papa), making substantial curatorial contributions to collections spanning from colonial history to botany and producing illustrations, now a valuable part of the Te Papa Art collection. As Lucia Adams and Margo Montes de Oca discovered during their summer research this year, traces of her influence and curatorial eye can be found not only in Te Papa’s archives but also in the outside world, specifically in the gardens by the old Dominion Museum building in Buckle Street.Read more

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Pen and ink drawing of a rabbit or hare.

This September, students from Te Herenga Waka Victoria University of Wellington’s School of Design Innovation visited Te Papa to learn about animal illustration. Art curators Rebecca Rice and Lizzie Bisley showed them a group of artworks from across the collection. Starting with Albrecht Dürer’s 1505 engraving The large horse, the works ranged from the 16th to 20th centuries, showcasing a huge variety of styles, techniques, and approaches to representing animals. After looking at these works, the students drew their own animal illustrations in Te Papa’s Te Taiao | Nature space. Curator Art Lizzie Bisley discusses how it went.Read more

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In: Art, Collections Online
A cream-coloured stamp with a green border and rust-coloured image of a bird sitting in a tree.

The Manumea, or tooth-billed pigeon (Didunculus strigirostris), is an endemic bird of Sāmoa, currently on the brink of extinction. How can museums help to protect this national treasure? In this blog, Research Assistant Annika Sung examines how Te Papa’s collections can teach us about the Manumea and its entwined relationship to various aspects of Sāmoan life and culture.Read more

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In: Art, Pacific, Science
Eight people are looking at a tapa costume in a glass case. One of the people is talking about it.

In 2021, with the Te Papa Foundation’s support, Te Papa acquired a rare book of tapa cloth samples, one of many assembled by Alexander Shaw in 1787. At the wānanga in 2023, artists were given the opportunity to respond to the Shaw book and exchange knowledge between tapa experts from acrossRead more

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A paua shell attached to a large silver finger ring on a white background.

Collections Online hosts over a million items from Te Papa’s collection, each with its own unique story. As part of an internship exploring how blackfoot pāua are represented in Te Papa, Sara Joyce Macdonald highlights a few collection items showing the varied uses of pāua and the importance of that unique taonga to Aotearoa New Zealand.Read more

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A watercolour of a garden with a lot of flowering plants in it.

As part of a summer research project, Lucia Adams from Botany and Annie Barnard from Art worked with Te Papa’s collection of Nancy Adams’ works. Annie and Lucia digitised botanical specimens that Adams collected, enriched catalogue records of her artworks and archival material, and did research and writing about her work and influence. They took a series of field trips to sites that were important in Nancy’s life and work. Here is the third and final in a series of blogs documenting these trips.Read more

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Ten women are standing and facing the camera and either smiling at each other, or the camera.

In 1787, a series of books composed of samples of barkcloths collected from Hawai‘i, Tahiti and Tonga were published by Alexander Shaw. James Cook collected the cloths during his voyages to the Pacific, and while the books contain only fragments of much larger creations, they highlight the variety of textures and artistry attained through the practices, knowledge and skills of Pacific peoples. Mātauranga Māori Curator Isaac Te Awa and Co-Director Pauline Reynolds take us through some of the makers’ reactions to the Shaw book at the recent wānanga in Tahiti.Read more

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