Te Papa’s beautiful collection of early colour photographs made using the autochrome process is the focus of new article published by the online journal The Public Domain Review. The article can be accessed on either The Public Domain Review or OpenGlam. Lissa Mitchell – Curator Historical Documentary Photography More Photography?
I’ve said in a previous blog post that Blenheim photographer William Macey’s cabinet cards elevated the format to an art form. So I thought I had better demonstrate my point by putting together a blog of some of his best studio portraits from those in Te Papa’s photography collection. What I
There is so much to admire about this beautiful ambrotype recently acquired for Te Papa’s photography collection – look at the couple’s cheeks touched up by hand in pink, their jewellery and clothing. I also like that the couple are posed in front of the photographer’s studio interior wall fitted with a dado rail (centre behind
One of my favourite groups of photographs in the collection is a series of carte-de-visite prints all bound together by the number ‘1933/16’. From this number we know that this small group of photographs was the 16th group of objects acquired by the Dominion Museum in 1933. We also know that they were
I need your help to identify the buildings and locations in a small selection of early cartes-de-visite photographs which are mostly of Whanganui. These photographs were taken by William Harding who operated a long running photographic studio in the city in the second half of the 19th century. Some of these buildings
Can you spot the arrow in the sky? This photographic postcard by photographer, James Daroux, was sent by Herman Wollerman to his father in Wellington from the Takapau Divisional training camp in the Hawkes’ Bay in May 1914. The camp was one of an annual series of training exercises organised by the New
The novel The Luminaries is set in Hokitika in 1866 with most of the story taking place amongst a selection of businesses in Revell Street. The mystery is relayed, distorted and formed through different conservations and social interactions between the characters. However missing from the numerous businesses portrayed in the book
At 3pm on the 19th August 1839, a joint meeting of the Academie des Sciences and the Academie des Beaux-Arts, heard from the politician and scientist, François Arago, about the details of a process that produced unbelievably fine detail and extraordinarily subtle tonality. Louis Daguerre, who had been working on