Tag Archives: collections

A new fern, Lastreopsis kermadecensis

Te Papa Research Fellow Patrick Brownsey and I have just described a new species of fern, Lastreopsis kermadecensis.  It only occurs on Raoul Island, which is the largest island in the Kermadec Islands group.  Hence, the second part of the new species name!

The newly described Lastreopsis kermadecensis, from Raoul Island in the Kermadecs. Photo by and courtesy of Peter de Lange.

The Kermadec Islands are the most northern part of the New Zealand Botanical Region.  Raoul Island is about 980 km north-east of the North Island.  Much of the indigenous flora is similar to mainland New Zealand.  But there are a number of plants that occur on the Kermadec Islands and elsewhere in the tropical south Pacific but not in mainland New Zealand.  There are also about 25 vascular plant species that are only found on the Kermadec Islands, like this new fern.

Wikipedia’s entry on the Kermadec Islands.

Some of the specimens from the Kermadec Islands amongst Te Papa’s collections.

While the official description of Lastreopsis kermadecensis is only recent, it has actually been suspected for nearly 50 years that the Lastreopsis on Raoul Island was a distinct species.  But it wasn’t until now that someone (us) did the work to test whether this was indeed the case.  This involved comparing specimens from Raoul Island, New Zealand, Australia, and elsewhere in the Pacific.  The work was completely collections-based; neither Pat nor I have been to the Kermadec Islands! Instead, we used specimens from the collections of Te Papa, Auckland Museum, Landcare Research, the Royal Botanic Gardens Sydney, the Queensland Herbarium, and Hawaii’s Bishop Museum. 

Abstract of the paper describing Lastreopsis kermadecensis.

Lastreopsis kermadecensis looks similar to New Zealand’s smooth shield fern, Lastreopsis glabella.  Lastreopsis glabella is a common forest fern.  You will have undoubtedly seen it if you’ve spent any time in New Zealand’s forests, even if you didn’t recognise it.  One of the differences between Lastreopsis kermadecensis and Lastreopsis glabella is that the latter has an abundance of small, orange glands on the undersides of its fronds.  Lastreopsis kermadecensis is actually most similar to Lastreopsis smithiana from eastern Australia, but there are several differences which we felt were sufficient to treat them as distinct species.

Pictures of New Zealand Lastreopsis from Te Papa’s Collections Online.

The formal description of Lastreopsis kermadecensis means we now recognise 196 ferns and lycophytes indigenous to New Zealand.  We are aware of several additional undescribed or unrecognised species, so a few more years of work will see the list top 200.

Te Papa’s list of New Zealand ferns and lycophytes.

Incidentally, Lastreopsis kermadecensis is one of the first New Zealand plants to be described under the changed rules that allow electronic publication of new scientific names.

Abstract of the article setting out the changes that allow electronic publication of new scientific names for plants, algae, and fungi.

Notes from a Eucalypt and Pine Identification Workshop

 

In an effort to bolster our ability to identify some of New Zealand’s most widespread and commonly cultivated trees, Leon Perrie, Curator of Botany and I attended a workshop for identifying Eucalyptus, Corymbia and Pinus species this month. 

Part of our group gathers as Chris introduces a Eucalyptus species in the Wellington Botanical Gardens grounds. Photo: Antony Kusabs, Te Papa.

The workshop was presented by Chris Ecroyd, a long standing member of New Zealand’s botanical community who worked as Curator of New Zealand’s Forest Research Institute Herbarium (NZFRI) at Scion NewZealand, before retiring last year.  The workshop was also supported by Scion and Wellington City Council. 

Eucalyptus and Corymbia are part of the family Myrtaceae.  Commonly known members of this family native to New Zealand include rata and pohutukawa (Metrosideros species), kanuka (Kunzea species) and manuka (Leptospermum scoparium).  However the Australian members of the Myrtaceae family are much more difficult to tell apart, principally because there are so many of them.

Eucalyptus stricta (left) and Corymbia ficifolia (right). Photos: Antony Kusabs, Te Papa.

Mallee is the term used to describe a gum that is a shrub or tree less than 10m in height and is multi-stemmed from ground level.  We learnt that all mallees are in the Eucalyptus genus, like Eucalyptus stricta above, although these would be rare or non-existent outside gardens in New Zealand.

Chris presented tips for collecting good specimens, with mature seed capsules (for Eucalyptus and Corymbia) and mature cones (Pinus) being the best (but not only) material to collect to aid identification.  New knowledge for us was that specimens of Pinus are best collected in mid-winter when winter resting buds are present.  It’s also important to collect open and closed pine cones, if possible, and note direction of growth on the branch and whether or not they are retained on the tree after maturing.

 Discipline with note taking is important when collecting any specimen and these genera are no exception.  It’s important to try to remember to note bark colour, texture and the general tree habit, among other things.

The relatively smaller cones of Pinus nigra (left) and the cones of Pinus halepensis (right) pointing back along the stem. Photos: Antony Kusabs, Te Papa.

We were also taught characteristics used to split each genera into sub-groups and introduced to computer-based, interactive keys for both Eucalyptus and Pinus.  Interactive keys are becoming a more widespread tool for identifying a number of genera.  See a demonstration of how the Eucalypt EUCLID key works.

The EUCLID software has to be purchased, but the key to cultivated pines in New Zealand is freely available at key to cultivated pines.  Ensure that you have ‘pop-ups’ enabled on your computer and that you install version Java Virtual Machine v1.4.2 or later.

Shrub-forming Pinus mugo exhibiting male cones. A naturalised plant in New Zealand’s high country, as is Pinus contorta with which it is sometimes confused. Photos: Antony Kusabs, Te Papa.

The distinctive canopy shape of Pinus pinea. Photo: Antony Kusabs, Te Papa.

The identification skills we picked up at the workshop will enable us to develop the collection of these genera within Te Papa’s herbarium (WELT).  At WELT we are interested in collecting cultivated plants as well as native plants and have a responsibility, as part of New Zealand’s herbaria community, to collect representatives of all known cultivated species within the central New Zealand region.  This group still requires significant development at WELT.

Thanks to Jean-Claude Stahl, Te Papa for editing these images.

Up the volcano: Fiji ferns II

A highlight of our Fijian expedition was a trip to Kadavu, a medium-sized island south of Viti Levu. 

Kadavu is a priority for Conservation International.  Four species of bird occur there and nowhere else in the world.  However, little is known of Kadavu’s bryophytes, lichens, and ferns, and it was our job to find out.

Delainabukelevu rising above Nabukelevu-ira village. Photo Leon Perrie, Te Papa.

While on Kadavu, Ratu Kaminieli Nabalarua (“Tuka”) looked after us very well, taking us to botanically interesting places and keeping us culturally in line (including monitoring our kava intake).

We did some collecting around the capital Vunisea in the middle of the island, but our focus was the Delainabukelevu (or Nabukelevu or Mount Washington) volcano at the western tip of Kadavu.

Ascending a lower flank of Delanibukelevu, through a plantation of dalo (taro) and kava. Photo Leon Perrie, Te Papa.

Delainabukelevu is just over 800 metres high.  Its summit is often shrouded, producing wet and shaded cloud-forest habitat ideal for bryophytes and ferns!  We spent a day climbing up and down the steep sides, with a few hours collecting at and around the summit.  These collections will take some time to process, but they appeared very interesting.

Abel, our lead guide from Nabukelevu-ira, at the Delainabukelevu summit. To his right is David, another guide, who used Fiji’s superior (to NZ) mobile phone network to stay connected throughout the ascent. Photo Leon Perrie, Te Papa.

A few of Matt Renner’s (Royal Botanic Gardens Sydney) collections from the summit. Photo Leon Perrie, Te Papa.

Processing specimens from Delainabukelevu, Matt von Konrat (right, Field Museum) indicates to Matt Renner that he has five great discoveries from the volcano climb. Lars (behind) keeps the seat occupied, and contemplates where the next kava will come from. Photo Leon Perrie, Te Papa.

We were kindly and warmly accommodated for two nights/three days by the nearby village of Nabukelevu-ira.  Not only did they feed us extremely well, we were entertained by song and traditional dance, and we watched the All Blacks dispatch the Tongans at the Rugby World Cup!  (Kadavu is known within Fiji as ‘little New Zealand’, I think because of the black uniforms used during sporting events, but not all of the locals were backing the All Blacks.)

Farewell from Nabukelevu-ira. Photo Leon Perrie, Te Papa.

Kadavu is famous for its kava, and generous partaking in this social ritual was entailed, particularly for the younger, male members of our group.

Mixed plantation of dalo (taro) and kava, Nabukelevu-ira. Photo Leon Perrie, Te Papa.

Ferning in Fiji

Koru (unfurling frond) of a Pneumatopteris fern in Fiji. Photo Leon Perrie, Te Papa.

I’m lucky to have escaped the end of the New Zealand winter with a work trip to Fiji. This was as part of a Conservation International-funded, international expedition.

The trip was led by Matt von Konrat of Chicago’s Field Museum, with local logistics coordinated by Marika Tuiwawa and Alivereti Naikatini of the University of the South Pacific’s SUVA herbarium. Other participants came from Australia, Hungary, Norway, and Thailand.

The main goal of the trip was collecting liverworts, mosses, and lichens.  These plants are poorly known from Fiji and much of the tropical Pacific.  Te Papa Research Fellow Patrick Brownsey and I provided complementary collections of Fijian ferns.

We spent time in the Namosi and central upland areas of Viti Levu, as well as Kadavu. We collected 270 specimens of at least 160 different fern and lycophyte species; many of the specimens have yet to be identified.

A Hymenophyllum filmy fern (bottom) competes for space with mosses and liverworts on a tree trunk in cloud forest on the Delainbukelevu volcano. Photo Leon Perrie, Te Papa.

Fiji has some 330 species of ferns and lycophytes.  A revised checklist authored by Pat and I will soon appear in the Royal Botanic Gardens of Sydney’s journal Telopea

A young frond of Blechnum milnei, a Fijian endemic that is closely related to New Zealand’s kiokio, Blechnum novae-zelandiae. Photo Leon Perrie, Te Papa.

Some of the photos from our 2008 trip to Fiji are already on Te Papa’s Collections Online.  I’ll add more information as we process the 2011 specimens. 

Maidenhair fern, Adiantum capillus-veneris. This is not native to Fiji but has become a common weed around many parts of Suva. Photo Leon Perrie, Te Papa.
 

Post on our volcano climb.

New Exhibiton – Oceania: Early Encounters at Te Papa

This coming Saturday, 6 August 2011 is the opening of the combined Oceania exhibition between Te Papa and Wellington City Gallery.

For more information about both exhibitions and events see http://www.oceania.org.nz/pages/default.aspx

Te Papa’s exhibition titled Early Encounters will showcase a range of taonga and objects from History, Maori, Pacific Cultures, Art and Natural Environment collections.

The three month long show will be open during the Rugby World Cup and is part of the Real New Zealand Festival.

Some of the Pacific Cultures collection  include:

Cope; made by Women of Gona, PNG, 1962; Purchased 1999; Te Papa; FE011266

Cope; made by Women of Gona, PNG, 1962; Purchased 1999; Te Papa; FE011266

 
Tamtam (slit drum); Vanuatu; FE010556; Te Papa

Tamtam (slit drum); Vanuatu; FE010556; Te Papa

 
Tivaevae taorei; FE011982; Purchased 2007; Te Papa

Tivaevae taorei; FE011982; Purchased 2007; Te Papa

Animal and plant collections

Te Papa’s Natural Environment team have revamped their webpages. You can access them here.

Collection highlights online include:

North Island Brown Kiwi, Apteryx mantelli, New Zealand. Te Papa

The following links will take you to more information on specific collections:

Let us know below what additional information you would like to see online about Te Papa’s collections of animals and plants.

2011 Māori and Pacific Textile Symposium

Māori & Pacific textile symposium banner

2011 Māori and Pacific Textile Symposium

The beating of aute, or tapa, is a heartbeat that resounds across the ocean of Kiwa. The harakeke of Aotearoa, symbolising family, acknowledges the relationship of the Pacific people as one, through weaving. These genealogical and material connections will be explored at the inaugural 2011 Māori and Pacific Textile Symposium, hosted by Te Papa.

Whatu Raranga a Kiwa, Understanding and Uniting Māori and Pacific Textiles
Friday 10 and Saturday 11 June 2011, Te Papa

You are invited to submit abstracts of no more than 300 words on the theme of ‘Whatu Raranga a Kiwa, Understanding and Uniting Māori and Pacific Textiles’. We look forward to receiving thought-provoking and inspirational papers that will encourage discussion and unite people’s passion for textiles.

For more information see the website: http://www.tepapa.govt.nz/WhatsOn/allevents/Pages/MaoriandPacificTextileSymposium.aspx

Documenting Samoan to’i ma’a (stone adzes)

Since 2009, Roger Rasmussen, alongside his role as a Te Papa host, has vounteered to re-house, measure and photograph a collection of to’i ma’a (stone adze)  from Samoa which were gifted to the museum by Rhys Richards in 1991.

Because of Roger’s important work, the images of the collection are now available for viewing on Collections Online.

Roger Rasmussen, 2009

Roger Rasmussen, 2009

In May last year, Rhys Richards, a local scholar, and former High Commissioner to the Solomon Islands and Samoa, visited the Pacific Cultures collection store. He had collected the to’i ma’a in the 1980s from the villages of Solosolo, Lufilufi and Luatuanu’u. The individual to’i ma’a were surface collected by children in the village.  Rhys later published a paper on the collection in the journal of Archaeology in New Zealand (1990).
To’i ma’a were often lashed to a wooden handle, and were used for cutting and shaping wooden items such as bowls and canoes.
To’i ma’a (hafted adze); Samoa; Te Papa Tongarewa; FE001540; Gift of J. Fleck

To’i ma’a (hafted adze); Samoa; Te Papa Tongarewa; FE001540; Gift of J. Fleck

This important collection of about 700 to’i ma’a, provides an opportunity for more research around Samoan tools and society, which includes work by archaeologists Roger Green and Janet Davidson in the 1960s.

To'i ma'a (stone adze); Samoa; Te Papa Tongarewa; FE009629; Gift of Rhys Richards, 1991

To'i ma'a (stone adze); Samoa; Te Papa Tongarewa; FE009629; Gift of Rhys Richards, 1991

A striking acquisition

"Look Within 2" painting; Te Papa; Purchased 2010

This striking work Look Within 2 (2007) by Papua New Guinea artist Daniel Waswas is the latest addition to Te Papa’s collection of contemporary Pacific artworks. It depicts four images of the same person, conveying a message of self reflection and addressing the idea of identity from within one’s own background. In 2009, the painting was selected by the Kaohsiung Museum in Taiwan for its show Art in the Contemporary Pacific -The Great Journey: Iin Pursuit of the Ancestral Realm.

A Master of Fine Arts graduate from the University of Auckland, Waswas has been involved with art-making, cultural events organisation, and arts education since the early 1990s. He has lectured in art and design at the University of Papua New Guinea and, in 2005, established the Gallery PNG  in Port Moresby to promote local indigenous art. He was a research scholar at the University of Canterbury’s Macmillan Brown Centre for Pacific Studies in 2007.

Waswas’ painting joins Te Papa’s small collection of works by esteemed artists from Papua New Guinea, including Jakupa Ako, Gikmai Kundun, David Lasisi, John Man(n), Morububuna Martin, Mathias Kauage , and Cecil King Wungi.

Art at Te Papa shortlisted in the New Zealand Post Book Awards

Art at Te Papa

Art at Te Papa

There were whoops of delight here on the Wellington waterfront as our landmark art collections publication Art at Te Papa was nominated in the illustrated non-fiction category of the 2010 New Zealand Post Book Awards.

Winners will be announced at an awards ceremony in Auckland on Friday 27 August 2010.
Te Papa Press warmly congratulates William McAloon, Curator Historical New Zealand Art, who edited the book, and all the writers and staff who contributed to the superb final result.
The New Zealand Post judges are not alone in recognising the quality of Art at Te Papa:
  • This is a milestone of a book, demonstrating high standards of research, writing and reproduction. – John Daly-Peoples, The National Business Review March 2009
  • A rich and accessibly written account of collections of surprising depth – in both international and New Zealand Art. – Hamish Keith, Metro (May 2009)
  • New Zealand’s most extensive art collection is celebrated in this encyclopedic publication. – Amber McCulloch, Art World No. 9, Jun/Jul 2009
  • Roomy and elegant, and unfailingly informative and lucid. – Graham Adams, Air New Zealand Kia Ora magazine May 2009
  • From Rembrandt engravings to a plastic resin chimp, there’s something for everyone’s taste. A work of art in itself. – Steve Trotman, Wairarapa Times-Age Saturday 18 July, 2009
  • This gorgeous book invites you to leave aside the debate about gimmicky displays and enjoy the art. – Eleanor Black Watkin, Next August 2009
The New Zealand Post book awards were formerly called the Montana New Zealand book awards and Te Papa Press books have won three of the last four Montana Medal for Non-Fiction awards – the most prestigious award for non-fiction in NZ. Those lucky winners were:
  • 2006: Pohutukawa and Rātā: New Zealand’s Ironhearted Trees by Philip Simpson
  • 2007: Eagle’s Complete Trees and Shrubs of New Zealand by Audrey Eagle (LINK)
  • 2009: Rita Angus: An Artist’s Life by Jill Trevelyan (LINK)
  • Other Montana-shortlisted Te Papa Press titles have included the following:
  • 2003: Pacific Art Niu Sila by Sean Mallon and Fuli Pereira
  • 2005: Icons Nga Taonga: From the Museum of New Zealand Te Papa Tongarewa
  • 2005: Toss Woollaston: A Life in Letters by Jill Trevelyan
  • 2006: Extinct Birds of New Zealand by Alan Tennyson and Paul Martinson
  • 2006: An Illustrated Guide to New Zealand Hebes by Alison Kellow and Michael Bayly
Fingers crossed!
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