During the last week, there have been many conversations circulating through different media and social networks about our Prime Minister Jacinda Ardern wearing a kākahu (cloak) at the recent Commonwealth Heads of Government Meeting. Kaitiaki Māori Collection Manager Mark Sykes explains the differences between kahu huruhuru, kahu kiwi, kahu kuri, and korowai.
In a collaboration between National Services Te Paerangi and Whanganui Regional Museum, Te Papa’s bicultural researcher Hokimate Harwood brought her extensive feather identification skills to a community of 30 weavers and bird enthusiasts earlier this year. Hokimate’s feather identification research looks to decode materials and messages within kākahu | feather
Veranoa Hetet and her group of weavers Te Rōpu Miro have been the weavers in residence for the Kahu Ora Living Cloaks exhibition for the last few weeks. Time goes so fast and it’s hard to believe this will be their last weekend at Te Papa, as they finish on Sunday 2 September. Veranoa and her
by Becs Thomas, Assistant Head Teacher, Tai Tamariki Kindergarten The experience of having Tai Tamariki Kindergarten children’s kākahu displayed in Kahu Ora Living Cloaks has been a wonderful learning journey for our kindergarten community, both culturally and in the learning of exhibition protocol and process. This week the second of our
by Matariki Williams This week we are featuring two kākahu shown in Kahu Ora that employ the same weaving techniques but use distinctly different materials. These kākahu are both versions of pākē or rain capes, one from 1850-1900 and the other made in 2009 by Matthew McIntyre-Wilson. The inspiration for this
Every exhibition I work on is different. Each time I learn more and my basket of knowledge (my kete) expands and grows. This time it’s a wonderful exhibition about Māori cloaks, which features many kākahu from Te Papa’s collection, plus a small number of unique taonga which we’re fortunate to borrow from elsewhere. Kahu Ora Living