Do you support hangings? I certainly do if we are discussing the four embroidered wall hangings at Shakespeare’s Globe in London’s Bankside, designed by Wellington artist Raymond Boyce and made by over 400 women from North Shore to Southland in 1991. They are Aotearoa New Zealand’s proud gift to Shakespeare’s and a handsome
Te Papa’s touring exhibition, Gordon Walters: Koru, is currently being hosted at the Eastern Southland Gallery, Gore (23 April to 6 June), a splendid venue which is affectionately known as the ‘Goreggenheim’! Mark Stocker, Curator Historical International Art, talked to the ebullient District Curator at Eastern Southland, Jim Geddes, about it…
I recently delivered a paper on the New Zealand sculptor Margaret Butler (1883-1947) at the University of Otago conference, ‘Making Women Visible’. Although one or two of her sculptures are occasionally exhibited, she is next to invisible to the wide public, certainly far more obscure than her older contemporary Frances
Even before you arrive here, you are guaranteed to be swept off your feet: a massively enlarged version of Alfred Burton’s Milford Sound: Cascade from Mitre wittily tumbles down the steps to Level 4. You must bravely navigate the cascade, as a real treat awaits you! Best painting? This must be Strutt!
Posh ignorance vs. best practice Art historians and curators can be obstinately wrong and obtuse even about great masterpieces. A notorious example is Leonardo da Vinci’s Lady with an Ermine (c. 1490) which should really be called Lady with a Ferret, but posh ignorance prevails. The best practitioners in the
With Queen Elizabeth II’s lengthy reign (my entire lifetime, and more!) now overtaking that of Queen Victoria, it makes sense to look at some of Te Papa’s fascinating and diverse objects that relate to the earlier monarch and empress. I can’t hope to summarise what Queen Victoria was like –
Mad for Rossetti ‘Dante Gabriel Rossetti. Even the name is extravagant, evoking Italy’s greatest poet and the angel of the Annunciation. It well suited Rossetti, for he was an extravagant man – in his art, in his poetry and in his emotions. Brilliant, witty, generous and loyal, he was irresistible
The English painter John Frederick Lewis (1804–1876) was a fascinating and brilliant enigma to his contemporaries, and remains so today. He was certainly no pompous, verbose Victorian bore. At a dinner of the Society of Painters in Watercolours, Lewis delivered a memorable presidential address, rising from his seat, saying nothing,