In an earlier blog, we learnt about Japanese migrant Setsuko Donnelly (b. 1933–d. 1991) and her remarkable life in Aotearoa New Zealand through the words of Setsuko’s daughter, Deb Donnelly. In the recollections gathered below, various members of the Donnelly family remember their mother and grandmother through the cherished Japanese meals (especially sukiyaki!) and cultural practices she passed on to them.
Rona Chapman, Art History and Public Policy student at Victoria University, recently spent time as an intern with our Knowledge and Information and Art teams. While here, she registered over 300 of our important artwork files, and wrote about several paintings and prints that are now on show in the exhibition Hiahia Whenua | Landscape and Desire. Along the way, she found a personal connection to some of the artworks, a series of lithographs by Edith Halcombe made nearly 150 years ago.
What does a young Japanese migrant from Hiroshima bring with her to her new adopted country? Setsuko Yotsugi brought a few things with her to start a future life in Wellington: hopes, dreams, resilience, and values. Here, her daughter Deb Donnelly tells the story of her mother’s journey to Aotearoa New Zealand and how she kept her connection with her birth country alive.
Tuesday 27 Sep was an exciting day for the History team, as we welcomed descendants of prominent nineteenth-century Wellington entrepreneur William Barnard Rhodes and accepted two remarkable items into our collection. Rhodes’ great, great, great grandson Rupert Ryle-Hodges travelled from England to present to Te Papa a silk brocade wedding
Te Papa holds 28 sepia-toned photographs taken of New Zealand servicemen who were wounded during World War I. None of the men in these photographs are identified. However, thanks to Julie Gemmell of Waikouaiti, we now know that one of the men in two of these photos is William Clement Gemmell, Julie’s