After completing our technical examination of the painting, taking lots of pre-treatment photographs and writing the condition report, we write a treatment proposal for the painting.  We consider the current condition of the painting and what we would like to achieve with different treatments.  Our proposal is discussed with theRead more

The back of the canvas

Poedua is an oil painting on stretched canvas, meaning the composition is painted on a fabric support which is stretched to keep it evenly tensioned, over an expandable wooden stretcher.  Canvas supports began to replace traditional wooden panel supports from about the 16th century and were the most commonly used typeRead more

Welcome to the first blog to keep you up-to-date with the conservation treatment of John Webber’s portrait of Poedua.  Katherine Campbell and I, the two paintings conservators here at Te Papa, will aim to post fortnightly on the progress of our work, offering you insight into what happens to aRead more

2011 Māori and Pacific Textile Symposium The beating of aute, or tapa, is a heartbeat that resounds across the ocean of Kiwa. The harakeke of Aotearoa, symbolising family, acknowledges the relationship of the Pacific people as one, through weaving. These genealogical and material connections will be explored at the inauguralRead more

Roger Rasmussen, 2009

Since 2009, Roger Rasmussen, alongside his role as a Te Papa host, has vounteered to re-house, measure and photograph a collection of to’i ma’a (stone adze) from Sāmoa which were gifted to the museum by Rhys Richards in 1991. Because of Roger’s important work, the images of the collection are nowRead more

This striking work, Look Within 2 (2007) by Papua New Guinea artist Daniel Waswas is the latest addition to Te Papa’s collection of contemporary Pacific artworks. It depicts four images of the same person, conveying a message of self reflection and addressing the idea of identity from within one’s ownRead more

Paperskin – the art of tapa cloth is closing this weekend, on Sunday 12 September.  If you haven’t been to see these amazing tapa works, now is the time to come into Te Papa. It will also be your last chance for some time to see the 22 metre Tongan ngatu (tapa), made inRead more

Riki Gooch, musician and producer, in the Paperskin exhibition

Music and museum exhibitions haven’t always gone together – all part of the old idea that a museum should be a solemn and silent place. Today, sound compositions in exhibitions are being used as part of the visitor experience. They offer a different way to approach the things on display – oneRead more

In March 2009, Te Papa was gifted a small but significant collection of objects from Derek J. Wilson. This collection included two Tongan fangufangu or nose flutes that were made from bamboo. Historically, fangufangu were used to awaken the Tongan royalty from their sleep. The newly acquired fangufangu, have intactRead more

The earliest memory I have of my youth takes me back to approximately age three. I was finishing the weekly “playgroup” session with a few neighbours my age which had been held at my house that time. My mother was getting ready to drive the other kids home when myRead more

Collections Online mapping

Mapping the collections This week we added a new feature to Collections Online, our first efforts to map our collection objects, specimens and other resources.  As you browse the collection, the Related Places section at the right of the page will generate a map of the places related to the collection itemRead more

Paperskin – the art of tapa cloth exhibition is full of many wonderful tapa artworks.  But one Tongan tapa cloth (ngatu) in Te Papa’s collection is amazing because of its size – it is more than 22 metres long and over 4 metres wide. We have never been able to displayRead more