One of the most rewarding stages of the treatment is the varnishing of the painting. The new varnish layer returns the colours of the painting to the saturation and depth which were intended by the artist and it is when we feel like we are on the home stretch ofRead more
We have had a very busy start to 2012, we have been working to have Poedua ready for display in March and preparing a number of paintings for the upcoming touring exhibition Angels and Aristocrats. After the painting was re-stretched following the structural treatment, the old restorations including overpaintRead more
The varnish removal is finally complete! The detail of the brushwork in the Poedua’s face and hair have been revealed and we are one step closer to getting this painting ready for display. During the varnish removal we discovered a damage on the stretcher which meant that we needed toRead more
Hello everyone, we are back with our fortnightly updates on the treatment of John Webber’s Poedua. We are progressing slowing with the cleaning of the painting. At this stage, the cleaning involves the varnish removal and the removal of overpaints (later additions by a previous restorer). Today’s blog post willRead more
In the paintings conservation lab, we have been working away steadily on the varnish removal of Poedua. Every now-and-then we come across a painting where this stage of the treatment is relatively easy, where a simple organic solvent solution is effective in removing the varnish without any effect to anyRead more
In our last post we discussed the process of testing to identify the most appropriate cleaning solution to remove the surface dirt layer from the painting. After finding the best cleaning solution for the painting the surface cleaning can begin, but we always carefully monitor our progress to ensure thatRead more
After completing our technical examination of the painting, taking lots of pre-treatment photographs and writing the condition report, we write a treatment proposal for the painting. We consider the current condition of the painting and what we would like to achieve with different treatments. Our proposal is discussed with theRead more
Welcome to the first blog to keep you up-to-date with the conservation treatment of John Webber’s portrait of Poedua. Katherine Campbell and I, the two paintings conservators here at Te Papa, will aim to post fortnightly on the progress of our work, offering you insight into what happens to aRead more
