Collections Data Technician, Gareth Watkins, describes some of the improvements we’ve made in the last six and half months to digitise our collections faster, and gives us a glimpse into some of the gems the team have uncovered so far.
What do these images all have in common?
They’ve all been digitised through Te Papa’s Accelerated Collections Digitisation Programme and on the 14 Feb (Te Papa’s 20th birthday) the team photographed its 10,000th collection item.
Digitising our collections faster
The Accelerated Collections Digitisation Programme (ACDP) was launched in August last year as a way of creating greater online public access to Te Papa’s vast and significant collection.
As the name suggests it’s about targeted and rapid digitisation of our collections, while working to international best practice standards.
Alongside photographing the collection items in high-resolution we are also clearing rights and adding contextual information to the records like names, locations, and subjects to make the items more discoverable online.
How it works
The ACDP team is made up of two imaging technicians, a data technician, a collection manager and a rights officer. This team is supported by curators and team leaders.
With over 2.5 million collection items to choose from the team started with 2D objects, focusing initially on the photography and works-on-paper collections.
Specific groups within these collections are proposed for digitisation and then assessed by the team. The selected items are then retrieved by the collection manager and delivered to the imaging team.
At the same time a rights clearance process is happening.
The high-resolution images are then loaded into our collection management system and checked for quality.
The catalogue records are enhanced and the information and images are then published to Collections Online.
Our biggest month so far for digitisation was in September 2017 with 2,639 objects photographed. This was closely followed by 1,933 objects in January 2018.
Even though 10,000 collection items have been photographed so far, we are still in the process of publishing them to Collections Online. Keep an eye on the blog as we highlight collections as they become publicly available.
Help from new technology
As part of the digitisation programme we invested in new imaging technology, with the purchase of two Phase One kits including the new iXG cultural heritage camera. It’s only the 52nd iXG camera ever produced, and the only one in New Zealand.
The iXG camera and lenses are specifically designed for this type of imaging and deliver superbly detailed images while being able to cope with lots of volume.
It’s wonderful to be involved in a project that’s utilising cutting-edge imaging technology to make taongataonga treasures Māori | Noun | listen from our past more accessible online.
A glimpse into the treasures we’ve digitised so far
We’ve photographed thousands of New Zealand postcards from Muir & Moodie and digitised over 1,000 film negatives and colour transparencies from Glenn Jowitt relating to the Pacific.
We’ve photographed James McDonald’s glass plate and film negatives from the early 1900s which document aspects of Māori life.
We’ve photographed Leslie Adkin’s negatives which capture family life in the Horowhenua early last century, as well as negatives from Wellington-based photographer Fred Brockett.
We’ve also photographed close to two hundred works-on-paper:
The 10,000th collection item photographed
And so what was the 10,000th collection item we photographed? It wasn’t any of the previous images, but this film negative from Steve Rumsey, being held here by imaging technician Dionne Ward: