Tag Archives: wharenui

Giving matters – David Carson-Parker (1932-2012)

Te Poho o Rawiri, Kaiti, Gisborne, 29.06.1962, Gisborne. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

Te Poho o Rawiri, Kaiti, Gisborne, 29.06.1962, Gisborne. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

One of the most generous ways museums acquire items for their collections is from individuals donating things they have made for the benefit of others. This is one way that unique material becomes available to the public and especially to researchers. It is in this spirit that David Carson-Parker, who died 21 October, donated many decorative art and photographic items to Te Papa. However it is the donation of photographs taken by David himself that makes up the largest share of his legacy to the museum.

During the 1960s David travelled around the North Island of New Zealand taking photographs on 35mm colour slide film of numerous meeting houses. Described by David as a ‘personal project’ – I assume he meant self funded – he used Carved Maori Houses of Western and Northern Areas of New Zealand (1955) by William J. Phillips, as a guide book to identify where to go. Now these images provide a valuable record of how these wharenui (meeting houses) looked prior to restoration.

Whitikaupeka, Moawhango, 05.12.1962, North Island. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

Whitikaupeka, Moawhango, 05.12.1962, North Island. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

Through his involvement in the New Zealand Potters Association, David also took photographs documenting the visit of British potter Michael Cardew to Wellington in early 1968. Cardew was an important influence on New Zealand potters such as Peter Stichbury. During Cardew’s visit he demonstrated his method of work to local potters and David’s black and white photographs still enable us to see something of the potter at work – physically stretching, kneading and shaping clay.

Untitled [Michael Cardew stretching clay], 1968, Wellington. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

Untitled [Michael Cardew stretching clay], 1968, Wellington. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

Untitled [Michael Cardew kneading a ball of clay], 1968, Wellington. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

Untitled [Michael Cardew kneading a ball of clay], 1968, Wellington. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

Untitled [Michael Cardew finishing the base of a bowl], 1968, Wellington. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

Untitled [Michael Cardew finishing the base of a bowl], 1968, Wellington. David Carson-Parker. Gift of David Carson-Parker, 1997. © Te Papa.

 

Sometimes David’s donations were quite personal. One of my favourite items David gave to Te Papa is a beautiful spoon made in Dunedin by Frank Hyams and gifted to David’s grandmother, by her husband, on the birth of David’s mother Elizabeth, in 1903.
 Spoon, 1899, Dunedin. Frank Hyams. Gift of David Carson-Parker, 1995. Te Papa

David took on many roles that directly supported the creative sector, including a stint as President of the Friends of Te Papa. On behalf of staff at Te Papa I extend our sympathy and condolences to David’s partner and family.

——

Slice of Heaven -20th century Aotearoa:views from the bridge 3

It’s been a week of  intense activity in the Slice of Heaven exhibition space.

With two weeks to go until opening all the teams involved in the project have been hard at work. Objects get installed, graphic panels are put up, wiring is sorted and cases for the next lot of objects are prepared. It’s a complex undertaking with lots of people and many different tasks involved – so it needs careful coordination. Patience and a sense of humour also helps! 

So the view from the bridge has changed – take a look.

In the 1950s New Zealand and Britain celebrated the Queen’s coronation. Can you spot the bust of Ed Hillary who conquered Everest with Sherpa Tenzing Norgay in 1953? 

It's 1953 and NZ celebrates the Queen's coronation.

It's 1953 and NZ celebrates the Queen's coronation. Copyright Te Papa, 2010.

One section of the exhibition explores how the role of the state in New Zealanders’  lives has changed during the 20th century. During the Great Depression of the 1930s there was high unemployment and many jobless New Zealanders were forced to accept charity. 

Careful installation of the Depression theme.

Careful installation of the Depression theme. Copyright Te Papa, 2010.

The radical economic and social reforms of the 1980s and 90s – Rogernomics – is explored further on in the exhibition. A highlight of this section is 12 monitors each showing a different story of this tumultous time.

Video stories of the Rogernomics era.

Video stories of the Rogernomics era. Copyright Te Papa, 2010.

Stories of Māori in the 20th century are a key part of Slice of Heaven. This part of the exhibition explores the Māori struggle for rights, equality,  and land – all presented within a beautiful wharenui structure.     

Team members in discussion outside the wharenui, where the stories of Māori in the 20th century are presented. Copyright Te Papa, 2010.

Team members in discussion outside the wharenui, where the stories of Māori in the 20th century are presented. Copyright Te Papa, 2010.

And then there’s the green, green grass – which seems to have expanded. I can only get an intriguing glimpse of this from the bridge – enough to see the pink skateboard attached to the wall.

I really want to see more, but I’ll just have to wait… 14 days to be precise. 

More intriguing glimpses of the exhibition.

More intriguing glimpses of the exhibition. Copyright Te Papa, 2010.

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