Tag Archives: Jim Allen

Born in a manger, found in a barn: Te Papa offers assistance to Futuna Chapel

Over a decade ago Jim Allen’s carved Christ figure was stolen from John Scott’s architectural icon, the Futuna Chapel in Wellington.

Its whereabouts remained a mystery until it was recovered from an abandoned Taranaki farm  last week. The New Zealand Police returned the Christ figure to The Friends of Futuna Charitable Trust at a moving ceremony at the Chapel earlier today, Thursday 6 September.

In recognition of the importance of the chapel as a national treasure Te Papa has agreed to assist the Trust by holding the figure in storage until it goes back on permanent display in the chapel next March. While in temporary storage at the Museum, the Trust will arrange a conservation assessment and any restorative work that may be required.

NZ Police carrying Jim Allen's Christ figure into Futuna Chapel. Photo: Phil Reid, Fairfax NZ.

NZ Police carrying Jim Allen’s Christ figure into Futuna Chapel. Photo: Phil Reid, Fairfax NZ.

An icon of New Zealand architecture, the now deconsecrated chapel was designed by one of the first ‘modernist’ Maori architects, John Scott. The architect invited contemporary artist Jim Allen to collaborate on several aspects of the chapel’s design, including the coloured windows – a key feature of the building — and, of course, the crucifix.

‘Recovering the statue has been a goal of the Futuna Trust since it was established in 2003 to celebrate, restore and maintain the chapel, which is regarded as one of New Zealand’s modern architectural masterpieces.’ Nick Bevin, Wellington architect and chair of the Futuna Trust.

Te Papa currently has three important works by Jim Allen on public display on Level 5.

Sarah Farrar, Curator of Contemporary Art

Red Piano and Bronze Bulls coming to Wellington

Michael Parekowhai, He Kōrero Pūrākau mo te Awanui o Te Motu: story of a New Zealand river, 2011. Photograph by John Collie, courtesy of Christchurch Art Gallery, Te Puna o Waiwhetu. Te Papa (TMP013506)

After a successful season at the Venice Biennale, in Paris and Christchurch, Michael Parekowhai’s On First Looking into Chapman’s Homer will make its final stop at the national museum, Te Papa. Opening Saturday 25 August, a specially reconfigured installation will be shown in a single gallery space for four weeks and provides an exciting opportunity to view Parekowhai’s Venice exhibition.

The centerpiece of the installation is an ornately carved Steinway concert grand piano. Painted a vibrant red and titled He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river, it is Te Papa’s latest major acquisition of contemporary art.

Standing alongside He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river  are two black bronze replica pianos complete with two bulls, one standing and one sitting, as well as five bronze olive tree saplings.

Over the four weeks He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river will be performed by top musicians including Gareth Farr, Robert Wiremu and Tama Waipara, and at 12.30pm daily by pianists selected to play this unique piano when it was exhibited in Venice.

In the adjacent galleries Te Papa presents new acquisitions of important works by Jim Allen and Colin McCahon, including McCahon’s painting Koru 1, 2, 3 (1965).

“These three exhibitions provide a wonderful opportunity to engage with some of the most significant examples of contemporary New Zealand art from the mid-1960s through to the present day”, says Sarah Farrar, Acting Senior Curator Art at Te Papa. “It will be an unforgettable one month programme.”

Te Papa would like to acknowledge the support of the Friends of Te Papa, Ernst & Young, Creative New Zealand, and the Wellington City Council.

25 August – 23 September 2012
Level 5, Te Papa
Free entry

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