Tag Archives: Tongan

Tongan ngatu (tapa cloth): a visual record

As part of celebrating Tongan Language Week: Uike Kātonga’i ‘o e Lea Faka-Tonga (1-8 September) the Pacific Cultures team are highlighting some of the Tongan items in Te Papa’s collection. This is the  fourth blog in our series.

Tongan ngatu also known as tapa cloth is an important part of Tongan art and tradition. Te Papa’s collection of about 60 ngatu range in style and use. Some ngatu include symbols of the Tongan royal family, while another records the sighting of  Halley’s comet in 1910 (see below).

Ngatu (tapa cloth); FE012487; Purchased 2009; Te Papa

Ngatu (tapa cloth); FE012487; Purchased 2009; Te Papa

Other ngatu have  words and names inscribed on the cloth. These give us a clue about the people who were once associated with the ngatu. For example a ngatu dated 1932 has the name ‘Siaosi Taufa’ahau’  and images of cricket cups and the crest of Tupou College (see below). The name referred to the late King  Tāufa’āhau Tupou IV when he was a school boy at the College.

Ngatu (tapa cloth); FE008724; Gift of Valerie Morris, 1989; Te Papa

Ngatu (tapa cloth); FE008724; Gift of Valerie Morris, 1989; Te Papa

Another style of tapa cloth is called ngatu ‘uli (black tapa cloth) where the cloth is intensely dyed using candlenut soot, although other dyes are also applied. The ngatu ‘uli below has what appears to be a layer of red clay underneath the candlenut soot.  

Ngatu 'uli (black tapa cloth); FE010584; Te Papa

Ngatu ‘uli (black tapa cloth); FE010584; Te Papa

In 2009 for the exhibition Tapa: Pacific Style, Te Papa worked with the Otaota Fahina Society led by Reverend Sitili Tupouniua and his wife, Lolohea to film Tongan tapa-making in Auckland. To view some of the footage and interviews, click on the links below:

Watch Feletoa Fa’apoi making ngatu

Watch an interview with Lolohea Tupouniua

Queen Sälote of Tonga (1900–65) composer and poet

 This week is Tongan Language Week – Uike Kātoanga’i ‘o e Lea Faka-Tonga. This is the third blog post where the Pacific Cultures team highlight collection items that relate to Tongan language and culture. 

In Tongan Language week it is difficult to look past the contributions of Tonga’s Queen Sälote (1900–65) to the preservation and creative use of the Tongan language. Queen Sälote was a celebrated writer of poetry and song. She composed over one hundred songs, lullabies, laments and dances.[i]

Nuku’alofa Tonga 1963 photographer Ans Westra

Queen Sälote has a connection withNew Zealand that began in 1909 when she was sent to school in Auckland where she stayed until she was 14. She visited New Zealand regularly throughout her life. In 1952, the Tongan government bought an Auckland residence, ‘Atalanga. This became Queen Sälote’s home away from home and later included a hostel for Tongans studying in Auckland. Her visits were mostly private, but she was acknowledged by both government officials and Mäori dignitaries.

When Queen Sälote died in 1965, she was deeply mourned. She was a loved and respected monarch.Queen Sälote’s children and grandchildren continue to maintain close links with New Zealand, especially with the Mäori monarchy, the Kïngitanga.

Te Papa has several treasured items and images associated with Queen Sälote in the Pacific Cultures Collections. They include a kie (fine mat) once owned by Queen Sälote, photographs featuring her by renowned photographer Brian Brake, and a ngatu launima some 23 metres long that was placed beneath her coffin when her body was flown back to Tonga from New Zealand in 1965.

In remembrance of Queen Sälote, we present a selection of images and artefacts below that you can click on to enlarge. We also offer a link to the blog site of Tongan/Samoan poet Maryanne Pale of the South Auckland Poets Collective. She has her own tribute to Queen Sälote and her poetry writing thats worth sharing.

 Maryanne Pale, South Auckland Poets Collective  Link: http://maryannepale.com/2012/03/22/celebrating-world-poetry-day-in-remembrance-of-queen-salote-mafileo-pilolevu-tupou-iii/

Kie hingoa /ie ioga (fine mat) Tonga/Samoa. This kie was formerly in the possession of Queen Sälote. She gave it to the Kronfeld family in Auckland to cover the coffin of Minna Kronfeld whom she had known as a girl. It passed to Minna’s brother, Dr Moe Kronfeld, who gave it to Te Papa.

This is rare fragment of tapa commemorates the war effort of Queen Sälote and the Tongan people who raised money for the British to buy Spitfire airplanes during the Second World War (1939-1945). The aircraft depicted was the first of 3 Spitfires donated to the British war effort by the Queen and people of Tonga. A total of 15,000 pounds was raised in Tonga for this purpose, the aircraft depicted on the tapa was the result of the first payment of 5,000 pounds in April 1941.

Tonga, Royal Tour 1953 Brian Brake (photographer)

Tonga, Royal Tour (1953) Brian Brake (photographer). Queen Sälote is at the front of the vehicle.

Royal Tour , Tonga (1953) Brian Brake (photographer). Queen Sälote is on the right holding a fan.

This ngatu launima was associated with two queens. Made in 1953 to commemorate Queen Elizabeth II’s visit to Tonga, it was later placed under Queen Salote’s coffin when her body was flown back from New Zealand in 1965. The tapa was given to the pilot of the plane Flight Lieutenant McAllister, and he in turn presented it to the Dominion Museum (Te Papa’s predecessor) in 1968. Click on the image to see the details.

 


[i] Wood-Ellen, E. (ed). Songs and Poems of Queen Salote. Vava’u Press, Tonga (2004).

Kava drinking and Tongan culture

This week is Tongan Language Week – Uike Kātoanga’i ‘o e Lea Faka-Tonga. This is the second blog post for this week where the Pacific Cultures team highlight collection items that relate to Tongan language and culture. 

This is a kumete, a wooden bowl used in Tongan communities for the preparation of kava, a beverage made from the roots of the kava plant. A person preparing kava will crush the roots into a powder-like form before mixing it in a bowl with water to suitable strength and taste.

Kumete (kava bowl), Tonga

 The most important use of kava is in meetings and ceremonies. Important guests and occasions are honoured with the formal serving of kava in coconut shell cups. Kava is also consumed informally, sometimes in kava clubs. While these informal kava drinking circles are often social, they are also important venues for the preservation of Tongan language and culture. Conversation, song, humour and even relationships are nurtured around the bowl through the sharing of the beverage among family and friends.

Longoteme, Tonga. 1963 photograph by Ans Westra
This image depicts a group of women in Tonga mixing kava

At Te Papa we collect tangible items associated with kava drinking such as kumete, kava cups and photography of specific events. However, just as interesting are the intangible elements of culture that make these artefacts significant – the stories, tales and cultural practices.

Watch this video clip from the Tales from Te Papa series where the Reverend Tevita Finau explains how kava drinking can play a role in the arts of Tongan courtship. Click here to Go to video.

Look out too for the Tales from Te Papa book available from Te Papa Press: http://www.tepapa.govt.nz/TePapaPress/FullCatalogue/TePapa/Pages/100AmazingTalesFromAotearoa.aspx

Celebrating Tongan Language Week (1 September to 8 September)

This week is Tongan Language Week – Uike Kātoanga’i ‘o e Lea Faka-Tonga. Over the next five days the Pacific Cultures team will be blogging about collection items from Tonga that relate to Tongan language and culture. 

The week is promoted by the Aotearoa Tongan Teachers Association in partnership with the Human Rights Commission, other organisations and members of the Tongan community. The overall goals of the week can be found on the Human Rights Commission website and the Tongan Langage Week Facebook page.

The first work we feature in this series is by Tongan-born artist Filipe Tohi. His large aluminium sculpture at the entrance to the Te Papa exhibition Tangata o le Moana: the story of Pacific people in New Zealand is titled Matakimoana (‘Eye of the Ocean’).  

Matakimoana by Filipe Tohi 2007

In creating Matakimoana, Filipe was inspired by tufunga lalava, the Tongan art of line and space intersection. This art is often seen in the intricate lashing of joins in houses, vaka (canoes), and fish hooks. Tohi says: ‘Kupesi [lalava designs] … contained a language, and meaning in a time that had no written word. The designs explained events, places, and people of the past…There is depth to the lalava designs – because they contain a language, related knowledge, and meaning in a time that had no pens.” 

Matakimoana is a significant part of the story of Tongans and other Pacific peoples here at Te Papa. It reminds us how language, history and culture can be materialized in very sophisticated and sometimes very simple ways. Watch for more posts as we explore the Tongan Collections this week.

LINKS:

Human Rights Commission website 

http://www.hrc.co.nz/race-relations/tongan-language-week

Tongan Langage Week Facebook

http://www.facebook.com/pages/Tongan-Language-Week/121941617883036

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