Throughout this Covid-19 season, New Zealanders have experimented and sharpened their creative skills while in lockdown, not least in their kitchens. But as Kiwi business owners and culinary artists struggle with the long-term effects of Level 4, could New Zealand’s copyright legislation be doing more to help? Media and Image Researcher Katie Fordyce chews over this question that offers timely food for thought.
“How do you feel about working in copyright?”, my academic supervisor asked me back in April. My response was non-committal. I may not have been sure exactly where my interests lay in the museum sector, but I didn’t think that copyright was on my radar at all. However I decided
It is the beginning of June in New Zealand and if you are a photographer it is the perfect time to go camping. Despite the dire warnings from his friend (referred to as ‘Titfaddle’) concerning the folly of making a six week camping trip in the middle of winter, Alfred Burton and his son Harold, left
I’m Victoria Leachman, Rights Adviser at Te Papa. Thanks to support from National Services Te Paerangi and Creative Commons Aotearoa New Zealand I’m going to be on the road around the country in March. I’ll be talking with staff from heritage institutions about copyright, collections, and Creative Commons. If you’re a
Jim Barr and Mary Barr asked a good question about digitisation priorities in their blog. There are 3 parts to digitising Te Papa’s Collection. Information about the artwork or object – information about all the art collection was released on Collections Online last year Photography – do we have a digital photograph? Copyright