Our upcoming exhibition ‘Tony Fomison: Lost in the Dark’, diving into his dark and moody works from 1967 to 1975, is co-created with teenagers from Wellington High School, which involved working together across a number of creative sessions. Here, Experience Designer Chloe Johnston channels here inner teen.
Accompanying the portrait wall in Tūrangawaewae: Art and New Zealand are digital interactives that allow you to dive deeper into the conservation efforts that prepared the paintings for exhibition, and reveal hidden histories. Conservator Paintings Linda Waters writes about what the back of a painting can tell you.
Have you used digital labels in our exhibitions? We use them to tell stories about our objects on screens, instead of just text on walls. Our User Experience team Karyn Brice and Kate Wanless share what they’ve learnt over the last year, and how these insights have helped create our most successful digital label ever.
During the last week, there have been many conversations circulating through different media and social networks about our Prime Minister Jacinda Ardern wearing a kākahu (cloak) at the recent Commonwealth Heads of Government Meeting. Kaitiaki Māori Collection Manager Mark Sykes explains the differences between kahu huruhuru, kahu kiwi, kahu kuri, and korowai.