Tag Archives: Wellington

Curiosities, world-firsts, and monsters – fern spotting in Wellington

On Saturday I joined the Wellington Botanical Society’s field trip to Wright Hill in Karori, Wellington. Wellington city would not be my first choice of locality for fern spotting, but we still found plenty to keep me interested.

The striking filmy fern Hymenophyllum flexuosum. The scientific name means wavy or undulating (flexuose) membranous (hymen) leaf (phyllum). The fronds of most filmy ferns are only one cell thick! Hymenophyllum flexuosum usually grows on rocks, but can be a low epiphyte on trees. Photo © Leon Perrie.

The filmy ferns Hymenophyllum flexuosum and Trichomanes endlicherianum are always pleasing finds. Although widespread, they are not common (but not so rare to be on the national Threatened or At Risk lists). We found them together on a shaded rock face. Rock outcrops are always worth a close inspection because they can be home to species not found in other nearby habitats.

Trichomanes endlicherianum. Note the tubular reproductive structures that characterise the genus. By contrast, the reproductive structures in Hymenophyllum are each enclosed by two distinct flaps. Trichomanes endlicherianum is almost always found on shaded, near-vertical rock faces. It occasionally grows on trees, particularly at the bases of nikau palms. The similar Trichomanes venosum commonly grows on the trunks of tree ferns, but is easily distinguished on account of having multiple veins in each segment of the frond. Photo © Leon Perrie.

The shield fern Polystichum silvaticum was also an interesting find. I spotted this less than half an hour after I had predicted we wouldn’t find it because I thought the environment was not wet or cold enough (and I had forgotten that I had previously collected it from nearby Makara about six years ago). Its presence says something about Karori’s climate.

The shield-less shield fern Polystichum silvaticum. Photo © Leon Perrie.

The reproductive structures of Polystichum silvaticum are naked, lacking the shield-like protective coverings that characterise its relatives. Photo © Leon Perrie.

But my day’s highlight was finding a hybrid between Polystichum neozelandicum and P. silvaticum, which is the first time this has ever been recorded. Some Polystichum hybrid combinations are quite common, particularly, P. neozelandicum × P. vestitum. However, P. neozelandicum and P. silvaticum rarely grow in close proximity, limiting the likelihood of their hybridisation.

First record of the hybrid between Polystichum neozelandicum and P. silvaticum. Photo © Leon Perrie.

We also spotted a monstrous form of hound’s tongue fern, Microsorum pustulatum. These are due to damage to the growing bud, such that it produces fronds that divide more than is typical. During the nineteenth-century ‘fern craze’, such abnormalities were highly prized (and financially-valued) by collectors. Hound’s tongue fern seems particularly predisposed to monstrosities: in the last year I have seen similar plants near Eastbourne and in the Waioeka Gorge, but only at low frequencies (c. 1%).

A so-called monstrous or crested frond of hound’s tongue fern, Microsorum pustulatum. The lobes of the fronds of hound’s tongue fern do not normally fork at their apices. Photo © Leon Perrie.

Learn more about hound’s tongue fern on the Common New Zealand Ferns webpages.

Red Piano and Bronze Bulls coming to Wellington

Michael Parekowhai, He Kōrero Pūrākau mo te Awanui o Te Motu: story of a New Zealand river, 2011. Photograph by John Collie, courtesy of Christchurch Art Gallery, Te Puna o Waiwhetu. Te Papa (TMP013506)

After a successful season at the Venice Biennale, in Paris and Christchurch, Michael Parekowhai’s On First Looking into Chapman’s Homer will make its final stop at the national museum, Te Papa. Opening Saturday 25 August, a specially reconfigured installation will be shown in a single gallery space for four weeks and provides an exciting opportunity to view Parekowhai’s Venice exhibition.

The centerpiece of the installation is an ornately carved Steinway concert grand piano. Painted a vibrant red and titled He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river, it is Te Papa’s latest major acquisition of contemporary art.

Standing alongside He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river  are two black bronze replica pianos complete with two bulls, one standing and one sitting, as well as five bronze olive tree saplings.

Over the four weeks He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river will be performed by top musicians including Gareth Farr, Robert Wiremu and Tama Waipara, and at 12.30pm daily by pianists selected to play this unique piano when it was exhibited in Venice.

In the adjacent galleries Te Papa presents new acquisitions of important works by Jim Allen and Colin McCahon, including McCahon’s painting Koru 1, 2, 3 (1965).

“These three exhibitions provide a wonderful opportunity to engage with some of the most significant examples of contemporary New Zealand art from the mid-1960s through to the present day”, says Sarah Farrar, Acting Senior Curator Art at Te Papa. “It will be an unforgettable one month programme.”

Te Papa would like to acknowledge the support of the Friends of Te Papa, Ernst & Young, Creative New Zealand, and the Wellington City Council.

25 August – 23 September 2012
Level 5, Te Papa
Free entry

Thank you Wellington

This afternoon, Wellington City Councillors voted to reinstate funding Te Papa at $2.25 million per annum. Initially, Wellington City Council draft long term plan had proposed a reduction in funding from $2.25 million to $1 million per year for the next 10 years.

Te Papa Chief Executive, Michael Houlihan would like to thank all Wellingtonians who provided submissions in support of Te Papa.

“Thanks to everyone who wrote, submissions, letters and, post it notes. Your feedback has given us a deeper understanding of how visitors see and use Te Papa. Its great to have so many people saying that they like what we do and how much they value the contribution Te Papa makes to Wellington City as a great place to live and work.”

“We are looking forward to working even more closely with Wellington City Council as both a strategic partner and key contributor to the vibrancy of this great city.”

Delighted to have two finalists in New Zealand Post Book Awards

Te Papa Press, New Zealand’s unique museum publisher, are delighted to advise that two of its books are finalists in the prestigious annual New Zealand Post Book Awards.

The finalists, announced last week, were selected from 160 entries and are described by the judges as “diverse and exciting”.

Whatu Kākahu: Māori Cloaks edited by Awhina Tamarapa and New Zealand Film: An Illustrated History, edited by Diane Pivac, Frank Stark, Lawrence McDonald and published in association with The Film Archive, are both finalists in the Illustrated Non-fiction category of the awards.

According to the finalist announcement the judges were unanimous in their selection of  the titles and Te Papa Press publisher Claire Murdoch is thrilled that both books are being recognised in this way.

“Awards like this are a welcome acknowledgement of the great care and professional pride our team takes in creating books about Aotearoa’s art, culture and natural world. An immense amount of dedicated scholarship went into the writing and editing of both books, and because they’re also heavily illustrated, the efforts of the photography and design teams were similarly substantial. I’d like to extend congratulations and hearty thanks to all who worked on these beautiful books, and to all who work closely with Te Papa Press.”

The New Zealand Post Book Awards will be announced at an evening ceremony on Wednesday 1st August. Readers are invited to vote for their favourite through the People’s Choice Award here: www.nzpostbookawards.co.nz

Visitors to Te Papa will also be able to find elements from Whatu Kākahu: Māori Cloaks featuring in the exhibition Kahu Ora Living Cloaks which opens at the museum this week. Entry to this exhibition is free. 

20 millionth visitor to Te Papa

Yesterday morning at around 10.45am, Te Papa reached a milestone achievement of 20 million visitors since opening in 1998.

Congratulations to Eliza Jost, the 20,000,000th visitor to Te Papa.

Eliza, originally from Sydney, has been in Wellington for six years and performing as a ballerina with the Royal New Zealand Ballet.

“I’m overwhelmed!” beamed Eliza, “Thank you so much Te Papa”.

Eliza greeted at Te Papa’s entrance by Kahu the Kea. Photograph by Norman Heke. Te Papa

Eliza greeted at Te Papa’s entrance by Kahu the Kea. Photograph by Norman Heke. Te Papa

Eliza was presented with a prize pack, which includes

  • TelstraClear vouchers to the value of $600 (inclusive of GST) that can be applied to any charges billed to a TelstraClear account.
  • HP Photosmart 7510 e-All-in-One Printer
  • Dinner at Monsoon Poon
  • A weekend at Rydges Wellington
  • Visa pressie card
  • Te Papa Fun Pack, including Te Papa Press books, Te Papa Store Vouchers and a Friends of Te Papa Membership
  • OurSpace Rides, free tickets for a year to Platinum Visa Gallery exhibitions and a Back of House Tour of your choice

Says Te Papa’s Chief Executive, Mike Houlihan, “This milestone confirms Te Papa’s status as the top tourist attraction in New Zealand”

Te Papa’s 20,000,000th visitor, Eliza Jost, with Chief Executive, Mike Houlihan and Kaihautū, Michelle Hippolite. Photograph by Norman Heke. Te Papa

Te Papa’s 20,000,000th visitor, Eliza Jost, with Chief Executive, Mike Houlihan and Kaihautū, Michelle Hippolite. Photograph by Norman Heke. Te Papa

Wellington – There is still time to support Te Papa

5pm tomorrow, Friday 18 May, is the deadline for Wellington City Council to receive your written submissions on the Draft Long Term plan. It is in this plan that Wellington City Council proposes to cut our funding by $1.25 million, to $1 million for the next 10 years.

If you were meaning to send in a written submission but haven’t gotten round to it yet, there is still time! The Wellington City Council have an has an interactive website to make an official submissions online.

The main points to include are:

-          the WCC should maintain Te Papa’s funding at $2.25 million per year, funding should not be decreased
-          Wellington should support Te Papa as a major visitor attraction for the city that draws in tourists
-          Te Papa sustains employment equivalent to almost 1,500 Wellington city jobs annually.

Another option is to email all councillors at once via councillors@wcc.govt.nz or contact them individually via the Wellington City Council website

Remember the deadline for official submissions is this Friday 18 May at 5pm; however, councillors will only be making their decision on 27 June, so we encourage you to keep talking to them over the next month.

We would like to thank everyone who came in to support Te Papa by sticking up a post-it note on our Save Our Services boards and writing submissions while in Te Papa.  We will be delivering these to the Wellington City Council on your behalf.

Will you be Te Papa’s 20 millionth visitor?


During the month of May, we are expecting to reach the milestone of 20 million visitors since opening in 1998. We are so excited that our partners and sponsors want to celebrate this with us, and have put together a great prize package for our 20 millionth visitor.
The prize will be presented as they walk through the door, so make sure you come and visit Te Papa  during the month of May because it could be you!

The prize package includes:

  • TelstraClear vouchers to the value of $600 (inclusive of GST) that can be applied to any charges billed to a TelstraClear account.
  • HP Photosmart 7510 e-All-in-One Printer
  • Dinner at Monsoon Poon
  • A weekend at Rydges Wellington
  • Visa pressie card
  • Te Papa Fun Pack, including Te Papa Press books, Te Papa Store Vouchers and a Friends of Te Papa Membership
  • OurSpace Rides, Free tickets for a year to Platinum Visa Gallery exhibitions and a Back of House Tour of your choice

As with every competition, there are a few Terms and Conditions

  1. The 20 millionth person to walk through the main door of Te Papa as judged by the Te Papa visitor research team will be deemed the winner.
  2. The result is final and no correspondence will be entered into.
  3. This competition is not open to Te Papa staff, contractors, or their immediate families.
  4. Winners must be available for publicity purposes. Winners grant Te Papa permission to use their names, characters, photographs, voices and likeness in connection with this promotion and for future promotion and marketing purposes and waive any claims to royalty, right or remuneration for such use.
  5. Parental permission must be given if the winner is under 18.
  6. Prizes are not transferable for cash.
  7. Te Papa will provide the prize. Te Papa reserves the right to substitute prizes of equal or greater value at any time.
  8. By accepting the prize, the prize winner accepts the terms and conditions stated above.

Help Save our Services at Te Papa

Save our Services

The story so far

Wellington City Councillors, while preparing budgets for the city’s long-term council plan, have recommended that they reduce the funding to Te Papa by 55 percent.

Council will be asking for public submissions between 16 April and 18 May 2012 – and will be making their decisions on the submissions Wellington ratepayers make.

What could happen?

A funding cut could mean that Te Papa reduces its services to Wellington ratepayers, for example:

  • Charges to use Discovery Centres
  • Increases in charges for StoryPlace
  • Fewer free exhibitions
  • Fewer new exhibitions

If you would like us to keep everything, let us know.

How you can help

We’re asking our city to help Save our Services by making public submissions:

  • Leave a comment below
  • Come to the museum – We have a display near our information centre and we’re asking people to grab a sticky-note, tell us what you think we need to save!
Save our Services board in the Wellington Foyer

Save our Services board in the Wellington Foyer

Te Papa’s economic impact on Wellington City

  • Te Papa is the most popular activity destination in Wellington City.
  • Te Papa adds $91.3 million every year to Wellington City’s economy
  • Visitors to Te Papa spend $59 million per year in Wellington City
  • 30% of Wellington City Council’s funding to Te Papa comes from ratepayer contributions
  • 70% of Wellington City Council’s funding to Te Papa comes from local business levies
  • 96% of our Wellington City visitors come back more than twice and 60% visit 5 or more times every year.
  • Te Papa sustains employment equivalent to almost 1,500 Wellington city jobs annually

More information

Ernest Shufflebotham – the unbeatable All White of Crown Lynn

I am currently working on a fashion exhibition entitled New Zealand in Vogue, the content and layout of which is inspired by Vogue New Zealand, which graced magazine stands between 1957 and 1968.

Vase, 1948 - 1955, Crown Lynn Potteries Ltd (1948–1991), Shufflebotham, Ernest (1908–1984), Auckland. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

Vase, 1948 - 1955, Crown Lynn Potteries Ltd (1948–1991), Shufflebotham, Ernest (1908–1984), Auckland. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

Each case is inspired by a Vogue headline. One of my favourites is ‘Unbeatable All-Blacks’ – a spread, not of famous black jerseys and the strapping chaps who wore them, but of little black dresses. As a visual flourish, I’ve added my favourite ‘All White’ to the case – this beautiful Ernest Shufflebotham Crown Lynn vase – for white is to the vase as black is the dress.

I became obsessed with Ernest Shufflebotham’s hand-potted wares in the early 1990s after seeing an all-white collection jostling for space on a colleague’s mantelpiece. I was told the designer was Ernie Shufflebottom – the name under which he has been known until very recently. For decades a grave error in transmission or transcription has seen Mr Shufflebotham immortalised in our ceramics histories as Shufflebottom. It was only last year, that his UK-based family made contact with Te Papa, amongst others, to save the family name from further embarassment.

Vase, 1940-1956, Josiah Wedgwood and Sons Ltd (1759– ), Murray, Keith (1892–1981), England. Walter C Cook Decorative Arts Collection, Gift of Walter Cook, 1992. Te Papa

Vase, 1940-1956, Josiah Wedgwood and Sons Ltd (1759– ), Murray, Keith (1892–1981), England. Walter C Cook Decorative Arts Collection, Gift of Walter Cook, 1992. Te Papa

Shufflebotham originally worked for Wedgwood in the UK as one of team of a talented throwers and turners who realised the designs of Keith Murray, an ex-patriot New Zealander. Murray was engaged by Wedgwood from 1933 to 1936 to produce ‘new cheap shapes, attractive to modern eyes’ – shapes that have maintained their attractiveness into 21st century, albeit no longer falling into the ‘cheap’ category.

In 1948 Shufflebotham exchanged Wedgwood, England for Crown Lynn, New Zealand. He was one of 15 English craftsmen who were employed by Crown Lynn to extend the company’s capacity in the post-war boom. Although he switched countries and companies, Shufflebotham continued to produce ‘Keith Murray wares’ – that is until David Jenkin, Head of Design, plucked up the courage to ‘suggest that he do something else’. While Shufflebotham continued to make ‘Murray variations’, over time he began to add his own twist to the famous Murray look.

Shufflebotham’s ‘hand-potted’ range was avidly promoted by Crown Lynn as the perfect accessory for flower arranging, stating in their advertising that the ‘most important feature of all flower arrangements is of course, the choice of a suitable containers – and there is absolutely no limit to the size or style of Crown Lynn containers’. In a promotional brochure they urged that Shufflebotham’s ‘moon-white pottery’ provided ample scope for floral arrangements that were ’always in good taste, particularly where contemporary furnishings play their part in the modern home’. Berin Spiro, Auckland’s most debonair and fashionable florist (and part time fashion compere and charm school director) helped promote the range.

Shufflebotham’s vases not only came to furnish the modern home, but also sadly the graveyard. In his series The consolation of philosophy: Piko nei te matenga, Michael Parekowhai captures the role of Shufflebotham’s moon-white pottery came to play in memorialising the fallen in cemeteries across the country.

Amiens. From the series: The consolation of philosophy: Piko nei te matenga, 2001, Parekowhai, Michael (1968– ), Auckland. Purchased 2005. Te Papa

Amiens. From the series: The consolation of philosophy: Piko nei te matenga, 2001, Parekowhai, Michael (1968– ), Auckland. Purchased 2005. Te Papa

The titles of Michael Parekowhai’s images refer to places in France and Flanders where the Pioneer Maori Battalion made a contribution during World War I.

Bottle - grooved, 2008, Parker, John (1947– ), Auckland. Purchased 2009. Te Papa

Bottle - grooved, 2008, Parker, John (1947– ), Auckland. Purchased 2009. Te Papa

At the City Gallery exhibition Crown Lynn: Crockery of Distinction, a Shufflebotham vase is displayed alongside a Keith Murray and a piece by contemporary ceramist John Parker. Inspired by the work of Shufflebotham and Murray, Parker announced in 1996 that he was no longer going to work in any other colour than white. That however is another story which is best told in John Parker Ceramics (City Gallery, Wellington, 2002)

For more on Murray and Shufflebotham see Keith Murray in Context by Linda Tyler, Douglas Lloyd Jenkins and Michael Findlay (Hawke’s Bay Cultural Trust, 1996).
PS New Zealand in Vogue opens at Te Papa in late June 2011.

 

POSTED IN CONJUNCTION WITH CROWN LYNN: CROCKERY OF DISTINCTION, CITY GALLERY, WELLINGTON

European Masters closes this Sunday

Well it’s coming to that sad time when exhibitions are about to close and a lot of people are always in the habit of putting things a off to the last minute so… I thought I would help you all out with a bit of a reminder in the hope you don’t have end up saying “ahh I wanted to go to that one”.

So for all of you putting it off, European Masters: 19th–20th century art from the Städel Museum closes this Sunday 27th February!

And if you buy your ticket with your Visa Credit or debit card you could win a trip for 2 to Europe, including a guided tour of not one, but three of the best art museums in the world – The Tate Modern, London; the Stadel Museum in Frankfurt and the Musée du Louvre in Paris.

If you have been in to see the exhibition already and paid for it with your Visa Credit or Debit card but you haven’t entered the draw yet, you have until Sunday to fill in your details online.

<!–[if gte mso 9]> Normal 0 false false false MicrosoftInternetExplorer4 <![endif]–><!–[if gte mso 9]> <![endif]–> <!–[endif]–> <!–[endif]–> <!–[if gte mso 9]> Normal 0 false false false MicrosoftInternetExplorer4 <![endif]–><!–[if gte mso 9]> <![endif]–>Well it’s coming to that sad time when exhibitions are about to close and a lot of people are always in the habit of putting things a off to the last minute so….. I thought I would help you all out with a bit of a reminder and in the hope you don’t have end up saying “ahh I wanted to go to that one”.
So for all of you putting it off European Masters: 19th–20th century art from the Städel Museum closes this Sunday 27th February! 
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