Tag Archives: Tonga

Remembering Mele Saiatua Lavulo (1916-2013) – a leader in the Tongan community

It is with sadness that the Pacific Cultures team at Te Papa acknowledges the recent passing of Mele Saiatua Lavulo. Saiatua was born in Tatakamotonga, Mu’a in Tonga in 1916. She had many achievements in her lifetime, and became an important figure in the history of the Tongan community in New Zealand. We had the privilege of meeting Saiatua in 2006-7. Kolokesa Māhina-Tuai (former Pacific Cultures curator) interviewed her for the exhibition Tangata o le Moana: the story of Pacific people in New Zealand, which is currently on at Te Papa.

In the interview, Saiatua talks about her experiences working with the Tongan community during the infamous ‘dawn raids’ of the 1970s.  The dawn raids were part of a tough stance by the New Zealand government towards people who had overstayed temporary visas. The controversial campaign targeted Pacific Islanders, while turning a blind eye to overstayers of European or other descent. It involved raids on houses (often at dawn) and work places, along with random street checks. Migrants were subjected to racial discrimination and harassed and prosecuted for overstaying. Saiatua, her husband Tevita Kautau Lavulo, and lawyer and son in law Clive Edwards  helped many Tongan overstayers with residency applications during this time. They provided crucial leadership and advice to the Tongan community in a time of crisis. In this short extract from her interview Saiatua recalls an incident during the ‘dawn raids’.

When the Congregational Church of Tonga was being built (in Ponsonby) rumors were being circulated that people who were living there were overstayers. I will tell you of one instance when we had just finished work and we headed to our church, this was in 1978.  Together with a family, who had already received their permit’s, we prepared food for the people who were building the church. While my husband, Tevita Kautau Lavulo, was blessing the food in an upstairs room of the large building next door to where the church was being built, two immigration officers turned up at the door. I stood up and went outside and downstairs with the immigration officers who explained that they had been informed by people that the house was full of overstayers.  They told me that they can see that there is a prayer being said and I explained that we were in the middle of blessing the food we had prepared and that they were mistaken about the house being full of overstayers,there are no overstayers living in the building. I told them that we were just having a meal and that afterwards we would all leave the church.  It was common during this time for people to tell on others, but regardless of this, there were many families that were blessed and ended up remaining here.”

Acknowledgement: My thanks to Kolokesa Māhina-Tuai for her assistance with this post.

Mele Saiatua Lavulo (1916 – 2013)

Oral histories in the exhibition Tangata o le Moana: the story of Pacific people in New Zealand

Oral histories in the exhibition Tangata o le Moana: the story of Pacific people in New Zealand. Saiatua appears first on the left with Veimau Lepa, The Honourable Anand Satyanand and Tumanuvao Alfred Tupu.

Tangata o le Moana Living portraits

Oral histories in the exhibition Tangata o le Moana: the story of Pacific people in New Zealand

Documenting history on Tongan fangufangu

As part of celebrating Tongan Language Week: Uike Kātonga’i ‘o e Lea Faka-Tonga (1-8 September) the Pacific Cultures team are highlighting some of the Tongan items in Te Papa’s collection. Today’s blog is the last of our series.

Tongan fangufangu (nose flutes) are beautifully crafted musical instruments. Historically, fangufangu were used to awaken the Tongan royalty from their sleep. Made from bamboo, they have intact nodes at each end, forming a sealed cylinder. However they also document important moments in Tonga’s history. Te Papa has three fangufangu in the Pacific Cultures Collection, which date from the 1800s. Etched on each fangufangu are images, words and names that tell us a story.

Fangufangu (nose flute); FE000712; Gift of Alexander Turnbull, 1913; Te Papa

Translated with the kind help of Tongan staff member Lute Langi, it was discovered that the fangufangu above has several motifs written in the Tongan language including ko e fonu (this is a turtle), ko e fai (this is a sting ray) and moa ta’ane (rooster). There is also an image of a woman named ‘Malia’ and a picture of a ‘Manuao Falanise’ or French ship. The artist has possibly recorded the introduction of Catholicism to Tonga by French Marist brothers during the 1850s. Malia perhaps references Mary the mother of Jesus.

Fangufangu (nose flute); FE012470; Gift of Derek J. Wilson, 2009; Te Papa

This fangufangu has the name Sione Latu inscribed. It gives the location as Tuanuku, Vava’u, the former is a coastal village in the Vava’u group of islands.  There are pictures of 15 birds, 12 ships and two human figures. This fangufangu, possibly records the coming and going of European ships in the harbour area in the 1800s.

Click on the link to view the playing of fangufangu during Queen Elizabeth II’s royal visit to the Kingdom of Tonga: Watch video

For more about fangufangu, see:

Mahina, ‘Okusitino 1984 Observations of a Tongan Nose-flute (fangufangu). Records of the Auckland Institute and Museum 21 (1): 33-36.

Tongan ngatu (tapa cloth): a visual record

As part of celebrating Tongan Language Week: Uike Kātonga’i ‘o e Lea Faka-Tonga (1-8 September) the Pacific Cultures team are highlighting some of the Tongan items in Te Papa’s collection. This is the  fourth blog in our series.

Tongan ngatu also known as tapa cloth is an important part of Tongan art and tradition. Te Papa’s collection of about 60 ngatu range in style and use. Some ngatu include symbols of the Tongan royal family, while another records the sighting of  Halley’s comet in 1910 (see below).

Ngatu (tapa cloth); FE012487; Purchased 2009; Te Papa

Ngatu (tapa cloth); FE012487; Purchased 2009; Te Papa

Other ngatu have  words and names inscribed on the cloth. These give us a clue about the people who were once associated with the ngatu. For example a ngatu dated 1932 has the name ‘Siaosi Taufa’ahau’  and images of cricket cups and the crest of Tupou College (see below). The name referred to the late King  Tāufa’āhau Tupou IV when he was a school boy at the College.

Ngatu (tapa cloth); FE008724; Gift of Valerie Morris, 1989; Te Papa

Ngatu (tapa cloth); FE008724; Gift of Valerie Morris, 1989; Te Papa

Another style of tapa cloth is called ngatu ‘uli (black tapa cloth) where the cloth is intensely dyed using candlenut soot, although other dyes are also applied. The ngatu ‘uli below has what appears to be a layer of red clay underneath the candlenut soot.  

Ngatu 'uli (black tapa cloth); FE010584; Te Papa

Ngatu ‘uli (black tapa cloth); FE010584; Te Papa

In 2009 for the exhibition Tapa: Pacific Style, Te Papa worked with the Otaota Fahina Society led by Reverend Sitili Tupouniua and his wife, Lolohea to film Tongan tapa-making in Auckland. To view some of the footage and interviews, click on the links below:

Watch Feletoa Fa’apoi making ngatu

Watch an interview with Lolohea Tupouniua

Queen Sälote of Tonga (1900–65) composer and poet

 This week is Tongan Language Week – Uike Kātoanga’i ‘o e Lea Faka-Tonga. This is the third blog post where the Pacific Cultures team highlight collection items that relate to Tongan language and culture. 

In Tongan Language week it is difficult to look past the contributions of Tonga’s Queen Sälote (1900–65) to the preservation and creative use of the Tongan language. Queen Sälote was a celebrated writer of poetry and song. She composed over one hundred songs, lullabies, laments and dances.[i]

Nuku’alofa Tonga 1963 photographer Ans Westra

Queen Sälote has a connection withNew Zealand that began in 1909 when she was sent to school in Auckland where she stayed until she was 14. She visited New Zealand regularly throughout her life. In 1952, the Tongan government bought an Auckland residence, ‘Atalanga. This became Queen Sälote’s home away from home and later included a hostel for Tongans studying in Auckland. Her visits were mostly private, but she was acknowledged by both government officials and Mäori dignitaries.

When Queen Sälote died in 1965, she was deeply mourned. She was a loved and respected monarch.Queen Sälote’s children and grandchildren continue to maintain close links with New Zealand, especially with the Mäori monarchy, the Kïngitanga.

Te Papa has several treasured items and images associated with Queen Sälote in the Pacific Cultures Collections. They include a kie (fine mat) once owned by Queen Sälote, photographs featuring her by renowned photographer Brian Brake, and a ngatu launima some 23 metres long that was placed beneath her coffin when her body was flown back to Tonga from New Zealand in 1965.

In remembrance of Queen Sälote, we present a selection of images and artefacts below that you can click on to enlarge. We also offer a link to the blog site of Tongan/Samoan poet Maryanne Pale of the South Auckland Poets Collective. She has her own tribute to Queen Sälote and her poetry writing thats worth sharing.

 Maryanne Pale, South Auckland Poets Collective  Link: http://maryannepale.com/2012/03/22/celebrating-world-poetry-day-in-remembrance-of-queen-salote-mafileo-pilolevu-tupou-iii/

Kie hingoa /ie ioga (fine mat) Tonga/Samoa. This kie was formerly in the possession of Queen Sälote. She gave it to the Kronfeld family in Auckland to cover the coffin of Minna Kronfeld whom she had known as a girl. It passed to Minna’s brother, Dr Moe Kronfeld, who gave it to Te Papa.

This is rare fragment of tapa commemorates the war effort of Queen Sälote and the Tongan people who raised money for the British to buy Spitfire airplanes during the Second World War (1939-1945). The aircraft depicted was the first of 3 Spitfires donated to the British war effort by the Queen and people of Tonga. A total of 15,000 pounds was raised in Tonga for this purpose, the aircraft depicted on the tapa was the result of the first payment of 5,000 pounds in April 1941.

Tonga, Royal Tour 1953 Brian Brake (photographer)

Tonga, Royal Tour (1953) Brian Brake (photographer). Queen Sälote is at the front of the vehicle.

Royal Tour , Tonga (1953) Brian Brake (photographer). Queen Sälote is on the right holding a fan.

This ngatu launima was associated with two queens. Made in 1953 to commemorate Queen Elizabeth II’s visit to Tonga, it was later placed under Queen Salote’s coffin when her body was flown back from New Zealand in 1965. The tapa was given to the pilot of the plane Flight Lieutenant McAllister, and he in turn presented it to the Dominion Museum (Te Papa’s predecessor) in 1968. Click on the image to see the details.

 


[i] Wood-Ellen, E. (ed). Songs and Poems of Queen Salote. Vava’u Press, Tonga (2004).

Kava drinking and Tongan culture

This week is Tongan Language Week – Uike Kātoanga’i ‘o e Lea Faka-Tonga. This is the second blog post for this week where the Pacific Cultures team highlight collection items that relate to Tongan language and culture. 

This is a kumete, a wooden bowl used in Tongan communities for the preparation of kava, a beverage made from the roots of the kava plant. A person preparing kava will crush the roots into a powder-like form before mixing it in a bowl with water to suitable strength and taste.

Kumete (kava bowl), Tonga

 The most important use of kava is in meetings and ceremonies. Important guests and occasions are honoured with the formal serving of kava in coconut shell cups. Kava is also consumed informally, sometimes in kava clubs. While these informal kava drinking circles are often social, they are also important venues for the preservation of Tongan language and culture. Conversation, song, humour and even relationships are nurtured around the bowl through the sharing of the beverage among family and friends.

Longoteme, Tonga. 1963 photograph by Ans Westra
This image depicts a group of women in Tonga mixing kava

At Te Papa we collect tangible items associated with kava drinking such as kumete, kava cups and photography of specific events. However, just as interesting are the intangible elements of culture that make these artefacts significant – the stories, tales and cultural practices.

Watch this video clip from the Tales from Te Papa series where the Reverend Tevita Finau explains how kava drinking can play a role in the arts of Tongan courtship. Click here to Go to video.

Look out too for the Tales from Te Papa book available from Te Papa Press: http://www.tepapa.govt.nz/TePapaPress/FullCatalogue/TePapa/Pages/100AmazingTalesFromAotearoa.aspx

Celebrating Tongan Language Week (1 September to 8 September)

This week is Tongan Language Week – Uike Kātoanga’i ‘o e Lea Faka-Tonga. Over the next five days the Pacific Cultures team will be blogging about collection items from Tonga that relate to Tongan language and culture. 

The week is promoted by the Aotearoa Tongan Teachers Association in partnership with the Human Rights Commission, other organisations and members of the Tongan community. The overall goals of the week can be found on the Human Rights Commission website and the Tongan Langage Week Facebook page.

The first work we feature in this series is by Tongan-born artist Filipe Tohi. His large aluminium sculpture at the entrance to the Te Papa exhibition Tangata o le Moana: the story of Pacific people in New Zealand is titled Matakimoana (‘Eye of the Ocean’).  

Matakimoana by Filipe Tohi 2007

In creating Matakimoana, Filipe was inspired by tufunga lalava, the Tongan art of line and space intersection. This art is often seen in the intricate lashing of joins in houses, vaka (canoes), and fish hooks. Tohi says: ‘Kupesi [lalava designs] … contained a language, and meaning in a time that had no written word. The designs explained events, places, and people of the past…There is depth to the lalava designs – because they contain a language, related knowledge, and meaning in a time that had no pens.” 

Matakimoana is a significant part of the story of Tongans and other Pacific peoples here at Te Papa. It reminds us how language, history and culture can be materialized in very sophisticated and sometimes very simple ways. Watch for more posts as we explore the Tongan Collections this week.

LINKS:

Human Rights Commission website 

http://www.hrc.co.nz/race-relations/tongan-language-week

Tongan Langage Week Facebook

http://www.facebook.com/pages/Tongan-Language-Week/121941617883036

Brian Brake Photographs in Fiji and Tonga during the Royal Visit, 1953

Before the closing of the Brian Brake: Lens on the World exhibition on Sunday 8th  May, I thought it might be nice to share a few images of Brian’s work in Fiji and Tonga during the Royal visit of  Queen Elizabeth and Prince Phillip from 1953 to 1954. Although these images are not part of the exhibition, they document an important event of the time.

Fiji, Royal Tour, 1953

Fiji, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Fiji, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Fiji, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Fiji, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Tonga, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Tonga, Royal Tour, 1953, by Brian Brake, Te Papa, Gift of Mr Raymond Wai-Man Lau, 2001

Click on the link to view video footage of the royal visit filmed by the National Film Unit: http://www.nzonscreen.com/title/royal-visit-to-the-kingdom-of-tonga-1954  Also see:’Royal visit to Fiji’ (Pictorial Parade no.15), National Film Unit, 1954, 35mm, b/w, 24 minutes (camera)’Royal visit to Tonga’ (Pictorial Parade nos 16-21), National Film Unit, 1954, 35mm, b/2, 27 minutes (camera)”The Royal Tour of New Zealand 1953-1954′ (Pictorial Parade nos 16-21), National Film Unit, 1954, 35mm, b/2, 27 minutes (camera)  For information on the Brian Brake exhibition and accompanying book click on the link below:http://www.tepapa.govt.nz/brianbrake

Recent acquisition: Tongan fangufangu (nose flute)

In March 2009, Te Papa was gifted a small but significant collection of objects from Derek J. Wilson. This collection included two Tongan fangufangu or nose flutes that were made from bamboo.

Fangufangu (nose flute); Te Papa: Gift of Derek J. Wilson, 2009

Fangufangu (nose flute); Te Papa; Gift of Derek J. Wilson, 2009

Historically, fangufangu were used to awaken the Tongan royalty from their sleep. The newly acquired fangufangu, have intact nodes at each end, forming a sealed cylinder. Around one of the fangufangu are burnt and incised images of birds, ships, human figures and the words “Vavau” and “Tuanuku”. Tuanuku is a coastal village located in the Vavau group of islands. This fangufangu, possibly records the coming and going of European ships in the harbour area in the 19th century. These are a welcome addition to the collection, as examples documenting a slice of Tongan history.

Click on the link to view the playing of fangufangu during Queen Elizabeth II’s royal visit to the Kingdom of Tonga:

Watch Video

Impressive Tongan tapa – an installation challenge.

Paperskin – the art of tapa cloth exhibition is full of many wonderful tapa artworks. 

But one Tongan tapa cloth (ngatu) in Te Papa’s collection is amazing because of its size – it is more than 22 metres long and over 4 metres wide. We have never been able to display it rolled out before – we didn’t have a wall big enough, until now…. 

This impressive tapa was made in 1953 to commemorate Queen Elizabeth II’s visit to Tonga, it was later placed under Queen Salote’s coffin when her body was flown back from New Zealand in 1965. 

View the Tongan ngatu in Collections Online here

Installing such a large tapa is quite a mission. When it is in storage the tapa is kept carefully rolled up. It took a team of 10 staff (exhibition installers, collection managers, conservators and curators) and two fork lifts to get it safely hung on the wall. 

Here are some images showing the team in action – taken by Kate Whitley, one of  Te Papa’s photographers: 

Installation of the 22 metres long Tongan tapa (ngatu) starts. Copyright Te Papa, 2010.

Starting to roll out and hang the tapa.

Starting to roll out and hang the tapa. Copyright Te Papa, 2010.

About a third of the way... Copyright Te Papa, 2010.

About a third of the way... Copyright Te Papa, 2010.

Almost done...

Almost done... Copyright Te Papa, 2010.

All done and the storage roll can be removed.

All done and the storage roll can be removed. Copyright Te Papa, 2010.

Job done - installation of the 22 metre long ngatu is complete.

Job done - installation of the 22 metre long ngatu is complete. Copyright Te Papa, 2010.

Take this opportunity to view this impressive ngatu – come in and see it for yourself in the Paperskin exhibition.

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