Tag Archives: Te Papa

Remembering Mele Saiatua Lavulo (1916-2013) – a leader in the Tongan community

It is with sadness that the Pacific Cultures team at Te Papa acknowledges the recent passing of Mele Saiatua Lavulo. Saiatua was born in Tatakamotonga, Mu’a in Tonga in 1916. She had many achievements in her lifetime, and became an important figure in the history of the Tongan community in New Zealand. We had the privilege of meeting Saiatua in 2006-7. Kolokesa Māhina-Tuai (former Pacific Cultures curator) interviewed her for the exhibition Tangata o le Moana: the story of Pacific people in New Zealand, which is currently on at Te Papa.

In the interview, Saiatua talks about her experiences working with the Tongan community during the infamous ‘dawn raids’ of the 1970s.  The dawn raids were part of a tough stance by the New Zealand government towards people who had overstayed temporary visas. The controversial campaign targeted Pacific Islanders, while turning a blind eye to overstayers of European or other descent. It involved raids on houses (often at dawn) and work places, along with random street checks. Migrants were subjected to racial discrimination and harassed and prosecuted for overstaying. Saiatua, her husband Tevita Kautau Lavulo, and lawyer and son in law Clive Edwards  helped many Tongan overstayers with residency applications during this time. They provided crucial leadership and advice to the Tongan community in a time of crisis. In this short extract from her interview Saiatua recalls an incident during the ‘dawn raids’.

When the Congregational Church of Tonga was being built (in Ponsonby) rumors were being circulated that people who were living there were overstayers. I will tell you of one instance when we had just finished work and we headed to our church, this was in 1978.  Together with a family, who had already received their permit’s, we prepared food for the people who were building the church. While my husband, Tevita Kautau Lavulo, was blessing the food in an upstairs room of the large building next door to where the church was being built, two immigration officers turned up at the door. I stood up and went outside and downstairs with the immigration officers who explained that they had been informed by people that the house was full of overstayers.  They told me that they can see that there is a prayer being said and I explained that we were in the middle of blessing the food we had prepared and that they were mistaken about the house being full of overstayers,there are no overstayers living in the building. I told them that we were just having a meal and that afterwards we would all leave the church.  It was common during this time for people to tell on others, but regardless of this, there were many families that were blessed and ended up remaining here.”

Acknowledgement: My thanks to Kolokesa Māhina-Tuai for her assistance with this post.

Mele Saiatua Lavulo (1916 – 2013)

Oral histories in the exhibition Tangata o le Moana: the story of Pacific people in New Zealand

Oral histories in the exhibition Tangata o le Moana: the story of Pacific people in New Zealand. Saiatua appears first on the left with Veimau Lepa, The Honourable Anand Satyanand and Tumanuvao Alfred Tupu.

Tangata o le Moana Living portraits

Oral histories in the exhibition Tangata o le Moana: the story of Pacific people in New Zealand

A tribute to font designer Joseph Churchward (1933-2013)

0019-joseph churchward

Joseph Churchward standing before portraits of his family, 2008 (photo: Norman Heke).

We would like to pay a special tribute to Samoan artist Joseph Churchward who sadly passed away last weekend. We were privileged to have worked with Joseph in 2008, when my colleague Sean Mallon (Senior Curator Pacific Cultures) and I curated the exhibition Letter Man: Joseph Churchward’s world of type (2008). I recall well Joseph’s sense of humour and his love of family history.

Joseph’s work ethic and commitment to his art practice was inspiring, and a small collection of his work housed in Te Papa’s Pacific Cultures Collection is a testament to his lifelong passion of designing fonts. To view Joseph’s collection, please visit Te Papa’s Collections Online links below

Joseph Churchward’s collection at Te Papa

Queen’s service medal for font designer Joseph Churchward

Joseph’s work in print and digital media is a lasting legacy. Our sincere condolences to the Churchward family at this time.

Ia manuia lau malaga Joseph. May you rest in peace.

Game Masters – The Forum announced

Masaya Matsuura, of NanaOn-Sha (Japan)

Masaya Matsuura, of NanaOn-Sha (Japan)

Game Masters – The Forum taking place on March 4–5th at Te Papa in Wellington, brings together game developers, artists, educators, researchers, and filmmakers. The goal of the forum is to share knowledge and expand awareness of game development opportunities – both in New Zealand and abroad.

‘Attendees will shatter the stereotypes of games and discover the cultural, educational, and social impact they are having,’ said Stephen Knightly, Chair of the NZ Game Developers Association. ‘They’ll also have the chance to network with others in the fastest growing sector of New Zealand’s screen industry.’

International speakers confirmed for the event include Masaya Matsuura, of NanaOn-Sha (Japan), and Luke Muscat from Halfbrick (Australia.)

Matsuura-san’s work includes the seminal PaRappa the Rapper and the innovative Vib Ribbon – a game which generated its platforming levels from the music CDs gamers placed in their PlayStations. He is a true pioneer of the videogame industry, whose games have inspired a generation of game designers, and continue to create fun and imaginative ways for people to immerse themselves in music.

Luke Muscat from Halfbrick (Australia)

Luke Muscat from Halfbrick (Australia)

Luke Muscat and his team of just six people at Halfbrick are behind some of the hottest, most well–known, and best-selling mobile games of all time, including Fruit Ninja, Jetpack Joyride, and Monster Dash. In the last two years alone, Luke’s games have been downloaded more than 300 million times.

The New Zealand industry is also well represented, starting with Mario Wynands – the Director of Sidhe/PikPok, New Zealand’s most successful and prolific developer and publisher of games across a wide range of platforms. In the last fifteen years, the company has released numerous successful and critically acclaimed titles, including Shatter, Speed Racer, Flick Kick Football, and Monsters Ate My Condo.

Game Masters – The Forum is really an opportunity to take a look under the hood of videogame development,’ suggested Helen Stuckey – a curator, researcher, and member of the Game Masters Industry Advisory Board. ‘It’s a chance to hear strong local and international speakers, to reflect on other ways to do business/make games, and an opportunity to consider the future of games themselves.’

Game Masters – The Forum will cover a wide range of topics, including those relevant to the game development industry and discussion of videogames as a cultural phenomenon. Subjects include Transmedia, Community Engagement, Games as Art, Serious Games, and Game History.

Attendees from industry, education, government, and the general public are all welcome, however tickets are strictly limited and there is no scope to expand the venue, so early booking is advised. Ticket prices start at $130 for both days, and numerous options are available, including student discounts, single day passes, and an expanded industry-specific option through which attendees will have opportunities to network with The Forum’s special guests.

For more information, refer to Game Masters – The Forum website. To book, or to find out more about the ticketing options, see The Forum registration page.

News from Loans – Where to see Te Papa collection items – taonga

Over the past few months I’ve let you know where to see Te Papa collection items on display in other places. The de Serville anchor at the Far North Museum, the Minke Whale skeleton at Auckland Museum, the Adam’s Island lifeboat and NZL32 at Voyager New Zealand Maritime Museum, Governor Grey’s bed at Mansion House, Kawau Island in October 2012. Items associated with the Boer War, and significant Wellington items at the Museum of Wellington City & Sea, and relics of Baron von Alzdorf’s hotel at Bowen House also reported in October 2012. Model ships on display at Otago Museum and mementoes of sub-Antarctic Island shipwreck survivors at the Southland Museum& Art Gallery in November 2012. And paintings on display in places you would not necessarily expect to find them also in November 2012, such as Government House, the Wellington Club, St Patricks College and the Royal Society of New Zealand.

Today I’m going to let you know where to find taonga Maori from Te Papa’s collections on display in other places.

At the Department of Conservation Haast Visitor Centre you will find a large argillite toki (adze blade) found early last century at Bruce Bay, South Westland. The toki is part of an informative display about the unique cultural, historic, and natural features of South Westland.

Ipu (bowl), Wellington. Maker unknown. Purchased 1963. Te Papa

We recently lent eighteen taonga to the Muaupoko Tribal Authority for display at the newly built Horowhenua Cultural and Community Centre in Levin. Muaupoko see the display of taonga associated with the area as a chance to showcase rare items retrieved from lakes and streams in the district. One of the taonga is an ipu, a small delicately carved bowl associated with Waipata Island, an artificial island at the southern end of Lake Horowhenua, once the site of a pā (stockade).

Wakahuia (treasure box), 1800, New Zealand. Maker unknown. Oldman Collection. Gift of the New Zealand Government, 1992. Te Papa

In 2010 we lent the New Zealand Ministry of Justice a wakahuia (treasure box), from the prestigious Oldman Collection, to be displayed alongside the Queen’s silver inkstand at the newly opened Supreme Court building. The wakahuia and the inkstand act as symbols of nationhood.

Poutoti (stilts), Bay of Plenty. Maker unknown. Exchanged 1964. Te Papa

Ngā Pūmanawa o Te Arawa: The Beating Hearts of Te Arawa was unveiled to the public on 2 September 2011 at Rotorua Museum’s newly built Don Stafford Memorial Wing.  The exhibition traces the rich history of Te Arawa, one of Aotearoa’s most famous tribal confederations.  The exhibition brings together many of the tribe’s most iconic taonga (treasures) for the very first time, and through them tells the Rotorua region’s most amazing stories.  Nine of those taonga are from Te Papa’s collections including the stilts illustrated above.

Five pou whakarae (stockade posts), that have been at Te Manawa since 1994, were recently reinstalled into the refurbished Te Rangi Whenua gallery.  The exhibition shares the stories of iwi (tribal) groups in the Manawatu, Rangitikei and Horowhenua regions.  Four of the pou are associated with PuketotoraPa, Rangiotu, carved around 1830.

 At the Hokitika Museum eleven taonga made from pounamu (New Zealand jade) from Te Papa’s collection are exhibited in the exhibition Te Tai O Poutini (The place of Pounamu).  Prior to the discovery of gold, the West Coast was home to Poutini Ngai Tahu who had a string of settlements along the Coast.  Maori collected and carved pounamu, a treasured stone, which, because of its usefulness and beauty, was traded throughout New Zealand.

 Three carvings lent to Puke Ariki in 2003 have been redisplayed in their exhibition Te Takapou Whariki o Taranaki (The Sacred Woven Mat of Taranaki).  Each of the three carvings has its own individual and unique story and is well worth a visit.

News from Loans – What to see in January 2013

It is a new year and I suspect you are not at work again just yet but happily enjoying the gorgeous sunny weather we have been having. Well… here in Wellington anyway!

While you are still out and about can I remind you of some of the exhibitions that we have lent our collection items to?

Untitled. From the portfolio: Underwood, 2001, New Zealand. Leek, Saskia. Purchased 2001. Te Papa

At the Dowse Art Museum in Lower Hutt, look for the seven paintings Te Papa lent to the exhibition titled Saskia Leek: Desk Collection. The exhibition provides the first opportunity for audiences to see a broad range of Leek’s work and appreciate Leek as an artist whose works may be physically modest in scale, but whose artistic reach is considerable. The exhibition is on until 14 April 2013 so you have plenty of time to visit.

The Clerkenwell flower makers, 1896. Fisher, Samuel Melton. Gift of Levin and Co. 1912. Te Papa

You have until 27 January 2013 to indulge in the sumptuous Victorian and Edwardian paintings at the Tauranga Art Gallery.  Fifteen of the twenty-three paintings in the exhibition Love, Life and Loss: Emotive and Evocative Paintings from the Victorian and Edwardian Eras are from Te Papa’s collection.

Ranunculus buchananii Hook.f. circa 1865, New Zealand. Buchanan, John. Acquisition history unknown. Te Papa

If you are in Dunedin check out the exhibition Art in the Service of Science – Dunedin’s John Buchanan on at the Hocken Collection gallery.  You have until 22 April 2013 to spot the sixty-two botanical, bird and fossil drawings, wood engravings and watercolours Te Papa has lent to this exhibition.

Back in Wellington you have until 10 February 2013 to catch two exhibitions that include Te Papa collection items. 

 At the Adam Art Gallery the exhibition We will work with you, not for you! Wellington Media Collective 1978-1998 examines the politics of style implicit in the Wellington Media Collective’s substantial body of graphic work, and through this lens, surveys a history of public culture in Wellington and New Zealand.  Included in this exhibition is a flag from Te Papa’s collection made for anti-Springbok rugby tour protests on the day of the second test at AthleticPark, Wellington, in August 1981.  Made by Chris McBride, the flag is screen-printed in black and brown with a clenched fist and the words Amandla Amandla.  Amandla, a Xhosa and Zulu word meaning power, combined with a clenched fist makes the flag forceful and dramatic.  The Springbok protests were about something much deeper than rugby; people were taking a stand about apartheid in South Africa and racism in New Zealand.

The photographer’s shirt, 09 Sep 2003, Wellington. Cauchi, Ben. Purchased 2003. Te Papa

You still have time to check out and find the Ben Chauchi photographs at the City Gallery WellingtonBen Cauchi: The Sophist’s Mirror explores Chauchi’s intensive investment in and negotiation of the processes, histories and codes of photography offering new ways for historical photography techniques to work the contemporary world.  Look out for The photographer’s shirt from Te Papa’s collection.

Game Masters – This Way Up!

Game Masters – This Way Up!

Great interview about Te Papa’s newest exhibition, Game Masters, exploring gaming history since the Seventies, on National Radio’s This Way Up with Phil Louie, Host Supervisor, and Kristelle Plimmer, Concept Developer.

Aired 22 December, 2012.

News from Loans: Where to see Te Papa collection items – paintings

  My last few blogs let you know where you will see Te Papa’s collection items on display at other places.  Today I am going to let you know where to see some of our paintings in places you would not necessarily expect to find them. 

Next time you are in Wellington, and have the opportunity to visit the following venues, make a point of seeking out our paintings.

Linear aspect (A), 1969, New Zealand. Wong, Brent. Gift of the New Zealand Academy of Fine Arts, 1970. © Brent Wong www.brentwong-painter.com. Te Papa

Linear aspect (A), 1969, New Zealand. Wong, Brent. Gift of the New Zealand Academy of Fine Arts, 1970. © Brent Wong http://www.brentwong-painter.com. Te Papa

 At Government House we have four paintings on display in the Liverpool Room. This beautiful room is a meeting room before you proceed into the Blundell Room where you will find another painting of ours.  Look out for Fatbird 1964 by Don Binney in the Blundell Room and Hedge (garden painting) 1973 by Philip Trusttum, Suburban inlet 1981 by Peter Siddell, Linear aspect (A) 1969 by Brent Wong and Fourteen days at Paekakariki 1988 by Peter Ireland in the Liverpool Room.

Quatre Bras, 1897. Hamilton, Vereker. Gift of the artist's wife, 1934. Te Papa

Quatre Bras, 1897. Hamilton, Vereker. Gift of the artist’s wife, 1934. Te Papa

If you are visiting The Wellington Club on The Terrace have a look at the painting titled Quatre Bras, painted in 1897 by Vereker Hamilton.  The oil on canvas shows the Battle of Quatre Bras on 16 June 1815 during the Napoleonic Waterloo campaign.

Portrait of Archbishop Redwood, 1934, Wellington. Ellis, Frederick. Gift of St Patrick's College Old Boys Association, 1935. Te Papa

Portrait of Archbishop Redwood, 1934, Wellington. Ellis, Frederick. Gift of St Patrick’s College Old Boys Association, 1935. Te Papa

If you happen to be at St Patricks College in Kilbirnie check out the painting of Archbishop Redwood painted in 1934 by Frederick Ellis.  This painting was given to Te Papa in 1935 by the St Patricks Old Boys Association but it has been at the College since 1939.

Portrait of Sir Joseph Banks, 1970. Aris, Joyce, Reynolds, Sir Joshua. Te Papa

Portrait of Sir Joseph Banks, 1970. Aris, Joyce, Reynolds, Sir Joshua. Te Papa

Portrait of Sir Joseph Banks is a 1970 copy by Joyce Aris of the famous Sir Joshua Reynolds painting held by the National Portrait Gallery in London.  Recognising the importance of Joseph Banks to the history of New Zealand the copy was commissioned in 1969 as part of the Cook Bicentenary celebrations.  The painting is on display at the Royal Society of New Zealand in Thorndon and has been there since 1979.

News from Loans: Where to see Te Papa collection items – South Island

Over the next little while I am going to let you know where you will see Te Papa’s collection items on display at other places.

Today I am going to let you know where to see some of the items in our history collection in the South Island.

Ship’s bell from the steamship "Mararoa" (1885) Image courtesy of Otago Museum

Ship’s bell from the steamship “Mararoa” (1885) Image courtesy of Otago Museum

If you visit the Maritime Gallery at Otago Museum in Dunedin take the time to find 8 ship models, a ship’s bell from the steamship Mararoa (1885) and a fragment of the decking from HMS Victory, (1759). 

Model brigantine "Aborigine".  Image courtesy of Otago Museum

Model brigantine “Aborigine”. Image courtesy of Otago Museum

The models to look out for are the brigantine Aborigine (1866), the19th century passenger ship SS Arawa, the WWI British destroyer HMS Maori, the Royal Navy ‘Tribal’ class destroyer HMS Maori (1938), the torpedo boat HMS Sentinel, the SS Himatangi, the WWII minesweeper HMNZS Waiho, and the MV Johann van Oldenbarneveldt. Have fun!

The Southland Museum & Art Gallery has an exhibition about the Sub-Antarctic Islands titled Beyond the Roaring Forties.  This exhibition is really fascinating and features relics of 19th century shipwreck survivors.  Among them are 6 items from Te Papa’s collection.

“Anjou” spoon and spinning top .Te Papa

“Anjou” spoon and spinning top .Te Papa

This spoon and spinning top were made by members of the crew of the French barque Anjou wrecked on Auckland Island in 1905 and stand testament to the ingenuity of the survivors.

“Dundonald” commemorative marker .Te Papa

“Dundonald” commemorative marker .Te Papa

A poignant item is the zinc sheet pricked with the names of victims and survivors of Dundonald wrecked on the Auckland Islands in 1907.

“General Grant” knife and sheath .Te Papa

“General Grant” knife and sheath .Te Papa

A sheath knife, with steel blade and wooden handle, with accompanying seal skin sheath.  The  handle has  “W.N. Scott, May 1866″ carved into it.  Scott was a member of the crew of the sailing ship General Grant, wrecked on Auckland Island in May 1866.  Scott survived the wreck, but died with three other “General Grant castaways in an attempt to sail to New Zealand in an open boat.

“General Grant” zinc playing cards .Te Papa

“General Grant” zinc playing cards .Te Papa

Five playing cards made from sheet zinc also by W.N. Scott.  Scott also made the needle from bird-bone on display.

Next time I will tell you about of our paintings in places you would not necessarily expect to find them.

Tuluma – fishing boxes of Tokelau

This week is the inaugural Tokelau Language Week (29 October – 4 November). The theme is Ke mau ki pale o Tokelau: Hold fast to the treasures of Tokelau. To celebrate, the Pacific Cultures team will post a blog each day highlighting cultural treasures from Tokelau in Te Papa’s collections. Today, in this third blog post we look at tokelau fishing boxes.

Since I began working with the Te Papa collections in the early 1990s, I have admired the tuluma of Tokelau. Tuluma is the name given to wooden boxes that are used to carry fishing gear in canoes or as storage containers in the home. Tuluma are designed to have a tightly fitting lid held in place with a cord made from plaited coconut fibre. The looped cord allows the lid to be lashed down, keeping it attached should the box be dropped or toppled while at sea.

Tuluma (fishing tackle box) Elia Tinielu 1995

This tuluma was made by Elia Tinielu, a member of a Tokelau community group based in Porirua, New Zealand. He has strong ties to the village of Atafu. The tuluma is made of timber from the kanava tree and has a coconut fibre sling. These materials were brought to New Zealand from Tokelau by members of the Atafu group.

In New Zealand, tuluma are most often used as ornaments or storage containers. I really like the craftsmanship that goes into shaping them and making a perfectly fitting lid. The grain of the wood that the carvers use and even the finely plaited coconut fibre cord all add to tuluma’s visual appeal. In recent years, I have seen amazing polished tuluma inlaid with shell motifs and even the word Tokelau. Tuluma come in many sizes: from examples small enough to be held in one hand to very large versions, big enough to hold a bundle of cloth.

I tried to acquire a big tuluma a few years ago at an auction that had a mid 20th century shipping label stuck on its lid. It was obviously used a suit case of sorts for someone travelling to New Zealand. Unfortunately, I was outbid and the tuluma went to a private collector. Here are a few examples of tuluma from the Te Papa collections. If you click on the image you can zoom in on them.

Tuluma (Gift of A J Crowther, 1983)

Tuluma (no date)

Tuluma (Gift of Jock McEwen, 1999)

Tuluma (Gift of Government House, 1997)

Te Vaiaho o te Gagana Tokelau: Tokelau Language Week

This week is the inaugural Tokelau Language Week (29 October – 4 November). The theme is Ke mau ki pale o Tokelau: Hold fast to the treasures of Tokelau. To celebrate, the Pacific Cultures team will post a blog each day highlighting cultural treasures from Tokelau in Te Papa’s collections. Today, in this first blog post we offer a short environmental profile of Tokelau and finish with one of Tokelau’s creation stories.

Tokelau- low-lying atolls
Tokelau is comprises of villages on three main low-lying atolls – Atafu, Fakaofo and Nukunonu.A low coral atoll is formed from a coral reef that has grown on top of a submerged volcano. The actual land rises only a few metres above sea level. This land consists of sand and coral that has built up on the surface of the reef. The three main islands of Tokelau all sit on extinct volcanic peaks.

Agate, Alfred T 1812-1846. Agate, Alfred T 1812-1846 :Cocoanut grove at Fakaafo or Bowditch I. / painted by A.T.Agate; engr. by J Smillie. Philadelphia, [s.n.], 1849.. Ref: A-282-007. Alexander Turnbull Library, Wellington, New Zealand. http://beta.natlib.govt.nz/records/22754561

Food and water on Tokelau
Low coral atolls like Tokelau have no surface fresh water. The people had to dig wells to a lens-shaped natural reservoir of fresh water trapped beneath the sand. This precious resource is replenished by rain. For food, Tokelauans in earlier times depended on the native pandanus and coconut trees, as well as introduced plants such as swamp taro (which they grew in ponds dug down to the freshwater level) and breadfruit. Marine resources and activities like fishing were also vital. Tokelau people have developed a unique system of sharing out food among all members of the community. This is called inati.

Toki (hafted adze)

Toolmaking on Tokelau
The only ‘rock’ in Tokelau is coral, so the people used shell and bone for tools. Occasionally they obtained stone tools from other islands, like Samoa. This adze’s handle is modern, but its blade is of a type used by generations of people on low coral atolls. For many Pacific toolmakers, clam shells made a good alternative to stone.

Toki (shell adze blade)

Nukunonu, Tokelau 1981. From the series: Polynesia Here and There (photographer Glenn Jowitt)

How the Tokelau Islands were created
Three brothers lived in Tonga. Their names were Mauimua, Mauiloto, and Mauimuli. They were out fishing one day when Mauimua’s hook caught on the roots of a coconut tree at the bottom of the sea. When he tried to free his hook, he pulled up an island. All three brothers were amazed, and called this island Fakaofo – ‘surprise’.

Later, Mauilotu’s hook caught on the roots of a nonu tree. He pulled up another island, and the brothers named it Nukunonu.

Finally, Mauimulu’s hook caught on the roots of a kanava tree. The island he pulled up was full of kanava trees. The brothers called it Atafu.

Na tupu vehea te atu fenua ko Tokelau

Na iei te kau uho e toka tolu na ola ake i Tonga. Ko o latou igoa ko Mauimua, Mauiloto ma Mauimuli. Na fai to latou faiva i te tahi aho oi lave ai te kafilo a Mauimua ki ni aka e o he niu nai te takele o te tai. Kae taumafai ia ke fakato tana kafilo, na ia fufutia ake ki luga he fenua. Na ofo lele te kau uho, oi fakaigoa ai e ki latou te fenua ko Fakaofo.

Fai fai lava to latou faiva kae lave te kafilo a Mauiloto ki na aka o he nonu. Fufuti ake ki luga tana kafilo ko he tahi fenua, ma na fakaigoa e ki latou ko Nukunonu.

Mulimuli ake, kae lave te kafilo a Mauimuli ki na aka o he kanava. Ko te fenua na ia fufuti akea ki luga e tumu ina kanava. Na fakaigoa ai e ki latou ko Atafu.

Tokelau-the facts

Total land area: 12 square kilometres
Highest point: 5 metres above sea level
Annual rainfall: 1600 millimetres
Population in the year 2011: 1205
Around 6819 Tokelauans now live in New Zealand. There are small communities in locations such as Samoa, Hawaii and Australia.

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