Tag Archives: Samoa

August 1914: This month last century

98 years ago New Zealand troops land at Apia, German Samoa (29 August 1914)

Ten days after New Zealand entered the war in Europe, it sent troops to occupy German Samoa. This force of almost 1400 men was specifically charged with seizing the colony’s wireless transmitter.

The troops that landed at Apia experienced no resistance from the Germans stationed there. James Jessen, below, was a member of this ‘Samoan Advance Party’. He was later killed on the Western Front.

John Jessen, 1914, Wellington. Berry & Co. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

John Jessen, 1914, Wellington. Berry & Co. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

The day after the New Zealand force arrived, the British occupation was formally proclaimed, with a British Union Jack raised on the Apia Court House flag pole (below).

Ceremony held in Apia, Samoa, 1914, Samoa. Thomas Andrew, photographer. Te Papa

Ceremony held in Apia, Samoa, 1914, Samoa. Thomas Andrew, photographer. Te Papa

 A German colony since December 1899, German Samoa was the second of Germany’s colonial possessions to be occupied after the declaration of the European war (as WWI was first known). The poster below lists others occupied territories.

Poster, ’German Colonial Possessions’, 1915, United Kingdom. Johnson Riddle & Co. Ltd. Gift of Department of Defence, 1919. Te Papa

Poster, ’German Colonial Possessions’, 1915, United Kingdom. Johnson Riddle & Co. Ltd. Gift of Department of Defence, 1919. Te Papa

The New Zealand military administered Samoa for the duration of the First World War although, from April 1915, the number of men garrisoned there was reduced to 250. Many were over the maximum age for military service. Others, like Eric Marchant (below), were deemed unfit for service on the Western Front.

Eric Marchant, Eric, 1918, Wellington. Berry & Co. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

Eric Marchant, Eric, 1918, Wellington. Berry & Co. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

While Captain James Fleck was stationed there, he had a chance to collect a number of Samoan artefacts, including the adzes pictured below. This was following a suggestion by ethnographer Elsdon Best.

To’i ma’a (hafted adzes, Samoa. Te Papa

At the end of the war, New Zealand was mandated by the League of Nations to govern Western Samoa. New Zealand continued its administration when Western Samoa it became a United Nations Trust Territory in 1946. This situation lasted until 1962, when Samoa gained its independent and signed the Treaty of Friendship with New Zealand.

There are more details about the New Zealand occupation and political administration of Samoa on nzhistory.net.nz

Read more about WWI servicemen who were photographed by Berry & Co, a Wellington studio photography firm

Go to the Slice of Heaven exhibition website  to learn about New Zealand’s participation in the First World War.

The Intern Files: Week 1, Taking the Plunge

By Melissa Beseda

On June 11th and June 12th, Te Papa hosted a Sāmoan Artist Exchange in celebration of Sāmoa’s 50 years of independence. Artists included weavers demonstrating ie toga (fine mat) techniques at the Weavers’ Studio area of our new exhibition Kahu Ora | Living Cloaks, tatau (tattoo) artists, master carvers, and makers of sennit – a type of woven cord used throughout the Pacific. Wasting no time, on the second day of my internship here at Te Papa and my third day in New Zealand, I put on the lavalava and Paul Junior Suluape designed and applied a tatau in the traditional Sāmoan style on my forearm. This involves using the ‘au, which is a comb that is dipped in the ink and carefully applied using a wooden mallet. Certainly it hurt a bit but how could I have passed up such a unique opportunity? The result is a beautiful tatau, reminiscent of a bird in fight, which Paul applied without the help of a stencil, demonstrating his expertise and artistry.

Paul Junior Suluape applying the tatau to Melissa Beseda’s forearm.

Here I am on Day 3, my forearm healing and my intern project taking shape. This is with Digital Projects where I will be developing visitor engagement via Te Papa’s free wifi and evaluating SMS engagement, as well as other digital projects. I am here from Seattle, where I am enrolled in a Master’s program in Museology at the University of Washington. I am incredibly fortunate to have this internship opportunity and am ready for all of the diverse and wonderful experiences that Te Papa has to offer, both personally and professionally. One thing is for certain: my time here at Te Papa will certainly leave a mark in more ways than one.

Paul Junior Suluape and Melissa Beseda posing for a picture with the newly completed tatau.

Recalling the splendour of Samoan oratory: Lauaki Namulau’ulu Mamoe

To celebrate le vaiaso o le gagana Sämoa (Sämoan language week) the Pacific Cultures curators are highlighting stories related to cultural treasures from Sämoa.

Portrait of Lauaki Namulau'ulu Mamoe; 1909; O.001123; Te Papa

Portrait of Lauaki Namulau’ulu Mamoe; 1909; O.001123; Te Papa

This image of Lauaki Namulau’ulu Mamoe (b. 1850s? – d. 1915) taken by photographer Thomas Andrew is dated 1909. This was the same year Lauaki was exiled to Saipan, in the Northern Marianas by the Imperial German government in Samoa.

Lauaki was known throughout Samoa for “his mastery of history and legend, for his talents as a speaker and political negotiator, and for his prowess in war” (Davidson 1970: 267-268). He went on to lead an important political movement, called the Mau of Pule (the Opinion of Pule). The term Pule was the collective name, given to a number of influential orator groups on Savai`i.  The tulafale and tulafale ali`i of Pule spoke for the principal nu`u and district of Savai`i as a whole, and served it’s ranking ali`i.

The aim of the Mau of  Pule was to challenge German rule, and try to secure for Samoans more involvement in their own affairs of government. Under Lauaki’s leadership, the movement was initially successful, but struggled due to factionalism. In 1909 and because of his resistance to the colonial authority, Dr Wilhelm Solf the German Governor at the time took Lauaki into custody. Later Lauaki along with nine other chiefs, and their families were exiled to Saipan in the Mariana Islands, as punishment for refusing to give up their opposition. Six years later in 1915, the New Zealand government sent a ship to bring Lauaki and his supporters home. But tragically Lauaki died during the return voyage from dysentery.

Writing in 1970, historian James W Davidson noted that Lauaki Namulau`ulu Mamoe was still well remembered with respect: “In Saipan, where the exiles maintained the conventions of their homeland in a village they built near Tanapag, the commanding figure of their leader has not yet been forgotten. In Samoa, old men recall the splendours of his oratory” (Davidson 1970: 298).

Click on this link to view an image of Lauaki and his family: http://www.flickr.com/photos/15693951@N00/2673833385/in/photostream/

References

Davidson, J. “Lauaki Namulau’ulu Mamoe: a traditionalist in Samoan politics” Davidson, J. and Scarr, D (eds.) Pacific Islands Portraits.  (Canberra: Australian National University Press, 1970).

Hempenstall, P. and Mochida, P. The lost man: Wilhelm Solf in German history. (Wiesbaden: Harassowitz, 2005)

Hempenstall, P. and Rutherford, N.  Protest and dissent in the colonial Pacific. (Suva: Institute of Pacific Studies of the University of the South Pacific, 1984)

Meleisea, M. The making of modern Samoa.((Suva: Institute of Pacific Studies of the University of the South Pacific, 1987)

Selu la’au (wooden comb) from Sämoa

To celebrate le vaiaso o le gagana Sämoa (Samoan language week) the Pacific Cultures curators are highlighting stories related to cultural treasures from Sämoa.

Selu la’au (wooden comb); FE000887; Gift of Alexander Turnbull, 1913; Te Papa

Selu la’au (wooden comb); FE000887; Gift of Alexander Turnbull, 1913; Te Papa

Selu la’au or selu pau as it is commonly known, were ornamental carved wooden combs made from the late 1800s using metal tools. A variety of wood was used; pau or manapau (Mammea odorata), toi (Alphitonia zizyphoides), toa (Casuarina equisetifolia) or ifilele (Intsia bijuga). These wood species were also used to carve household furniture, va’a (canoe) and foe (paddles).

To carve the selu la’au designs, a fretwork technique was used which required cutting holes into the piece of thin wood to create intricate patterns. Selu la’au were placed in the hair for ornamental purposes.   

Portrait of a Samoan woman; O.001021; Te Papa

Portrait of a Samoan woman; O.001021; Te Papa

This selu dates from the 1800s and was gifted to the museum by Alexander Turnbull in 1913.

 

Remembering Malifa School in Samoa

To celebrate le vaiaso o le gagana Sämoa (Samoan language week) I have decided to draw attention to a small handbook which was gifted to the museum in 1954.

Malifa handbook; FE010588; Te Papa

Malifa handbook; FE010588; Te Papa

The front cover of this handbook indicates that it was presented to Mr and Mrs D A J Rutherford in 1936. The Rutherfords had arrived in Sämoa in 1919 when Mr Rutherford or Latafoti, as he was also known, was appointed superintendent of schools. Previously he had been headmaster of Highcliff School near Dunedin, before taking up his position as headmaster of Leififi School, the first government school in Sämoa established for local European children and children of expatriates.

Malifa was the second government school established during the German period in Sämoa, and was started by church minister Faletoese in 1908. It was intended for Samoan children. In 1909 a boarding school for the sons of matai (chiefs) was added to the Malifa compound. It was the first school to organise a kilikiti (cricket) team in 1921. During Latafoti’s time, a number of Grade 2 schools was set up. However student numbers in classes continued to rise due to increasing interest in education.

Malifa handbook; FE010588; Te Papa

Malifa handbook; FE010588; Te Papa

The handbook has hand-drawn images on the front cover and seven pages of handwritten text inside. It describes a series of small models of household utensils and furniture indexed from A to V that was presented to the Rutherfords. Some of the items included; ‘au (tattooing instrument), aufana (bow and arrow), falalili’i (mat), pate (cricket bat) and to’i (stone adze).

This handbook was presented to Mr and Mrs Rutherford upon their leaving Sämoa in 1936. Written by a student, this object is a good example of how New Zealand policies in the early 1900s influenced Sämoa’s educational system.

Celebrating Samoan Language Week

 Sunday 27 May to Saturday 2 June 2012.

Over the next week the Pacific Cultures team will be blogging about collection items from  Sämoa that relate to the theme of this years  Sämoan Language week  “O le Vāfealoa’i” “Strong and Respectful Relationships”.

According to the Human Rights Commission website “Samoan Language Week was first promoted by Radio Niu FM as part of a series of Pacific language weeks leading up to Māori Language Week. Since 2007 it has been promoted in schools by the Association for the Teaching of Samoa in Aotearoa, FAGASA Inc , Faalapotopotonga mo le Aoaoina o le Gagana Samoa i Aotearoa.”  Sämoan language week is now celebrated in New Zealand, Australia, USA and in  Sämoan communities across the world.

Language is a key element of culture and helps us give meaning to things we use and create in everyday life – from artworks to costume to performance and song. Keep an eye on the Te Papa blog over the next seven days, for measina a Sämoa (cultural treasures of Sämoa).

This type of necklace is called an ‘ulafala. It is most often worn by Samoan tulafale (orator chiefs). In the context of oratory performances, ‘ulafala are important markers of social status. In other social and ceremonial situations they can help identify a special guest or simply act as an attractive adornment. ‘Ulafala are made from segments of the pandanus fruit described by botantists as carpels, phalanges, or keys. The colour of the fruit spans a range from yellow through to orange and red when ripe. Red is a colour associated with high rank. This ‘ulafala has been painted bright red, making it difficult to miss at any ceremony or function.

To read more about ‘ula fala go here http://collections.tepapa.govt.nz/objectdetails.aspx?oid=222948&term=ula+fala

Documenting Samoan to’i ma’a (stone adzes)

Since 2009, Roger Rasmussen, alongside his role as a Te Papa host, has vounteered to re-house, measure and photograph a collection of to’i ma’a (stone adze)  from Samoa which were gifted to the museum by Rhys Richards in 1991.

Because of Roger’s important work, the images of the collection are now available for viewing on Collections Online.

Roger Rasmussen, 2009

Roger Rasmussen, 2009

In May last year, Rhys Richards, a local scholar, and former High Commissioner to the Solomon Islands and Samoa, visited the Pacific Cultures collection store. He had collected the to’i ma’a in the 1980s from the villages of Solosolo, Lufilufi and Luatuanu’u. The individual to’i ma’a were surface collected by children in the village.  Rhys later published a paper on the collection in the journal of Archaeology in New Zealand (1990).
To’i ma’a were often lashed to a wooden handle, and were used for cutting and shaping wooden items such as bowls and canoes.
To’i ma’a (hafted adze); Samoa; Te Papa Tongarewa; FE001540; Gift of J. Fleck

To’i ma’a (hafted adze); Samoa; Te Papa Tongarewa; FE001540; Gift of J. Fleck

This important collection of about 700 to’i ma’a, provides an opportunity for more research around Samoan tools and society, which includes work by archaeologists Roger Green and Janet Davidson in the 1960s.

To'i ma'a (stone adze); Samoa; Te Papa Tongarewa; FE009629; Gift of Rhys Richards, 1991

To'i ma'a (stone adze); Samoa; Te Papa Tongarewa; FE009629; Gift of Rhys Richards, 1991

Tatau: Samoan Tattoo, New Zealand Art, Global Culture – a new publication

Check out the new publication from Te Papa Press:

Tatau: Samoan Tattoo, New Zealand Art, Global Culture

Photographs by Mark Adams, with essays by Sean Mallon, Peter Brunt and Nicholas Thomas

One hundred memorable images by documentary photographer Mark Adams present a powerful and moving portraits of a great Polynesian art tradition.

Tatau also tells the story of Sulu’ape Paulo II, the pre-eminent figure of modern Samoan tattooing. Paulo was a brilliantly innovative and controversial man, who saw tatau as an art of international importance. He was killed in 1999.

Accompanying Adams’ arresting photographs are two essays, and two interviews in which Sulu’ape Paulo II and Mark Adams each articulate their understanding of their own practices.

’Paul’s nephew Jim at Paul’s house’; Te Papa; Purchased 1993 with New Zealand Lottery Grants Board funds

’Paul’s nephew Jim at Paul’s house’; Te Papa; Purchased 1993 with New Zealand Lottery Grants Board funds

Queen’s service medal for font designer Joseph Churchward

Churchward Newstype Boldest Sketch

Churchward Newstype Boldest Sketch; Te Papa; Purchased 2008

The 2010 Queen’s Birthday Honours list included Samoan-born font designer Joseph Churchward. Since the 1960s, Churchward has hand-created over 570 typefaces (fonts), the greatest number designed by any individual in the world.

Click on the image to watch the video interview with Churchward on TVNZ:

Joseph Churchward sketching at his desk

As a way of documenting Churchward’s work, in August 2008, Te Papa acquired about 1000 examples of Churchward’s font designs. Now, the Pacific Cultures collection houses 42 samples of Churchward’s typefaces.

View more of Churchward’s amazing typefaces on Te Papa’s Collections Online:
http://collections.tepapa.govt.nz/Search.aspx?term=joseph+churchward

Otis Frizzell at Te Papa next week

It’s been really heartening to see how NZ has dug deep to aid Samoa after the recent tsunami.  TVNZ’s Good Morning programme broadcast live from Te Papa and other main centres on Wednesday to support the Red Cross’s appeal.  In total, they raised $165,000 in just three hours!

Online giving website Givealittle has received over $100,000 in donations for the Red Cross as well and, earlier in the week, Givealittle approached Te Papa to see if we could help out with a innovative fundraising idea.

Donors to the appeal are given the option of leaving a comment and the crew at Givealittle approached artist Otis Frizzell to incorporate these messages of support into a special artwork to be gifted to the people of Samoa.  Limited editions of the work will also be made available with the monies raised going to the Red Cross.

Otis Frizzell

Otis Frizzell

Otis will be in Te Papa’s Wellington Foyer on Level 2 working on this very special artwork from Monday 12 to Friday 16 October so come along, have a chat to Otis and see art in progress!  If you can’t make it in to Te Papa, check out our flickr site for progress pics!

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