Tag Archives: Rarotonga

Adorning the head: Cook Islands ‘ei taomi pare (hatband)

Today’s post is the last in our blog series for Cook Islands language week (6-8 August). I have decided to look at a variety of ’ei taomi pare (hatbands) from the Pacific Cultures collection. Usually ‘ei taomi pare are placed on a hat around the crown area. These ‘ei are separated from the hats to allow a closer view of their beautiful designs. 

’ei taomi Pare (hatband); FE012144; Te Papa

’ei taomi Pare (hatband); FE012144; Te Papa

This ‘ei (above) is exquisite in how the maker has arranged the shells into rosettes around the outer surface. Taking a closer look, each shell has been sewn onto the cloth material which has been wrapped around the pandanus fibre.

’ei taomi Pare (hatband); FE012083; Gift of Mrs E. M. Paterson, 1954; Te Papa

’ei taomi Pare (hatband); FE012083; Gift of Mrs E. M. Paterson, 1954; Te Papa

This tubular-shaped ‘ei is made using yellow, white and brown ‘ei pupu shells that have been threaded through and tied closely together. The shells form a lovely diagonal pattern. This particular ‘ei was gifted to the museum in 1954 from Mrs Edith Paterson, who along with her husband John made several visits to the Cook Islands in the 1920s. During their time there, John helped to build the wharf at Avarua in Rarotonga.

’ei taomi Pare (hatband); FE007305/2; Te Papa

’ei taomi Pare (hatband); FE007305/2; Te Papa

Made from kako grass, this ‘ei taomi pare is stunning in its combination of colours and floral arrangement. This ‘ei was acquired by Te Papa in the 1970s, and was collected by John Burland who spent some time studying bird life on Palmerston Atoll during the 1960s.

The pare vaine (woman’s hat) below has an ‘ei attached to its crown. It was collected by botanist and public servant Thomas Kirk, and gifted by the Masonic Lodge Tawera o Kapiti to the museum in 1950.

Pare vaine (womans hat); FE011390; Gift of Masonic Lodge Tawera o Kapiti, 1950

Pare vaine (womans hat); FE011390; Gift of Masonic Lodge Tawera o Kapiti, 1950

Although our current blog series ends for now, click on the link below to read more about the Cook Islands material culture collection at Te Papa: 

https://www.tepapa.govt.nz/SiteCollectionDocuments/Tuhinga/Tuhinga21_099_HuttonAkeliMallon.pdf

Dance costume Cook Islands style

For this week’s blog, I have selected this Cook Islands costume, for its beautiful arrangement, and striking colours.
Pareu kiri'au (hula skirt); Te Papa; Gift of Mrs E. M. Paterson, 1954

Pareu kiri'au (hula skirt); Te Papa; Gift of Mrs E. M. Paterson, 1954

This striking 1920s pareu kiri’au (hula skirt) from Rarotonga in the Cook Islands, is made from long narrow strips of hibiscus bast fibre. Around the waistband, is blue cloth, with orange and yellow diamonds, which have been machine sewn onto the band. At the base of the waistband, hang red-dyed tassels, each tied with a single puka seed. The base of the pareu has been dipped in red dye, providing a contrast to the natural colour of the pareu. This example combines natural and imported products, with a preference for blue cloth, and red dye. The tassels around the hips, add another layer of movement, once the dancer is in full motion. 

Dance costumes are often made to capture the graceful and vigorous movements of the dancer. At times costume makers combine natural materials with imported and manufactured goods. As curators, we look for colour and style to indicate a specific time period, while providing a clue about the wearer, and the maker.

This pareu, collected in the early 1920s, was gifted, along with other items, to the museum by Edith Paterson in 1954. Edith and her husband John worked and travelled intermittently in the Cook Islands during the 1920s, when John helped to build the Avarua wharf in Rarotonga.

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