Tag Archives: photography

Stories of the First World War: John and Donald Jessen

As an intern with the History Department at Te Papa, I have been given the challenging task of researching the sitters who appear in a number of photographic portraits held in the collection. 

Looking closely at some of the pictures, it seems that the images contained on the museum’s glass plate negatives are not all original photographs.  Some were taken in their frames by family members to the premises of Berry & Co. in Wellington for copies to be made.  This would often have happened if the picture had been sent from family members abroad, or if the soldiers pictured had died.

Read more about the Berry & Co. collection

Two of the images which seem to have produced this way were each marked with the handwritten name ‘Jessen’, and although there are sometimes two or three images among the collection with the same sitter, these two were certainly not the same man.

Through using database records and military personnel files, I believe I have identified these two men as brothers John and Donald Jessen.  Both were members of the New Zealand Field Artillery who died while away at war in Europe.

Black and white glass negative (Jessen);1914-1920; Berry & Co; Wellington

Black and white glass negative (Jessen);1914-1920; Berry & Co; Wellington

Elder brother John Jessen was born in Mauriceville to parents William August and Christine in the same year as their marriage, 1890.  The family had moved to Wellington by 1908, when John joined the D Battery of the New Zealand Field Artillery Volunteers.  In 1914 he joined the New Zealand Expeditionary Force who departed for Samoa on the 8th August.  Returning from Samoa on the 22nd March 1915 he was discharged on his own request and went to work as a clerk in the New Zealand Government Thorndon Railway Station.  On discharge he held the rank of Battery Sergeant Major.

At the end of 1915 John Jessen was among a number of non-commissioned officers called up to join the 14th reinforcements for the Western Front.  He was killed in action in France during the Battle of Bapaume on the 24th August 1918, aged 28.  By this point he held the rank of Bombardier and was part of the 9th Battery.  He is buried in Achiet-le-Grand Communal Cemetery Extension in grave IV.P.3. 

Black and white glass negative (Jessen); 1914-1920; Berry & Co; Wellington

Black and white glass negative (Jessen); 1914-1920; Berry & Co; Wellington

 

Younger brother Donald Jessen worked as a warehouseman in Wellington and also served in the D Battery volunteer force until 1915 when he joined the New Zealand Field Artillery as part of the 10th reinforcements.  He went into Trentham Camp on the 16th November 1915 and embarked on the Willochra or Tofua to Egypt on 4th March 1916.  His unit on embarkation was the No. 5 Field Battery (2nd Field Artillery Brigade).

Although he survived the war, Donald contracted a bout of influenza in 1919 which became pneumonia, and he died at Endell Street Military Hospital in London on the 23rd February 1919.  He is buried at Brookwood Military Cemetery, grave reference II.J.4. 

Both soldiers were commemorated by their parents and sisters in adverts placed in the Evening Post.  They are just two casualties of an estimated 14,000–17,000 New Zealand citizens who were killed in action or died as a result of their wounds. New Zealand had one of the highest casualty rates as a proportion of the total population of all the countries involved in the war.

Read another ‘Story of the First World War’ here – Sergeant-Major Vandersluys

Read about Herman Rolfes, also killed during the Battle of Bapaume on the same day as John Jessen, 24th August 1918, whose personal effects are held in Te Papa’s collection

Stories from the First World War: Sergeant-Major Vandersluys

As an intern with the History Department at Te Papa, I have been given the challenging task of researching the sitters who appear in a number of photographic portraits held in the collection. 

Read more about the Berry & Co. collection 

My task is to try to identify the soldiers who appear in these photographs, using military personnel files, reference books relating to uniform and badges of military regiments, and online databases and resources.  Unfortunately, apart from an image of the person, the only other information I have to go on is the person’s family name, which is handwritten on the top of each negative.

So far, this is a slow process, but I have had some success.  Following an existing tentative identification, I have managed to bring to light quite a lot of information about this striking gentleman, who I believe to be Charles Vandersluys, a British national who became a Sergeant Major serving in the New Zealand Expeditionary Force at home at Trentham Camp, but making some enemies along the way!  I am currently working on more research which includes the life of Vandersluys along with many of his contemporaries who were photographed by Berry & Co. in Wellington.

Black and white glass negative (Vandersluys); 1914-1920; Berry & Co; Wellington

Black and white glass negative (Vandersluys); 1914-1920; Berry & Co; Wellington

Charles Calab Vandersluys was born on the 22ndAugust 1871 in Hanwell, Middlesex, England.  Despite his Dutch name, Vandersluys was British for at least two generations, and throughout his life often travelled under the name of ‘Berrold’ as he hated being referred to as a ‘Dutchman’.  His father was a soldier in the British Army, and later worked as a clerk in the Pension Office.

On 4th September 1893, Vandersluys married Letitia Ayres in Dublin, before returning to England where he was employed as a Private in the Gordon Highlanders, a British Army infantry regiment drawn mainly from Scotland and the north of England.  Vandersluys served twelve years and 120 days with this regiment, including service during the second Boer War in South Africa.  See the image below for an example of what his Gordon Highlanders dress uniform would have looked like.  After peace was declared he was discharged on the 15th September 1902.  He then joined section D of the Gordon Highlanders Reserve in January 1903.  Four years later, he completed his service but remained living in London where he was employed driving meat vans and buses.

Gordon Highlanders uniform; 1880s - 1950s; Hebbert & Co. Ltd.; wool; London

Gordon Highlanders uniform; 1880s – 1950s; Hebbert & Co. Ltd.; wool; London

In 1910, Vandersluys and his wife travelled to Buenos Aires, where, apart from occasional trips to England, they lived for around three years.  After returning to England in July 1914, they continued almost immediately on a voyage to Australia, taking a 3rd class passage on the SS Ruahine, departing on the 10th August 1914, under the name of Berrold.   Their son and three daughters remained in England.  Spending only six months in Australia, the couple moved on once again to New Zealand, where, within a few days, Vandersluys enlisted with the New Zealand Expeditionary Force. 

Due to an attack of rheumatic fever, Vandersluys was judged to be unfit for active service.  However he was fit to serve at home, and worked at Trentham Camp, as a member of the Army and of the Military Police.  He was promoted during his service, earning the rank of Sergeant Major and a large amount of respect amongst his colleagues. 

However, a case was brought against him in August 1918 by two recently discharged Privates, Fisher and Boosey.  Private Fisher had recently been arrested for assaulting Vandersluys, although the man’s statement maintained that the Sergeant had in fact started a fight with him, and enlisted the help of two corporals to give false witness statements.  He had then, along with his friend Private Boosey, been discharged as medically unfit to serve, in Fisher’s case due to shell-shock and mental disturbance. 

The two men decided to report that on the occasion of Fisher bringing Boosey to the military office to enlist, Vandersluys had made a disloyal remark, saying “The Germans are going to give the British all they asked for”.  After investigation, the detective in charge of the case recommended that no action be taken, as Vandersluys argued that his words had been misquoted and taken out of context, and there was no further evidence to suggest a disloyalty to the Allied forces. 

While the two men responsible for the accusation may well have held a grudge against the Sergeant, this demonstrates the level of paranoia and suspicion which was present during the war years, which was particularly high towards ‘aliens’ or those with foreign sounding names!   Many of these people spent the war years on an island in Wellington harbour - click on the object below to read more about their story.

Box; 1914-1918; Hansen, Hans; inlay of kohekohe, rewa rewa, and paua shell; kauri; marquetry; New Zealand

Box; 1914-1918; Hansen, Hans; inlay of kohekohe, rewa rewa, and paua shell; kauri; marquetry; New Zealand

Look out for more blog posts as I uncover more stories related to the soldiers who appear in the Berry & Co. collection photographs.

Wanted: loved ones

B.044616

Berry & Co portraits of World War I soldiers 1914-1920 Te Papa

All we know about him is a name written on a glass negative: ‘Hart’.  Ever since I first saw him I have kept his photograph on my wall.  He has been the inspiration for many hours of image research for the World War I film that screens in Te Papa’s C20th history exhibition, Slice of Heaven.   Using silent archive footage and stills the film tells the story of the journey of New Zealanders who served on the Western Front.   More than 12,000 New Zealanders died on the Western Front.   More than 800 men died in a single day at Passchendaele in Belgium.Hart was just one of thousands of New Zealanders who had their portrait taken for loved ones before they departed for the war.  Te Papa has a large collection of them, mostly unidentified apart from a surname.   You can search them here at Collections Online.  Sons, brothers, husbands, lovers, fathers, uncles, grandfathers…who loved them? Who kept their photographs?

Faraway Places – new work

This week Faraway Places: 19th century travel photography in Te Papa’s Ilott Gallery has had all its photographs replaced with 22 new ones. This is because nineteenth century photographs are vulnerable to damage by light, so the six-month exhibition has been divided into two halves, each with a different, though similar, selection of work. Often this simply entailed replacing like with like, sometimes even just turning a page in an album, but in one area there has also been a shift in emphasis.

In the previous hang there was a small selection of New Zealand photographs. These were included to make the point that the faraway is relative and that from the point of view of people living in Europe and the UK, New Zealand was an exotic and faraway place. Such images are now replaced with ones of people, for nineteenth century albums containing photographs of distant lands often also included images of their inhabitants – preferably dressed in exotic looking traditional costume. 

Kandiyan chief

Photographer unknown: Kandiyan chief, late 19th century, albumen silver print. Te Papa

The Pacific in particular was commonly represented by people rather than landscapes, usually with photographs of attractive young women adorned with flowers. Sometimes they were posed topless, though that would not have been how they dressed every day. Te Papa has a very strong collection of photographs taken by Samoa-based photographer Thomas Andrew and two of his images appear in this exhibition.

Portrait of an unknown Samoan woman

Thomas Andrew, Portrait of an unknown Samoan woman, c.1896, gelatin silver print. Gift of Alison Beckett and Robert McPherson, 1996. Te Papa.

Historic holiday snaps

Some of my favourite social history images in Te Papa’s photography collection are of trampers taken by Leslie Adkin (1888-1964). 

B.020846 Early views Tararuas, 2 March 1930. Photographer Leslie Adkin. Te Papa

A man of many talents and interests, Adkin was a founding member of the Levin-Waiohepu Tramping Club, which was established in the 1920s.  This was one of the first tramping clubs to be formed in New Zealand

Adkin used his camera to record his own forays into the bush as well as many club expeditions. I especially like his portraits of trampers taken during tramps up Kapakapanui (1102m), a peak in the Tararua Ranges. Here are two examples: 

B.021005 Woman tramper: 'Ascent of Kapakapanui' 1-2 March 1930. Photographer Leslie Adkin. Te Papa

B.021003 Woman tramper in the bush: 'Ascent of Kapakapanui' 1-2 March 1930. Photographer Leslie Adkin. Te Papa

Back in the 1920s and 30s, trampers who ‘went bush’ courted scandal – especially those who went out in mixed groups. So in 1921, to keep things seemly, two chaperones were amongst the 60 men and women who scaled the summit of Kapakapanui.

The scanty and scruffy clothing worn by trampers also caused concern. On Kapakapanui, in the 1930s, Victoria University College trampers were pelted with dirt and debris by members of the Tararua Tramping Club, because some of the students were tramping without shirts!

These holidays I decided to follow in the footsteps of these depraved trampers, but to avoid any censure I made sure I kept my shirt on!

Kapakapanui is inland from Waikanae near Reikorangi. It’s a decent day tramp close to Wellington or you can do the trip overnight, staying in the hut built in the 1960s that is along the way.

Give way sign, Kapakapanui track December 2010. Photographer Athol McCredie

This tongue-in-cheek sign was near the hut and completely redundant as there were no other trampers on the track.

Kapakapanui trig, December 2010. Photographer Athol McCredie

After a night in the hut, I was up at trig on the highest point just as the morning mist was clearing. You can see that there is less vegetation on the summit – an accidental fire cleared it in 1903.

B.021001 View inland from Kapakapanui showing burnt stumps: 'Ascent of Kapakapanui' 1-2 March 1930. Photographer Leslie Adkin. Te Papa

The openness on the top meant there were unimpeded views inland and out to the Kapiti coast. It was a relief from the claustrophobic, stunted forest, which was a bit like mutant topiary, that I’d just walked through. The summit reached, it was a steep descent down to the car and a cup of tea.

Read more about Leslie Adkin on the Dictionary of New Zealand Biography website.

Search Collections Online for other Leslie Adkin images.

Brian Brake online

Brian Brake is one of New Zealand’s best known photographers.

Brian Brake, Rotorua (detail), 1960, photographer unknown. O.033804

Brian Brake, Rotorua (detail), 1960, photographer unknown. O.033804

His career covered the golden age of photojournalism  – his images featured in magazines around the world such as Life and Paris Match. He was passionate about New Zealand, the people and landscapes.

Brake's iconic image of Milford Sound

Brake's iconic image of Milford Sound, 1960. Gift of Wai-man Lau, 2010.

Te Papa is very fortunate to have been gifted the Brake collection by Brake’s partner Wai-man (Aman) Lau. There are around 115,000 images. 

To be precise – if you count each one of the rolls of black and white film there are 114,000 images. There are 2,250 rolls of 35mm black and white film, 29,100 colour transparencies (or “slides”), and 5,250 large-format 4 x 5 inch transparencies and negatives.

The exhibition Brian Brake – lens on the world (which opened to the public on Saturday 23 October) and the Te Papa Press catalogue edited by Athol McCredie reveal the full sweep of Brian Brake’s life works. They also let viewers see some of the photographs as they were published in the magazines.

But wait there’s more! We’ve put together a Brian Brake website. Here you can explore around 300 images of Brake’s work, which feature in the exhibition and the book.  There’s info about the images, about Brake’s life and work, and even a FAQ section.

A highlight for me are Brake’s beloved cameras - one has been handled and used so much that the black casing has been worn away. For the museum enthusiast that I am, to see Brake’s cameras was a classic ”museum moment”.

Brake's Leica M2 camera with 35 mm lens, courtesy Wai-man Lau.

Brake's Leica M2 camera with 35 mm lens, courtesy Wai-man Lau.

If you still want more Brake images, you can explore all Brian Brake’s works in Collections Online. So far a large number of his images are viewable - and this will grow as more images are scanned.

The Brake exhibition, catalogue and website make a large part of the work Brian Brake created in his life time accessible - opening it up for exploration, new consideration and critical examination. 

Picture Library news – Spiders

Metamynoglenes absurda

Te Papa’s Natural Environment team have recently been putting a lot of effort into photographing their collection of spiders and putting the images up on Collections Online for you to view. I thought it was time to showcase some of this fantastic imagery.

Phil Sirvid, Collection Manager Entomology, said the primary objective for this photography is to document our type specimen collection for everyone to see. When someone describes a new species, they pick one specimen from all those they’ve examined to be the type for that species. That specimen is the one to which the new species name is attached so it’s like a gold standard for the species. When researchers from overseas want to borrow type specimens, New Zealand law requires an export permit for the specimens to leave the country. However, our high quality images of type specimens may show researchers everything they need to see so when this happens there’s no need to lend the specimen. If we don’t have to send the specimen there’s no risk of loss or damage to it and there’s no need to get an export permit.

Of course, these images are not only of interest to specialist researchers. In many cases, type specimens have not been fully illustrated or photographed before now. Our images give everyone a chance to get a highly detailed look at a variety of animals that most people have never seen.

By no means are these spiders easy to photograph, partly because of their size. Te Papa uses the technique of extended depth of field photography to do this. Interested in how Te Papa took these images? Check out the Tales from Te Papa episode about extended depth of field photography.

Metamynoglenes helicoides Nomaua repanga Parafroneta pilosa
Haplinis anomala Haplinis fulvolineata Laetesia pseudamoena

Sign up to the Te Papa Picture Library’s newsletter to get the latest news on incredible images at http://tepapa.govt.nz/onlineforms/emailpicturelibrary.aspx

Becky Masters
Manager Picture Library

a weevil the size of a football that I shall mention at the end

Rest assured, we in the Discovery Centres are working very, very hard for you. We know that for most children, two weeks away from the blackboard is a thought not worth thinking, and we have a whole slate of great diversions to take your mind off THE THING WE WON’T MENTION. You know, the two weeks without sch…nothing.

And when we say that there is a whole barrel of interesting things going down, we’re not kidding. More than a barrel, there is a fridge stored inside a tanker being hauled by two helicopters, one piloted by a dragon, the other by a fairy princess. One of our holiday highlights has to do with this bro’Town interactive that our hard-working hosts Herbert and Jessica have magicked into being. Have a look:

The new bro'town laughter lines interactive being installed in Inspiration Station (c) Te Papa, 2010

The new bro'town laughter lines interactive being installed in Inspiration Station (c) Te Papa, 2010

Look at it! Isn’t it magnificent? It looks even better now, because it’s fully operational, wall-mounted and ready for your artistic hard work. Doesn’t that make you feel better about your school-less fortnight? Not enough? How about all the activities we’ve got planned for you? Four Discovery Centre  hours covering a whole range of activities, everything from tī rākau (playing sticks) to Samoan tattooing, to the very important visit of some Very Improtant People, in this case, the cast of bro’Town! A Very Important Reptile will also drop by: a real life, living breathing tuatara. Surely, that’s got to take the edge off the 336 hours you have to endure waiting to be let back into a classroom.

Still not enough? Craft yourself into a frenzy! That will make the 20,160 minutes pass that much more sweetly. You can pick from one of over a dozen craft activities. You like Japanese dolls? Be here on July 3, and we’ll make one together. Maybe you’re like Bruce Wayne – more of a pekapeka person. Well, you’re sorted too. Just be here on July 8, and you can shimmy up a  short-tailed bat mask. What else could you want? Tongan drums? Jandals in July? A completely classy and cleverly cool  Tīpare? A perfectly pretty but perhaps perplexing thaumatrope? Done.

Now, on to the weevil. The New Zealand Schools’ Photographic Competition winners are out and up onto our Discovery Centre walls: brilliant work done by kids who came up with a way to meet the challenge of capturing one of two tricky themes – “Celebrate” or “From the Paddock to the Plate”.

Bryce McQuillian's photographs in the Discovery Centre offices

Bryce McQuillian's photographs in the Discovery Centre offices

And to do this, we had to somewhat relectantly take down the astounding close-up photography of Bryce McQuillan. As you can see from what is clearly also a photographic masterpiece here, they have been keeping a low profile in our office.  But even that’s not a problem (unless you don’t like bugs and work in our office, then I suppose it could be a problem).  If it’s close up bugs you want, then just take a trip to NatureSpace on level 2, because we have 28 of them waiting for you to put them under the microscope. Maybe we’ll see you at Te Papa for a few of the 1.2 million seconds you’ll have free this July?

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