Tag Archives: Niue

Niuean Katoua (club)

This is our final blog in our series focusing on Niue taoga (treasures) from Te Papa’s collection for Vagahau (Language) Niue Week (6-13 October).

In recent times, the katoua, a long club or cleaving club, has become an iconic symbol representing identity and culture for many Niueans. Used in festival and school performances, it is a Niuean object unique to the island.

Katoua (club); Niue; OL000169.S/9; Oldman Collection. Gift of the New Zealand Government, 1992; Te Papa

Katoua (club); Niue; OL000169.S/9; Oldman Collection. Gift of the New Zealand Government, 1992; Te Papa

These weapons measure between 900mm and 1800mm. The katoua was a piercing weapon, used after the initial throwing of the maka (stone). Made from brown wood, katoua have a central sharp ridge along the length of the blade on both sides; the butt end is pointed, with a collar on the rounded shaft.

Katoua (club); Niue; FE007919; Deposited by Dr Edward Ellison, 1931; Te Papa

Katoua (club); Niue; FE007919; Deposited by Dr Edward Ellison, 1931; Te Papa

Katoua (club); Niue; FE004017/2; Te Papa

Katoua (club); Niue; FE004017/2; Te Papa

A number of katoua in the Pacific Cultures Collection were discovered to have incised designs at the butt end of the shaft, and a few had wrapped sennit (coconut-husk fibre), feathers, egg cowrie shells, and braided human hair wound around the lower part of the shaft. As a result of close examination of the feathers, Hokimate Harwood (Te Papa’s Bicultural Science Researcher) was able to identify some of the feathers attached to both katoua and tao (spear) as being from the belly of the kulukulu, or purple-capped dove, the tail of the henga, or blue-crowned lorikeet, and the back of the lupe, or Pacific pigeon (Ducula pacifica).

To read more about Te Papa’s Niue collection, please view the following article: Exploring ‘the Rock’: Material culture from Niue Island in Te Papa’s Pacific Cultures Collection, (2011)

Vagahau Niue: Niue Language Week – a rare plastic bread bag hat

To celebrate Vagahau Niue: Niue Language Week (6-13 October 2012), the Pacific Cultures team are highlighting stories about Niue focusing on taoga (treasures) from Te Papa’s collection. Today, in this fourth blog post, we feature this Panama-styled pulou (hat) - a surprisingly rare collectable.

Pulou (hat) made by Moka Poi 1990s Niue/New Zealand

The pulou was made and worn by Moka Poi in Auckland in the 1990s. It is woven from red strips of plastic bread bags and decorated with a headband made from small white plastic flower beads, and two large red synthetic flowers. I claim it as a rare collectable because the bread bags that Moka used to make it are now difficult to come by. Today, most plastic bread bags are of biodegradable variety and have a very short life span. They disintegrate over time. This pulou was made and worn for many years before it was purchased by the museum. It is probably deteriorating but at a much slower rate. This hat is a favourite of mine for the way it demonstrates the response of Niue weavers to new materials and new creative opportunities here in New Zealand. I also like it because we know who made it and it was worn with pride.

Lei (necklace) 1990s made from plastic and nylon by Sia Kata Womens Weaving Group, Wellington, New Zealand

The fact that the pulou is made from non-indigenous materials is not unusual. People take aspects of their cultures with them wherever they travel. In New Zealand, skilled practitioners from Niuean communities continue to pass on indigenous art forms such as weaving and hat-making. For several decades now, Niuean weavers in New Zealand have applied their knowledge to working with local materials, such as flax, raffia, and synthetic tubing. The weavers’ ability to adapt and innovate is evident in their use of new materials, creation of new forms, and the new uses they find for the items they create.

Kato tia hulu (basket) made from raffia, wood and plastic, by Edith Etuata, Niue/New Zealand

Poulou (1970s) made from pandanus , Niue

Niuean weavers in New Zealand often work in groups. These groups are like fibres, connecting different generations back to their island homelands. They provide a setting where people can share knowledge and interact in their own language. Weaving can be a way to earn money, but, perhaps more importantly, it can build a sense of cultural connection and pride, especially for Pacific people born in New Zealand.

LINK: to watch a youtube clip about the conservation of Pacific artefacts made from recycled plastics at Te Papa click here

1920s taoga (treasures) from Niue

Welcome to the third blog in our series focusing on Niue taoga (treasures) from Te Papa’s collection for Vagahau (Language) Niue Week (6-13 October).

Titi (skirt); Niue; FE006396; Purchased 1973; Te Papa

Titi (skirt); Niue; FE006396; Purchased 1973; Te Papa

This titi (skirt) was collected in the 1920s by H W Cockerill a telegraphic engineer for the General Post Office who helped install a wireless telephone station on Niue. The titi, one of several are made of natural hibiscus bast fibres dyed in pink, red and green,and decorated with rosettes. They indicate a preference at the time for dying natural materials. This is similar to Cook Islands dance costumes from the same period.

Titi (skirt); FE006399; Purchased 1973; Te Papa

Titi (skirt); FE006399; Purchased 1973; Te Papa

Along with the titi, Cockerill acquired other items including tablemats, iliili (fan) and the lei (necklace) below.

Lei (necklace); Niue; FE006400/1; Te Papa

Lei (necklace); Niue; FE006400/1; Te Papa

Since the beginning of New Zealand annexation in 1901, New Zealanders such as Cockerill visited the island for work, travel and leisure. In 1973, Cockerill’s collection was acquired from his son, and provide a snapshot of items produced in that period.

Niue: the Rock of Polynesia

To celebrate Vagahau Niue: Niue Language Week (6-13 October 2012), the Pacific Cultures team are highlighting stories about Niue focusing on taoga (treasures) from Te Papa’s collection. Today, in this second blog post we offer a short environmental profile of the Niue, sometimes referred to by locals as “The Rock of Polynesia”. We finish with one of Niue’s creation stories.

Niue: a raised coral atoll

What is a raised coral atoll? A raised coral atoll forms when a coral reef grows on an underwater volcanic peak, which is then raised above sea level. This can happen from both earth movements and falls in sea level. Niue consists of coral limestone – old, dead coral that now makes up both the central bedrock and the coastal cliffs. The volcano on which Niue is formed is extinct. The main environmental threat to Niue is drought. Because of Niue’s height and steep coast, rises in sea level will have little, if any, effect on it.

Food and water on Niue

Compared with other types of islands, a raised coral atoll is not well suited to human habitation. There isn’t much fresh water on Niue. In former times, the inhabitants had to find it in caves or dig wells for it. Niue also has very little fertile soil. There is only a thin layer in most places. However, Niueans have made the most of the soil they have available, and cultivate introduced plants – especially talo (taro), bananas, and coconuts. Niue’s marine and fishing resources are good, but access to the sea is difficult in some areas because of the rugged coastal cliffs. These photographs from the Te Papa collections were taken by New Zealander Glenn Jowitt. They capture aspects of food production and fishing on Niue in the 1990s. Check out the big catch…

Weighing taro (1996) Photographer Glenn Jowitt

Lakepa Niue(1996) Photographer Glenn Jowitt

Flower snapper (1996). Photographer Glenn Jowitt.

Toolmaking on Niue

As with other raised atolls, limestone is the accessible type of rock on Niue. In the past, Niueans made wood carving tools from this stone and from shells. Occasionally they obtained tools of harder stone from other islands. They valued these greatly, and would repair and reshape them until they were too small to use.

Toki ngenge (shell adzing tool)

These stone tools (below) were used on Niue, but must have been obtained from Tonga or Samoa. Being a raised coral atoll, Niue has no stone of this kind.

Toki uli (stone adzing tool)

Toki uli (stone adzing tool)

The origins of Niue: a creation story

There were five gods: Fao, Huanaki, Lageiki, Lagiatea, and Talimainuku (Fakahoku). They left their land and discovered a small reef in the ocean – Niue.

The gods bailed water off the reef and emptied it into caverns. More and more dry land emerged, until the reef was big enough to live on.

It was one of the gods, Fao, who first brought humans to Niue. Some say that he had two children, Avatele and Malotele. Others believe he went to Fonuagalo and brought back a couple whose names were Avatele and Kavatele.

Ko e tupumaiaga ha Niue

Na toko lima e atua fakamua: ko Fao, Huanaki, Lageiki, Lagiatea mo Talimainuku (taha higoa foki ko Fakahoku). Ne fenoga a lautolu mai he motu ne nonofo ai ti moua e lautolu e uluulu he moana puke lahi, ko e matamaka ko Niue.

Ne ahu e lautolu e tau puke tahi mai he uluulu mo e liligi hifo he tau maihi maka. Kua kitia ai hane fae lahi fakahaga e kelekele momo ati maeke ia lautolu ke nonofo ai.

Ko e taha mai ia lautolu e tau atua ko Fao ne taatu fakamua e tau tagata ki Niue. Taha talahauaga pehe, na tokoua e haana a tau fanau, ko Avatele mo Malotele. Falu ne pehe, kua finatu a ia ki Fonuagalo mo e tamai e ia e hoana mo e taane ko Avatele mo Kavatele.

A full version of the origin story of Niue was documented by Pulekula, Teacher at Tama-ha-le-leka and published in the Journal of the Polynesian Society in 1903.

Niue: the stats

Total land area: 259 square kilometres

Highest point: About 60 metres above sea level

Annual rainfall: 2170 millimetres

Population in 2000: 1625 (2006 census)

More than 22,000 Niueans now live in New Zealand (2006 census).

Crab, Niue (1962)Photographer Richard Dell.

Celebrating Vagahau (Language) Niue

To celebrate Vagahau Niue: Niue Language Week (6-13 October 2012), the Pacific Cultures team are highligting stories about Niue focusing on taoga (treasures) from Te Papa’s collection.

Canoe Making in Niue; CT.027510; 1972, Te Papa

Canoe Making in Niue; CT.027510; 1972, Te Papa

In 1972, over a few months, a group of scientists from Te Papa, then known as the Dominion Museum, made a visit to Niue as part of an expedition to survey the natural environment. Included in the group was Curator of Birds, Frederich-Carl Kinsky who took images of vaka (canoe) making at Lalokafika on the Alofi–Hakupu road. Some images capture the cutting down and shaping of the moota tree (Dysoxylum forsteri) by local Niueans including Piavale and Dr Harry Nemaia, who was formerly Director of Health in Niue and a respected vaka maker. These images are now in the Photography Collection and are available through Collections Online.

Canoe Making in Niue;  CT.027509; 1972; Te Papa

Canoe Making in Niue; CT.027509; 1972; Te Papa

On the same trip, zoologist John Yaldwyn collected several kato (basket) from the local market. The kato range in style from kato tupe (money purses) to oval ribbed styles  for storage. Along with cultural items, specimens of birds, fishes and plants were also collected. These images and objects are a reminder of the museum’s relationship with Niue, and provide an important time capsule in the country’s history.

 Kato (basket); Niue; FE006157; Te Papa

Kato (basket); Niue; FE006157; Te Papa

 

 

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