Tag Archives: New Zealand

Born in a manger, found in a barn: Te Papa offers assistance to Futuna Chapel

Over a decade ago Jim Allen’s carved Christ figure was stolen from John Scott’s architectural icon, the Futuna Chapel in Wellington.

Its whereabouts remained a mystery until it was recovered from an abandoned Taranaki farm  last week. The New Zealand Police returned the Christ figure to The Friends of Futuna Charitable Trust at a moving ceremony at the Chapel earlier today, Thursday 6 September.

In recognition of the importance of the chapel as a national treasure Te Papa has agreed to assist the Trust by holding the figure in storage until it goes back on permanent display in the chapel next March. While in temporary storage at the Museum, the Trust will arrange a conservation assessment and any restorative work that may be required.

NZ Police carrying Jim Allen's Christ figure into Futuna Chapel. Photo: Phil Reid, Fairfax NZ.

NZ Police carrying Jim Allen’s Christ figure into Futuna Chapel. Photo: Phil Reid, Fairfax NZ.

An icon of New Zealand architecture, the now deconsecrated chapel was designed by one of the first ‘modernist’ Maori architects, John Scott. The architect invited contemporary artist Jim Allen to collaborate on several aspects of the chapel’s design, including the coloured windows – a key feature of the building — and, of course, the crucifix.

‘Recovering the statue has been a goal of the Futuna Trust since it was established in 2003 to celebrate, restore and maintain the chapel, which is regarded as one of New Zealand’s modern architectural masterpieces.’ Nick Bevin, Wellington architect and chair of the Futuna Trust.

Te Papa currently has three important works by Jim Allen on public display on Level 5.

Sarah Farrar, Curator of Contemporary Art

The Berry Boys – the story of the Scambary brothers

I often wonder when uncovering the stories of the soldiers in the Berry & Co images how I would react when faced with their situation. In times of crisis and stress we all respond differently – this must have been the same for the men who went to war. For some it was an opportunity to excel and learn new skills, for others it brought out the worst. Given the army was totally intolerant of insubordinate behaviour the outcome could be disastrous for those who rebelled. Brothers Walter and Norman Scambary illustrate this point. Even though they were from the same family they were very different people and their war stories ended very differently too.

For Gunner Walter George Scambary, pictured here with his wife Ida and son George, the war appears to have been the begining of a life long interest in weaponry.  When Walter began his service in 1917 he was 24 years old, lived in Kilbirnie, Wellington and worked as a salesman. He was in the New Zealand Field Artillery, 32nd Reinforcements. He specialised in the use of heavy trench mortar, a tube like weapon designed to fire a projectile at a steep angle so that it falls straight down on the enemy. The mortar was ideally suited for trench warfare which is what Walter was engaged in.

Walter George, George and Ida Scambary, circa 1917, Wellington. Berry & Co. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

Walter George, George and Ida Scambary, circa 1917, Wellington. Berry & Co. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

After the war, he returned home to Ida and George in Kilbirnie where he had grown up and where he lived for the rest of his life until the age of 76. He continued his interest in weaponry at the Aotea and Petone Rifle Clubs where he competed in competitions for many years.

Walter’s brother Norman William Scambary, sometimes recorded as Scambury, also served but his story sheds light on a completely different side of the war.

Norman William Scambary and unknown woman, circa 1917, Wellington. Berry & Co. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

Norman William Scambary and unknown woman, circa 1917, Wellington. Berry & Co. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa

Norman appears to have been an unsettled and possibly troublesome character in his early life. Unlike Walter who was a high achiever at the Kilbirnie Primary School, Norman attended many schools in the South Wellington area. He had been in the courts for burglary on three separate occasions. In the New Zealand Truth, Issue 408, 19 April 1913 he was dubbed ‘Scambury the Scamp’.

He attested for service in 1915 just 20 years old and served at Gallipoli and later in France. He continued his rebellious conduct while in military service and often didn’t follow orders. His records show he was punished for insolence and disobeying orders, stealing an egg, and abusive language. The punishment for crimes like these could be harsh.  Norman for example received 60 days ‘Field Punishment No.1’ which typically consisted of the convicted man being secured to a gun wheel or other fixed object. He could be left there for up to two hours in 24, for three days at a time. This punishment was often known as the ‘crucifixion’ and due to its humiliating nature was viewed by many as unfair.

During World War I, 2009 New Zealanders were convicted by courts-martial many of which were sentenced to field punishment and a prison sentence. Disobedience wasn’t tolerated, misfits and those suffering battle fatigue were not treated with compassion. Norman’s final conviction was a 10 year prison sentence for deserting. He paid the ultimate price in the end. He died while in military prison from pleurisy and congested lungs on 13 January 1918.

The Gods of Gaming are coming to Te Papa

World of Warcraft © Blizzard Entertainment, Inc.

World of Warcraft © Blizzard Entertainment, Inc.

Te Papa is delighted to announce its summer blockbuster exhibition, Game Masters, opening 15 December 2012. 

Featuring over 120 playable games across arcade, consoles, and PC, including Donkey Kong, The Sims, The Legend of Zelda, Sonic the Hedgehog, and not forgetting mobile games such as Angry Birds and Fruit Ninja;this exhibition has games suitable for all ages. 

The exhibition profiles a selection of the world’s most influential videogame designers, and the iconic games developments of the past 40 years. Videogame creatives are often little known outside of their field, and the exhibition will provide a platform for acknowledging the huge individual creative contributions they have made to the industry. 

International videogame designers whose work will be profiled include Tetsuya Mizuguchi with Child of Eden, Chris Metzen with World of Warcraft, and Toru IIwatani, the father of Pac-man.

Pre-sale exhibition tickets, including for the opening weekend, will be sold exclusively through Visa for a limited time from 15 October. Visa cardholders will also have the opportunity to attend an hour-long preview on Friday 14 December. Numbers are limited.

Te Papa is New Zealand’s exclusive venue for the exhibition which has been developed by the Australian Centre for the Moving Image (ACMI) in Melbourne.

Game Masters
15 December 2012 – 28 April 2013
Visa Platinum Gallery, Level 4, Te Papa
Exhibition charges apply.
www.tepapa.govt.nz/gamemasters

Red Piano and Bronze Bulls coming to Wellington

Michael Parekowhai, He Kōrero Pūrākau mo te Awanui o Te Motu: story of a New Zealand river, 2011. Photograph by John Collie, courtesy of Christchurch Art Gallery, Te Puna o Waiwhetu. Te Papa (TMP013506)

After a successful season at the Venice Biennale, in Paris and Christchurch, Michael Parekowhai’s On First Looking into Chapman’s Homer will make its final stop at the national museum, Te Papa. Opening Saturday 25 August, a specially reconfigured installation will be shown in a single gallery space for four weeks and provides an exciting opportunity to view Parekowhai’s Venice exhibition.

The centerpiece of the installation is an ornately carved Steinway concert grand piano. Painted a vibrant red and titled He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river, it is Te Papa’s latest major acquisition of contemporary art.

Standing alongside He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river  are two black bronze replica pianos complete with two bulls, one standing and one sitting, as well as five bronze olive tree saplings.

Over the four weeks He Korero Purakau mo te Awanui o te Motu: story of a New Zealand river will be performed by top musicians including Gareth Farr, Robert Wiremu and Tama Waipara, and at 12.30pm daily by pianists selected to play this unique piano when it was exhibited in Venice.

In the adjacent galleries Te Papa presents new acquisitions of important works by Jim Allen and Colin McCahon, including McCahon’s painting Koru 1, 2, 3 (1965).

“These three exhibitions provide a wonderful opportunity to engage with some of the most significant examples of contemporary New Zealand art from the mid-1960s through to the present day”, says Sarah Farrar, Acting Senior Curator Art at Te Papa. “It will be an unforgettable one month programme.”

Te Papa would like to acknowledge the support of the Friends of Te Papa, Ernst & Young, Creative New Zealand, and the Wellington City Council.

25 August – 23 September 2012
Level 5, Te Papa
Free entry

New exhibition of ceramics, glass and metalwork opens this Saturday

Te Papa shares the story of modern design through the collection of ceramics, glass and metalwork gifted by Wellingtonian Walter Cook. Featuring selected objects, the new exhibition, Walter Cook: a collector’s quest opens this Saturday on Level 6.

Flower dish, about 1906. WMF, Germany. Te Papa

Flower dish, about 1906. WMF, Germany. Te Papa

Walter Cook’s first purchase initiated him into what he called ‘the addictive habit and thrill of hunting quarry in second-hand shops’. During the years between 1961 and about 1991, he built up a collection which reflects the second hand and antique market in Wellington that is now of national importance.

“The collection was put together in the days before online sales and provides a clear picture of the antique dealers’ arena specifically in Wellington during that time.” says Justine Olsen, Decorative Arts and Design Curator at Te Papa. Many of these dealerships have since closed but can still be remembered by some Wellingtonians.

Walter Cook was a passionate, well read collector who sought out objects with broad ranging international connections. Pieces in the collection, which feature in the exhibition range from the Arts and Crafts movement ceramics to German art-nouveau pewter and Scandinavian modern design.

Dish. 1883. Designed by William De Morgan, England. Te Papa

Dish. 1883. Designed by William De Morgan, England. Te Papa

A wonderful example of the Arts and Crafts movement is a De Morgan ceramic dish from 1883, which features a striking hand-painted red design. Over the years, Walter developed quite the discerning eye and managed to find a Linthorpe Pottery jug by industrial designer, Christopher Dresser while in a junk shop in Auckland.

Walter and his wife Adriann gifted the collection to Te Papa in 1992 and this exhibition marks the 20th anniversary of the gift.

Read more and explore the objects in this exhibition

A new native plantain, Plantago udicola

Victoria University Emeritus Professor Phil Garnock-Jones and I have just described a new species of native plantain, Plantago udicola. The name udicola means “dwelling or living in damp places” and is in reference to the types of sites the new species is usually found in.

The new species, Plantago udicola from Lake Sylvester (WELT SP090375/A). Photo copyright Mei Lin Tay.

The new species, Plantago udicola from Lake Sylvester (WELT SP090375/A). Photo copyright Mei Lin Tay.

The new species, Plantago udicola from Lake Sylvester (WELT SP090375/A). Photo copyright Mei Lin Tay.

The new species, Plantago udicola from Lake Sylvester (WELT SP090375/A). Photo copyright Mei Lin Tay.

Of the 200 or so species of Plantago worldwide, there are about 20 species of Plantago in New Zealand. This includes a handful of non-native invasive species, several of which are common garden and roadside weeds, together with 11 native species. The new species Plantago udicola Meudt & Garn.-Jones is described in a recent paper that revises the taxonomy of all native New Zealand plantains.

Abstract of the paper describing Plantago udicola.

To determine whether Plantago udicola deserved species status (as well as to test the taxonomy of the other native species), I studied and compared specimens from our collection at Te Papa and other herbaria. Because native plantains are very small and have tiny, wind-pollinated flowers, this meant spending long hours at the dissecting microscope. I also took into consideration the plants’ chromosome numbers and habitats, as well as previously published DNA analyses.

Plantago udicola looks similar to two other species of native plantains, Plantago raoulii and Plantago spathulata. Plantago raoulii is a common low-elevation plantain found in coastal and forest habitats throughout New Zealand. P. raoulii was even collected by Joseph Banks and Daniel Solander, the botanists aboard Captain Cook’s first voyage. Plantago spathulata is another lowland species but is restricted to coastal and inland areas of southeastern North Island and eastern South Island.

See images of Plantago spathulata, Plantago raoulii, and other native Plantago here.

Plantago udicola is distinguished from these two species by its different chromosome number (it has 96 chromosomes!), habitat (flushes in damp tussock and herb fields over 600 m elevation), and a unique suite of morphological characters, including up to four ellipsoid, uniform seeds, scapes with two different kinds of hairs, bracts with hairy margins, and sepals with hairs at the tip only.

Habitat of Plantago udicola from Lake Sylvester (WELT SP090374/A). Photo copyright Mei Lin Tay.

Habitat of Plantago udicola from Lake Sylvester (WELT SP090374/A). Photo copyright Mei Lin Tay.

It may be that Plantago udicola is an allopolyploid of P. spathulata and P. raoulii (or their ancestors). In fact probable hybrids of P. spathulata x P. raoulii (each of which has 48 chromosomes) are similar morphologically to P. udicola. This hypothesis will need to be tested in future studies.

You can see many of the important traits that help separate Plantago udicola from the other 10 native New Zealand plantains in this botanical illustration by Bobbi Angell. Plantains in general are difficult to photograph, so we don’t yet have many photos of this new species. Botanical illustration is another (and more traditional) way to show the main characteristics of a plant at different stages in its life cycle.

Botanical illustration of Plantago udicola. Copyright Bobbi Angell.

Botanical illustration of Plantago udicola. Copyright Bobbi Angell.

Bobbi Angell also drew three other native Plantago species, and Te Papa houses these and several other of her illustrations. Find out more about the Bobbi Angell illustrations Te Papa holds.

Even though Plantago udicola was only recently described, for half a century botanists have thought it was probably distinct. Interestingly, Te Papa botanists Leon Perrie and Pat Brownsey also described a new fern species earlier this year, which like P. udicola, was also suspected of being a new species for nearly 50 years. Both of these examples highlight the importance of our collections at Te Papa, and at other New Zealand and international herbaria, as a potentially rich source of new, as-yet-undescribed species.

Thank you Wellington

This afternoon, Wellington City Councillors voted to reinstate funding Te Papa at $2.25 million per annum. Initially, Wellington City Council draft long term plan had proposed a reduction in funding from $2.25 million to $1 million per year for the next 10 years.

Te Papa Chief Executive, Michael Houlihan would like to thank all Wellingtonians who provided submissions in support of Te Papa.

“Thanks to everyone who wrote, submissions, letters and, post it notes. Your feedback has given us a deeper understanding of how visitors see and use Te Papa. Its great to have so many people saying that they like what we do and how much they value the contribution Te Papa makes to Wellington City as a great place to live and work.”

“We are looking forward to working even more closely with Wellington City Council as both a strategic partner and key contributor to the vibrancy of this great city.”

Delighted to have two finalists in New Zealand Post Book Awards

Te Papa Press, New Zealand’s unique museum publisher, are delighted to advise that two of its books are finalists in the prestigious annual New Zealand Post Book Awards.

The finalists, announced last week, were selected from 160 entries and are described by the judges as “diverse and exciting”.

Whatu Kākahu: Māori Cloaks edited by Awhina Tamarapa and New Zealand Film: An Illustrated History, edited by Diane Pivac, Frank Stark, Lawrence McDonald and published in association with The Film Archive, are both finalists in the Illustrated Non-fiction category of the awards.

According to the finalist announcement the judges were unanimous in their selection of  the titles and Te Papa Press publisher Claire Murdoch is thrilled that both books are being recognised in this way.

“Awards like this are a welcome acknowledgement of the great care and professional pride our team takes in creating books about Aotearoa’s art, culture and natural world. An immense amount of dedicated scholarship went into the writing and editing of both books, and because they’re also heavily illustrated, the efforts of the photography and design teams were similarly substantial. I’d like to extend congratulations and hearty thanks to all who worked on these beautiful books, and to all who work closely with Te Papa Press.”

The New Zealand Post Book Awards will be announced at an evening ceremony on Wednesday 1st August. Readers are invited to vote for their favourite through the People’s Choice Award here: www.nzpostbookawards.co.nz

Visitors to Te Papa will also be able to find elements from Whatu Kākahu: Māori Cloaks featuring in the exhibition Kahu Ora Living Cloaks which opens at the museum this week. Entry to this exhibition is free. 

Transit of Venus Botany

Today is the transit of Venus, when that planet passes in front of the sun. Hopefully the bad weather blanketing much of New Zealand doesn’t preclude at least some people from observing the event.

Observing the transit was one of Captain Cook’s primary objectives for the Endeavour expedition, and this was done in Tahiti in 1769. But the expedition had other aims as well, including exploration and discovery.

The botanists on board the Endeavour, led by Joseph Banks and Daniel Solander, collected plant specimens wherever the ship put to shore.

At noon this Friday (8th June 2012), Steve Cafferty from the Natural History Museum, London, will talk about the botanical discoveries made during Cook’s first voyage. Plant specimens collected from New Zealand by Banks and Solander will be on display.

More details.

Silver fern, Cyathea dealbata. Collected by Joseph Banks and Daniel Solander, 1769, New Zealand. Te Papa.

Silver fern, Cyathea dealbata. Collected by Joseph Banks and Daniel Solander, 1769, New Zealand. Te Papa.

Additionally, Te Papa Research Fellow Patrick Brownsey has just published an article about Banks and Solander’s collecting in New Zealand. The article is free to download from the Journal of the Royal Society of New Zealand until 31st July 2012.

Abstract of the article.

Te Papa holds over 500 specimens collected by Banks and Solander during the Endeavour expedition. High-resolution images of most of them are freely available from Te Papa’s Collections Online Website.

Collections Online.

Remembering Malifa School in Samoa

To celebrate le vaiaso o le gagana Sämoa (Samoan language week) I have decided to draw attention to a small handbook which was gifted to the museum in 1954.

Malifa handbook; FE010588; Te Papa

Malifa handbook; FE010588; Te Papa

The front cover of this handbook indicates that it was presented to Mr and Mrs D A J Rutherford in 1936. The Rutherfords had arrived in Sämoa in 1919 when Mr Rutherford or Latafoti, as he was also known, was appointed superintendent of schools. Previously he had been headmaster of Highcliff School near Dunedin, before taking up his position as headmaster of Leififi School, the first government school in Sämoa established for local European children and children of expatriates.

Malifa was the second government school established during the German period in Sämoa, and was started by church minister Faletoese in 1908. It was intended for Samoan children. In 1909 a boarding school for the sons of matai (chiefs) was added to the Malifa compound. It was the first school to organise a kilikiti (cricket) team in 1921. During Latafoti’s time, a number of Grade 2 schools was set up. However student numbers in classes continued to rise due to increasing interest in education.

Malifa handbook; FE010588; Te Papa

Malifa handbook; FE010588; Te Papa

The handbook has hand-drawn images on the front cover and seven pages of handwritten text inside. It describes a series of small models of household utensils and furniture indexed from A to V that was presented to the Rutherfords. Some of the items included; ‘au (tattooing instrument), aufana (bow and arrow), falalili’i (mat), pate (cricket bat) and to’i (stone adze).

This handbook was presented to Mr and Mrs Rutherford upon their leaving Sämoa in 1936. Written by a student, this object is a good example of how New Zealand policies in the early 1900s influenced Sämoa’s educational system.

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