Posts tagged with museum

The treasures of Broadgreen Historic House

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Conservator Anne Peranteau visited Broadgreen, an historic house in the Stoke neighborhood, to give some advice on the display and storage of collection items. Anne tells us about some of her favourite items in the Broadgreen collections.  Last month I filled my suitcase with my tricks of the trade and headed to Nelson. I brought an assortment of… Read more »

How to create a high tech Learning Lab in a museum

Students in the Learning Lab at Te Papa

Educator Matt Richards talks about his experience creating a Learning Lab for Te Papa and seeing students engage with the space for the first time.  Nine months ago I was employed by Te Papa to create a Learning Lab. Te Papa wanted to remake its classroom space into an innovative high tech learning environment and provide… Read more »

Te Papa’s new DNA lab is up and running.

Te Papa Botany curator Carlos Lehnebach looking at spider orchid DNA in the new lab.

Last week I performed the first DNA extraction in Te Papa’s brand new genetics laboratory. Our lab is the first genetics lab in a New Zealand museum and will allow Te Papa scientists to analyse the DNA of our unique plants and animals. Genetic information is increasingly being used to examine the relationships between species and help us… Read more »

Today is World Contraception Day!

Display case with one contraceptive pill stating 'the pill that changed the world' against a backdrop of visitors' comments 'Let's talk about sex'

World Contraception Day aims to improve awareness and access to the many contraceptive methods available, and to help people make informed choices about their sexual and reproductive health. Contraception: Uncovering the collection of Dame Margaret Sparrow is an exhibition at Te Papa which features just about every contraceptive device you can think of, from the… Read more »

Celebration of personal milestones in the Botany collection

Peter Beveridge using a hand lens to examine a bryophyte specimen, amongst subalpine vegetation.

Collections are at the heart of a museum. A museum’s exhibitions and research are built from its collections. The significance of collections means it is important to acknowledge those who have contributed. Te Papa’s Botany collection of plant specimens has recently seen notable milestones for two of its biggest contributors: Research Fellow Patrick Brownsey and… Read more »

The role of boundary objects

Museum Management and Curatorship, 27:1, 53-66.

There is some wonderful research taking place around young children and museums/galleries, the findings of which we can use to inform our teaching practice. What enables young children to better engage with exhibitions, and sustain interest back at the childcare centre? How can we help tamariki to make meaning from what they see and hear at… Read more »

Behind the scenes: A week in the life of a natural history curator

  • A wing being prepared by Catherine for incorporation into the collection.
  • Alan with a shearwater skeleton prepared by Catherine.
  • Alan looking through Te Papa's prion skin collection.
  • Alan and Trish looking at birds eggs in Te Papa's collection. Te Papa has recently improved their storage method of these fragile items.

What does a Te Papa curator do? I spent last week following Te Papa’s terrestrial vertebrate curator Alan Tennyson to find out. Here are some of the main highlights:  Visitors Monday saw Alan meet with Trish Nugent-Lyne, a collection manager at Whanganui Regional Museum. Te Papa staff are helping Trish prepare an articulated dog skeleton… Read more »

A slice of Wellington life: the Berry & Co collection

  • Photographing a Berry & Co glass plate negative.  We use a Phase I P40 camera and Schneider 110 lens, used with extension tube, with a 40MB back.  This gives us a 38MB digital image, which is our ‘access master’ size.  Photograph Michael Hall, copyright Te Papa.
  • One of the transport chilly bins.  The negatives are stored in archival paper sleeves, to protect the surface of the image.  Photograph Anita Hogan, copyright Te Papa.
  • One of the transport chilly bins.  The negatives are stored in archival paper sleeves, to protect the surface of the image.  Photograph Anita Hogan, copyright Te Papa.
  • Negatives can be difficult to ‘read’, so creating a positive digital image makes it easier for us to improve our catalogue data, for example by using clothing details to estimate the date the photograph was taken.

Te Papa has a collection of nearly 4,000 glass plate and film negatives taken by the Wellington photography studio Berry & Co.  The studio was founded by William Berry in 1897, and operated in Cuba St until 1931.  The negatives are mainly portraits – of families, children, men and women, soldiers in uniform, the occasional… Read more »