Posts tagged with History

Tai Tamariki Kindergarten explore the Aztecs

Max, age 4.Creating his diorama with a mirror 'river', magazine cut outs, fabric, and hand drawn 'God of Death'.Photographer: Tai Tamariki, © Tai Tamariki

This blog provides an excellent opportunity not only for us to share with you, but  for you to share with each other. How do you use our museum as a learning resource? What do you find to be best practice? Why are museum and gallery experiences important for your tamariki? This story comes from ngā kaiako (teachers), Maiangi and… Read more »

Kahu Ngore

Ngore (cloak), mid 19th century, New Zealand. Maker unknown. Purchased 2012. Te Papa

                          One of the core roles of Te Papa is to continue to acquire taonga that enhance and add-value to its existing collections. And with more than 30,000 individual items in the Matauranga Māori collections, Te Papa’s collections are considerable. And even though… Read more »

Movember memories

Movember is drawing to a close, and thousands of men in New Zealand and around the world are sporting moustaches for a good cause.  In New Zealand, the funds raised are being used for research, advocacy and survivor support around men’s cancer and mental health.  Here’s a small selection of moustachioed men, drawn from our… Read more »

Uniformity: Making the Curatorial Cut

  • Jerry UGS
  • Graphic for Sir Jerry's uniform. Te Papa 2012.
  • Taiaha Kura http://collections.tepapa.govt.nz/objectdetails.aspx?oid=132774&term=taiaha+red
  • Photographer Michael Hall, Te Papa 2012.

 I’ve been asked a lot of questions about why some of the new acquisitions were pursued and why they were put into this show, so hopefully this entry will help answer some of the queries and shed light on the curatorial decisions made for Uniformity. In my last blog Uniformity: Why Uniforms Matter, I talked about… Read more »

A slice of Wellington life: the Berry & Co collection

  • Photographing a Berry & Co glass plate negative.  We use a Phase I P40 camera and Schneider 110 lens, used with extension tube, with a 40MB back.  This gives us a 38MB digital image, which is our ‘access master’ size.  Photograph Michael Hall, copyright Te Papa.
  • One of the transport chilly bins.  The negatives are stored in archival paper sleeves, to protect the surface of the image.  Photograph Anita Hogan, copyright Te Papa.
  • One of the transport chilly bins.  The negatives are stored in archival paper sleeves, to protect the surface of the image.  Photograph Anita Hogan, copyright Te Papa.
  • Negatives can be difficult to ‘read’, so creating a positive digital image makes it easier for us to improve our catalogue data, for example by using clothing details to estimate the date the photograph was taken.

Te Papa has a collection of nearly 4,000 glass plate and film negatives taken by the Wellington photography studio Berry & Co.  The studio was founded by William Berry in 1897, and operated in Cuba St until 1931.  The negatives are mainly portraits – of families, children, men and women, soldiers in uniform, the occasional… Read more »

Do you know this building?

 Te Papa has an enormous collection of photographs, negatives and transparencies by Brian Brake (1927 – 88), one of New Zealand’s best known photographers.  Brake became famous while working overseas as a photojournalist – one of his best known works is the Monsoon photo essay, which he took in 1960.  He also photographed extensively in… Read more »

Fresh on the bookshelf – Tangata o le Moana: New Zealand and the People of the Pacific

Aotearoa New Zealand is home to a large Pasifika population. This illustrated collection of essays is the first of its kind to tell their stories – from the legendary feats of the ancestors of modern Māori, to the politically explosive dawn raids of the 1970s, and beyond. This beautiful book is lavishly illustrated with hundreds of historical… Read more »