Posts tagged with fashion

When the World of Wearable Arts show is in town we like to join the festivities by handing over our shop windows to students from Wellington High School and Queen Margaret College. The year 13 fashion and materials technology students display their own striking wearable art creations as part of their course. We give the… Read more »

Garments as canvases and zero waste design: The work of Greta Menzies

  • Examples of Greta Menzies’ work. Photographs courtesy of Greta Menzies
  • Examples of Greta Menzies’ work. Photographs courtesy of Greta Menzies
  • Examples of Greta Menzies’ work. Photographs courtesy of Greta Menzies
  • Examples of Greta Menzies’ work

What comes to mind when you think of textile design? Fashion? Furnishing? Cloth? Curatorial intern Sonya Withers looks at the work of Greta Menzies. Textile designers are hard to pin, as their practice can span multiple mediums, spaces, and creative thinking. International examples have shown technical experimentation in the defence force around wearable tech that… Read more »

Starfish: An unexpected journey

  • CA001202/002/0001 – Laurie Foon business notebook; circa 1997; photograph by Gareth Watkins
  • CA001203/014/0004 - Starfish’s Wellington store; November 2006; Grant Maiden Photography
  • CA001200/004/0004 - Marketing image for the Grey Gardens (Winter 2007) Laurie Foon fashion collection, featuring the Fallen from Grace dress co-designed by Carleen Schollum
  • CA001203/001/0001 –Digital copy of a photograph of Laurie Foon and Rena Kohere receiving the National Sustainable Business Award 2007; 2007; Unknown (Starfish was the first fashion label to win a NZ Sustainable Business Award.)

Te Papa’s assistant archivist Gareth Watkins is going through Starfish’s archive, recently gifted to Te Papa. This final blog looks at the series of events that led to the fashion label’s closure in 2013. The 2000s were a highpoint for Laurie Foon and the Starfish fashion label. In 2003 Laurie established the luxury label LAURIE FOON, there… Read more »

Kava, fashion, and teenage life: Co-collecting with our Tongan communities

  • Pikipikihama kae vaevae manava team
  • Edmond Fehoko, Cultural Consultant, Pukepuke Fonua II
  • Czarina Wilson and Kenneth Tuai, Cultural Advisors-Fashion Curators. Tufunga Teuteu, Faiva Teuteu: The Tongan Material Arts of Fashion Making and Performance Arts of Fashion Wearing.
  • History and textiles collection tour with Stephanie Gibson, Curator Contemporary Life and Culture.

Pacific Art curator Nina Tonga introduces Pikipiki hama kae vaevae manava, a new initiative that sees Te Papa team up with Tongan communities in Auckland to explore the rich cultures through fashion, kava, and youth experiences. Since 2016, the Pacific Cultures team has been exploring new ways to engage Pacific communities to co-curate collections that better represent… Read more »

How Rita Angus landscapes inspired a Starfish collection

  • Text from Laurie Foon notebook
  • Heirloom workbook featuring fabric scraps and a postcard of a painting by RIta Angus
  • Text from Laurie Foon notebook
  • starfish-notes-1-1000wide

It’s not every day that you get to delve into the nitty-gritty details of a fashion label. Te Papa’s assistant archivist Gareth Watkins is going through Starfish’s archive, recently gifted to Te Papa. Read his first blog here. “It’s my product. It’s my vision. It’s my dream. It’s my life,” writes Laurie Foon, founder of the Starfish… Read more »

Telling stories through fashion: A history of eco-friendly Starfish

Printed fabric samples from the Wonderland collection, Winter 2006, CA001200/004/0002. Photograph by Gareth Watkins

It’s not every day that you get to delve into the nitty-gritty details of a fashion label. Te Papa’s assistant archivist Gareth Watkins is going through Starfish’s archive, recently gifted to Te Papa. I’m sitting in a popular Wellington café with Te Papa archivist Jennifer Twist and Laurie Foon – founder of the Wellington-based Starfish fashion… Read more »

Collaboration in conservation: Deborah Crowe and Kim Fraser’s Dual Outlook

  • Kim Fraser and Deborah Crowe. Image provided by D. Crowe.
  • GH006532/4, Dual Outlook visor after treatment.
  • Underside of visor edge, showing sticky, soiled adhesive residue. The maker’s label is a separate layer and remains in place following treatment.
  • Deborah Crowe consulting on the treatment of her work in the textile conservation lab at Te Papa.

Te Papa’s textile conservator Anne Peranteau runs through the process involved in preparing a much-loved garment for public display. In March, the exhibition When Dreams Turn to Gold: The Benson and Hedges Fashion Design Awards will open at the Dunedin Public Art Gallery (DPAG). The Benson & Hedges event was New Zealand’s premier fashion competition, running for 34 years… Read more »

Wenceslaus Hollar: etching the 17th century

Etching - 17th century

Hollar vs. Lindauer So, you think Gottfried Lindauer is the most significant Czech artist in Te Papa’s collection? Wrong, certainly in terms of world fame, quantity and arguably in quality too! In Collections Online, Lindauer is trounced 68-21 by Wenceslaus Hollar (1607–77), whilst in our new Ngā Toi exhibition, Splendour, there are six Hollars alone… Read more »