Posts tagged with design

Garments as canvases and zero waste design: The work of Greta Menzies

  • Examples of Greta Menzies’ work. Photographs courtesy of Greta Menzies
  • Examples of Greta Menzies’ work. Photographs courtesy of Greta Menzies
  • Examples of Greta Menzies’ work. Photographs courtesy of Greta Menzies
  • Examples of Greta Menzies’ work

What comes to mind when you think of textile design? Fashion? Furnishing? Cloth? Curatorial intern Sonya Withers looks at the work of Greta Menzies. Textile designers are hard to pin, as their practice can span multiple mediums, spaces, and creative thinking. International examples have shown technical experimentation in the defence force around wearable tech that… Read more »

How Rita Angus landscapes inspired a Starfish collection

  • Text from Laurie Foon notebook
  • Heirloom workbook featuring fabric scraps and a postcard of a painting by RIta Angus
  • Text from Laurie Foon notebook
  • starfish-notes-1-1000wide

It’s not every day that you get to delve into the nitty-gritty details of a fashion label. Te Papa’s assistant archivist Gareth Watkins is going through Starfish’s archive, recently gifted to Te Papa. Read his first blog here. “It’s my product. It’s my vision. It’s my dream. It’s my life,” writes Laurie Foon, founder of the Starfish… Read more »

Telling stories through fashion: A history of eco-friendly Starfish

Printed fabric samples from the Wonderland collection, Winter 2006, CA001200/004/0002. Photograph by Gareth Watkins

It’s not every day that you get to delve into the nitty-gritty details of a fashion label. Te Papa’s assistant archivist Gareth Watkins is going through Starfish’s archive, recently gifted to Te Papa. I’m sitting in a popular Wellington café with Te Papa archivist Jennifer Twist and Laurie Foon – founder of the Wellington-based Starfish fashion… Read more »

Ten splendid objects

Colourful dish

Curator decorative art and design Justine Olsen chooses her top ten objects exhibited in European Splendour: 1500–1800. The objects below are mainly decorative and through them we see changes in style, materials, and techniques. They offer a valuable insights into a bygone age and highlight the impact of religion, trade, culture, and the way European society viewed itself…. Read more »

The Gallery of Helen Hitchings – mixing the modern – art and design

‘Helen Hitchings inspecting a self -portrait on display in her Gallery’, circa 1950, by Photo News Ltd (Wellington, N.Z.). Te Papa (CA000124/001/0060)

When Helen Hitchings launched her gallery in 1949, it was a landmark moment for modernism in New Zealand. Te Papa celebrates this event with the exhibition in Ngā Toi /Arts Te Papa with the Gallery of Helen Hitchings. Former advertising assistant and theatre designer, Hitchings had established her dealer gallery in a converted warehouse space… Read more »

Peter Stichbury (1924-2015)

Peter Stichbury, 1972, Auckland, by Steve Rumsey. Purchased 1998. Te Papa (O.027680)

To commemorate the life of the late New Zealand potter Peter Stichbury our curator of art and design Justine Olsen looks back over his life’s work. It is with great sadness that we farewell Peter Stichbury – the last of the Leach generation of New Zealand studio potters. Equally at home behind his wheel or firing the… Read more »

Font designer: Joseph Churchward

In 2008, I co-curated a small show in our Illot Gallery about Samoan-born graphic designer Joseph Churchward, who has hand-crafted about 570 fonts to date. Last year, Joseph received the John Britten Award, from the Designers Institute of New Zealand, for outstanding leadership, vision and achievement in the field of type design. Here are four of my… Read more »