Tag Archives: Cook Islands

Adorning the head: Cook Islands ‘ei taomi pare (hatband)

Today’s post is the last in our blog series for Cook Islands language week (6-8 August). I have decided to look at a variety of ’ei taomi pare (hatbands) from the Pacific Cultures collection. Usually ‘ei taomi pare are placed on a hat around the crown area. These ‘ei are separated from the hats to allow a closer view of their beautiful designs. 

’ei taomi Pare (hatband); FE012144; Te Papa

’ei taomi Pare (hatband); FE012144; Te Papa

This ‘ei (above) is exquisite in how the maker has arranged the shells into rosettes around the outer surface. Taking a closer look, each shell has been sewn onto the cloth material which has been wrapped around the pandanus fibre.

’ei taomi Pare (hatband); FE012083; Gift of Mrs E. M. Paterson, 1954; Te Papa

’ei taomi Pare (hatband); FE012083; Gift of Mrs E. M. Paterson, 1954; Te Papa

This tubular-shaped ‘ei is made using yellow, white and brown ‘ei pupu shells that have been threaded through and tied closely together. The shells form a lovely diagonal pattern. This particular ‘ei was gifted to the museum in 1954 from Mrs Edith Paterson, who along with her husband John made several visits to the Cook Islands in the 1920s. During their time there, John helped to build the wharf at Avarua in Rarotonga.

’ei taomi Pare (hatband); FE007305/2; Te Papa

’ei taomi Pare (hatband); FE007305/2; Te Papa

Made from kako grass, this ‘ei taomi pare is stunning in its combination of colours and floral arrangement. This ‘ei was acquired by Te Papa in the 1970s, and was collected by John Burland who spent some time studying bird life on Palmerston Atoll during the 1960s.

The pare vaine (woman’s hat) below has an ‘ei attached to its crown. It was collected by botanist and public servant Thomas Kirk, and gifted by the Masonic Lodge Tawera o Kapiti to the museum in 1950.

Pare vaine (womans hat); FE011390; Gift of Masonic Lodge Tawera o Kapiti, 1950

Pare vaine (womans hat); FE011390; Gift of Masonic Lodge Tawera o Kapiti, 1950

Although our current blog series ends for now, click on the link below to read more about the Cook Islands material culture collection at Te Papa: 

https://www.tepapa.govt.nz/SiteCollectionDocuments/Tuhinga/Tuhinga21_099_HuttonAkeliMallon.pdf

Islands style – Cook Islands (circa 1914)

This is the fourth blog where we highlight items from the collections as part of Cook Islands language week (6-10 August 2012). I have selected a small number of portraits by George Crummer who had a photography business in Rarotonga, Cook Islands from 1890.  

Te Papa has an album and 227 (now badly deteriorated) negatives taken by George Crummer between 1896 and c.1914. They were gifted to the Museum by the National Film Unit around 1980. 

I was struck by the different styles of clothing and costumes people are wearing in these photographs and I share a few of them here. Yesterday, Safua highlighted some contemporary mu’umu’u, however, here we go old school, Rarotonga - Cook Islands 1914. There are some mu’umu’u in the selection, but check out the cowboy outfit and the hats…it’s Cook Islands style.

Te Ao Teariki (Chief) and his wife from Areora village on Mauke Island.

Cook Islands cowboy

Mu’umu’u styles from a Cook Islands mama

To celebrate Cook Islands language week (6 -10 August), the Pacific Cultures team are blogging about collection items from the Cook Islands.

Mu’umu’u (dress); FE012459; Purchased 2009; Te Papa

Mu’umu’u (dress); FE012459; Purchased 2009; Te Papa

These mu’umu’u (dress) are part of a number of dresses acquired by the Pacific Cultures collection in 2009 from Tepaeru Tereora. Tereora was the fifth National President for Pacific Allied (Women’s) Council Inspires Faith Ideals Concerning All Incorporation which was established in 1977. The mu’umu’u dresses were made for Mrs Tereora during her time as president by various branches of the P.A.C.I.F.I.C.A organisation.

Mu’umu’u (dress); FE012460; Purchased 2009; Te Papa

Mu’umu’u (dress); FE012460; Purchased 2009; Te Papa

The mu’umu’u or mother hubbard style dress was introduced by missionaries to the Cook Islands in the 1820s. For various reasons including ideas about modesty and the fashion trend, the mu’umu’u was adopted in the nineteenth century. Since its introduction, the mu’umu’u like those belonging to Tereora have become a vital part of Cook Islands fashion style.

View the Tales from Te Papa video featuring  Tepaeru Tereora:

Tales from Te Papa Series 2011, Episode 3 | P.A.C.I.F.I.C.A. Dresses

Unknown woman; B.028279; Crummer, George   circa 1910   ; Te Papa

Unknown woman; B.028279; George Crummer, circa 1910 ; Te Papa

Tauhunu – a vessel carrying culture

 Tauhunu

As part of Cook Islands language week we are highlighting artefacts from the Cook Islands collections. One of the treasures we look after here at Te Papa is a stunning canoe that appears at the entrance of the exhibition Tangata o le Moana: the story of Pacific people and New Zealand on level four. This vaka (outrigger canoe) is from Manihiki in the northern Cook Islands and is one of only three such vaka that survive in museums worldwide. It is called Tauhunu after the main village on Manihiki.

On the water

Originally, Tauhunu would have had an outrigger for stability. It would have been paddled mostly, but it could also have been sailed, mainly inside the lagoon. Removing the outrigger would have allowed it to be used as part of a double canoe. Here are models of what an outrigger canoe and double canoe would have looked like.

vaka (model outrigger canoe) Manihiki, Cook Islands

 

vaka (model double hulled canoe) Manihiki, Cook Islands

Making Tauhunu

Tauhunu is made from wood lashed together with sennit (coconut husk fibre) and is decorated with inlaid pieces of pearl shell. Canoe building continued on Manihiki until recently, but modern vaka do not match the quality of workmanship of Tauhunu.

Tauhunu
8860mm (Length) x 430mm (Width) x 1050mm (Height)

Tauhunu in New Zealand

Tauhunu was displayed at the New Zealand International Exhibition of Arts and Industries, held in Christchurch in 1906. It was sent there by Lieutenant-Colonel Gudgeon, a New Zealander who was Resident Commissioner in the Cook Islands at the time. It was bought for the DominionMuseum, Te Papa’s predecessor, in 1907. Unfortunately, nothing more is known about the history or makers of Tauhunu.

Reconnecting with Manihiki

In 2006, the Manihiki community celebrated the hundredth anniversary of the arrival of Tauhunu in New Zealand. They presented Te Papa with the gift of a pearl necklace to mark the occasion. The event renewed the connection between the people of Manihiki and their rare cultural treasure.

FE012492 pearl necklace Gift of Mr Kora Kora, 2010

Taku reo ko toku akairo: celebrating Cook Islands language week 2012

Cloak; FE000628; Gift of Te Aia Mataiapo, 1872; Te Papa

Cloak; FE000628; Gift of Te Aia Mataiapo, 1872; Te Papa

To celebrate Cook Islands language week (6 -10 August), the Pacific Cultures team will be blogging about collection items from the Cook Islands. Language is a key element of culture and helps us give meaning to things we use and create in everyday life – from artworks to costume to performance and song. Keep an eye on the Te Papa blog over the next seven days, for insight into the language and culture of the Cook Islands!

A highlight of this week will be back of house tours of the Pacific Cultures Collection store room.

Dates: Wednesday 8 August 2012 and Friday 10 August 2012
Time: 12 noon
Meeting place: Front entrace foyer of the Museum of New Zealand  Te Papa Tongarewa

Bookings to be made to Grace Hutton on (04) 381 7221 or graceh@tepapa.govt.nz

For more information about Cook Islands language week, please view the Ministry of Pacific Island Affairs website link below: http://www.mpia.govt.nz/celebrate-cook-islands-language-week-6-10-august-2012/

Read more about a Cook Islands dance costume in Te Papa’s collection: http://blog.tepapa.govt.nz/2010/03/26/dance-costume-cook-islands-style/

Meitaki Ma’ata!

Tapa – stunning artworks in Paperskin exhibition

This Saturday 19 June Te Papa opens it’s new tapa exhibition – Paperskin: the art of tapa.

Preparing to install some of the masks from Papua New Guinea.

Preparing to install some of the masks from Papua New Guinea. Copyright Te Papa 2010

You’ll be able to see a stunning range of more than 40 tapa artworks from throughout the Pacific. Huge awe inspiring masks from Papua New Guinea,  Hawaiian tapa more than two hundred years old, and an incredible 22 metre long  Tongan tapa which hasn’t been on display before. The show was developed with the Queensland Art Gallery and Queensland Museum and includes tapa from their collections. 

Installing a mandas mask from Papua New Guinea, which is nearly 4 metres high.

Installing a mandas mask from Papua New Guinea, which is nearly 4 metres high. Copyright Te Papa 2010

The one thing that all the works have in common is that they are made of tapa, or barkcloth. The plants used to make the tapa include paper mulberry, and banyan tree roots. The tapa is decorated in different ways in different islands in the Pacific, and the patterns and motifs used vary.

Installing large pieces of tapa is quite a challenge – the tapa, or barkcloth, is fragile and needs to be handled carefully.

A large Cook Island tapa is carefully moved into position, ready to be hung.

A large Cook Island tapa is carefully moved into position, ready to be hung. Copyright Te Papa 2010

The 5 metre long tapa from Mangaia, in the Cook Islands is hung on the wall.

The 5 metre long tapa from Mangaia, in the Cook Islands is hung on the wall. Copyright Te Papa 2010

More about the anga (tapa) from Mangaia, Cook Islands.

The tapa works in this exhibition look particularly good because of they way they have been displayed – the tapa cloth seems to float off the walls. The secret to this is the use of some small but extremely strong magnets which help hold the cloth in place.

Conservator Rangi Te Kanawa shows one of the magnets used to hold the tapa in place.

Conservator Rangi Te Kanawa shows one of the magnets used to hold the tapa in place. Copyright Te Papa 2010.

The magnets are so powerful that they are almost impossible to pull apart with your bare hands. If you put one magnet on either side of your finger, they stay there!

Demonstrating the power of the magnets.

Demonstrating the power of the magnets. Copyright Te Papa 2010.

When you come and see an exhibition you might think “What’s all the fuss about? that looks simple to put together”. But appearances can be deceptive and the reality is a bit different. For it all to go smoothly requires careful planning and preparation and great teamwork on the day.

To find out more about Paperskin check the exhibition website.

Explore all the tapa artworks on display in the online catalogue.

Dance costume Cook Islands style

For this week’s blog, I have selected this Cook Islands costume, for its beautiful arrangement, and striking colours.
Pareu kiri'au (hula skirt); Te Papa; Gift of Mrs E. M. Paterson, 1954

Pareu kiri'au (hula skirt); Te Papa; Gift of Mrs E. M. Paterson, 1954

This striking 1920s pareu kiri’au (hula skirt) from Rarotonga in the Cook Islands, is made from long narrow strips of hibiscus bast fibre. Around the waistband, is blue cloth, with orange and yellow diamonds, which have been machine sewn onto the band. At the base of the waistband, hang red-dyed tassels, each tied with a single puka seed. The base of the pareu has been dipped in red dye, providing a contrast to the natural colour of the pareu. This example combines natural and imported products, with a preference for blue cloth, and red dye. The tassels around the hips, add another layer of movement, once the dancer is in full motion. 

Dance costumes are often made to capture the graceful and vigorous movements of the dancer. At times costume makers combine natural materials with imported and manufactured goods. As curators, we look for colour and style to indicate a specific time period, while providing a clue about the wearer, and the maker.

This pareu, collected in the early 1920s, was gifted, along with other items, to the museum by Edith Paterson in 1954. Edith and her husband John worked and travelled intermittently in the Cook Islands during the 1920s, when John helped to build the Avarua wharf in Rarotonga.

Alistair Te Ariki Campbell, BA, DLitt, NZOM, 1925–2009

Te Papa acknowledges the life and writing of poet, playwright, novelist, and memoirist Alistair Te Ariki Campbell. His work is noted for its attempts to reconcile the complexities and displacements he experienced as a result of his New Zealand/Cook Islands ancestry.

Campbell was born in the Cook Islands and spent his first seven years there. His Cook Island mother died of tuberculosis in 1932, and his New Zealand father succumbed to drink a year later, with the result that Campbell and his brother were sent to an orphanage in Dunedin.

Despite speaking little English, within a few years Campbell was top of his class. He also represented Otago in soccer. But he never felt he belonged and struggled at university. Moving to Wellington, he fell in with a group of poets, including James K Baxter, Peter Bland, and Louis Johnson (the ‘Wellington group’). His first poetry collection Mine Eyes Dazzle appeared in 1950.

After gaining a BA in English and Classics from Victoria University, Campbell began work for School Publications (now Learning Media), putting his literary talents to good use as editor of the School Journal.

He produced poetry, novels, and radio plays at regular intervals throughout his long career. Negotiating between Cook Island and European traditions remained an ongoing concern. His name ‘Te Ariki’ links back to the chiefly origins of his mother’s father in the Cook Islands. He identified with the Ngāti Toa tribe of the Kapiti Coast area, where he lived, but said in 1965, ‘I am of mixed race. The years of solitude get you down. You are different. You are without a tribe.’

Campbell married poet Fleur Adcock in 1952, and they had two children, before later divorcing. He then married Aline Margaret (Meg) Anderson (1937–2007), with whom he had a further three children.  

In 1997, Campbell was awarded a Pacific Islands Artist’s Award, and in 1999 he received an Honorary DLitt from Victoria University of Wellington. In 2005, he received a Prime Minister’s Award for Literary Achievement for his poetry, and that same year he was made an Officer of the New Zealand Order of Merit.

He is survived by his five children and his writing.

Rawiri Paratene – advocate for whales

Rawiri Paratene is well known to New Zealand audiences – as an actor, student activist, and more recently as one of the stars of the movie Whale Rider.

You can see Rawiri playing Koro in the film Whale Rider in this video clip on Te Ara:

http://www.teara.govt.nz/EarthSeaAndSky/SeaLife/TeWhanauPuhaWhales/3/ENZ-Resources/Standard/4/en

Following the success of Whale Rider, Rawiri has found himself more and more involved with whales. He and Witi Ihimaera, the author of the book Whale Rider on which the film was based, are now both trustees of the South Pacific Whales Research Consortium.

Rawiri recently had the chance to see for himself the work of whale researchers, such as Nan Hauser and her team in Rarotonga, Cook Islands. He also took time to attend presentations from researchers at the SPWRC meeting held at Auckland University earlier this year. That’s where we caught up with him.

Listen to Rawiri talk about being a trustee for SPWRC, and his first encounter with a whale “eye to eye”.

http://www.tepapa.govt.nz/podcasts/whales/Rawiri-Paratene05Feb.mp3

Follow

Get every new post delivered to your Inbox.

Join 276 other followers