Tag Archives: Collections Online

Collections Online update: Mapping

Mapping the collections
This week we added a new feature to Collections Online, our first efforts to map our collection objects, specimens and other resources.  As you browse the collection, the Related Places section at the right of the page will generate a map of the places related to the collection item or resource – just click on the “show map” link to open up the map for that page.

Collections Online mapping

 

For Humanities collections we are mapping where an object was made, depicts, was influenced by or refers to. We can map these because we catalogue our collections geographic associations using the Getty Thesaurus of Geographic Names, which often include the latitude and longitude of the place described. That means as we catalogue our collections as part of our acquisition, inventory or research, we are geo-coding the objects at the same time, at least down to the closest geographically named place.

There are limitations to this approach, for example it doesn’t go down to street level, and of course many of our collection objects are recorded simply as being made in “New Zealand”,  the coordinates for which hover above the centre of the country. Not exactly accurate, but may provide some context for some objects. We’ll try to work through some of these issues, but they are inevitable for some of our objects, as we simply don’t have any more specific information about where they were produced. 

Here’s a few examples of the mapping working in the different parts of Collections Online (don’t forget to click the “show map” link to the right of each page):

  • Objects: Mapping the distribution of the Commonwealth countries referred to in this poster
  • Objects: Mount Taranaki Try zooming in on the map and switch it to satellite view
  • Themes: Tapa styles across the Pacific
  • Places: For the TGN place records themselves, well, we show where the place is! E.g. don’t know where Waipawa is? Now you do!
  • Person pages: Pictorialist photographer Richard Sharrell, born in Graz, Austria, died in Wellington, New Zealand.

For Natural environment, we’re using the map references (or more recently GPS coordinates) recorded as part of the collection of specimens on field collection trips.  For example, this snail was collected on the Te Ringa track, not far from Russell in the Far North.

At this stage we can only map one object, specimen or resource at a time (though they may have multiple places related). Next step is to map multiple specimens, objects etc as this will help understand the distribution of a particular species, or the various places an artist worked for example. We’ll also look at how to try to work with more pin point geo-coding for non-named places, more like what you are used to on Google maps or Street View.  But we hope this first step provides at least some more context to the collections and the people and stories that surround them.

Collections Online update: Taxonomy browser

Since we released the new version of Collections Online  in July last year we’ve made the odd fix, or a new feature here and there. You probably don’t notice them but hopefully they’ve made your browsing experience a bit easier.  However recently we’ve done a couple of things we thought were worth pointing out. First up, one for those interested in the natural environment collections.    

Aptenodytes forsteri

Aptenodytes forsteri

 

Taxonomy Browser
Initially this may look like just one for the scientists out there, but I think it could help enthusiasts, and pretty much anybody else, get a bit more insight into the relationships between species of birds, plants and our other natural environment collections. A new taxonomy browser allows you to browse up and down the scientific classifications of our collection specimens.   

For example if you check out the specimen record  for this fine fellow (Emperor Penguin) at the right of the page you can see the new Related Taxa section, showing the classification hierarchy. In this new section click on Aptenodytes forsteri (Species) you jump into the species level record. This shows you the other specimens we have for that species. You can then browse up browse up to the broader level (Genus, Aptenodytes) where you can see all the species (and our specimens) that belong to that genus, or you can browse broader again up to the family record Spheniscidae (penguins), and so on. This also applies to our plant (try it with the ferns) and zoological collections, including the ever-popular spiders.   

Obviously it’s much easier to move around if you understand the latin names used in the Linnaean structure, but hopefully being able to browse around is at least a start for the non-scientists among us too.    

The next step is being able to browse humanities objects for a particular species using the correct taxonomic identification, allowing to see not  only our specimens, but objects in our art photography, Taonga Maori, Pacific or History collections that feature that species.   

Art on TV

New ArtlandFans of art and TV on demand may already know about the great series New Artland hosted by musician Chris Knox on freeview TVNZ 7, and available online.

The programme invites artists to make a new work involving a community. Series two has recently been uploaded, and they are already up to Episode 7. If you haven’t seen it yet then you’ve got some great catching up to to do via the internet.

Oddooki, Seung Yul Oh

Seung Yul Oh, Oddooki, Te Papa Sculpture Terrace, Level 6.

Episode 6 which screened on 3 October featured artist Seung Yul Oh. Seung recently created a project for the Te Papa Level 6 Sculpture Terrace called Oddooki.

Seung’s Oddooki project was on the Outer Terrace until early June of this year. You may have missed it, but if you did you can see a snippet of the work in the New Artland programme.

For the first programme of its first series New Artland made a programme with Ronnie van Hout.

Te Papa has a number of work of Ronnie’s in the collection and also a current Sculpture Terrace project by Ronnie called A Loss, Again.

A Loss, Again, Ronnie van Hout, Te Papa Sculpture terrace, Level 6

Ronnie van Hout, A Loss, Again, Te Papa Sculpture Terrace, Level 6

A Loss, Again will be on show until mid 2010 so there’s plenty of time to see the work on your next visit.

On 28 November we will be opening a new project on the outer Terrace. The project by Paul Cullen is called A Garden. Here’s an image of the artist’s model as a bit of a teaser.

Paul Cullen, artist's model for A Garden

Paul Cullen, artist's model for A Garden

In the meantime there are lots of great New Artland programmes to watch including Lisa Reihana’s one which is about her work
Mai i te aroha, ko te aroha also currently on show here at Te Papa in the Te Ara a Hine space, Level 2.

Lisa Reihana, Mai i te aroha, ko te aroha, Te Ara a Hine, Te Papa, Level 2

Lisa Reihana, Mai i te aroha, ko te aroha, Te Ara a Hine, Te Papa, Level 2

Many of the artists who created projects for New Artland are also in the Te Papa collection, you can search under their names through our Collections Online.

Happy viewing and searching!

Porcupine fish on Petone foreshore

I had a call yesterday from Wellington’s Dominion Post newspaper needing an expert to identify some fish found washed up on the Petone foreshore.  Andrew Stewart, Te Papa’s fishes collection manager, identified them as porcupine fish - you can view the article here.

Porcupine fish Allomycterus pilatus, NMNZ P.35109; 185mm SL. Photo: A. Stewart, Te Papa.

Porcupine fish Allomycterus pilatus, NMNZ P.35109; 185mm SL. Photo: A. Stewart, Te Papa.

Andrew says that the porcupine fish lives around in-shore reefs, especially along our northern coasts where divers commonly see it underwater.  Most specimens are captured accidentally by dragnets or found dead on the beach, but occasional specimens are caught by recreational anglers.

 Porcupine fish are related to pufferfishes, and have a similar ability to blow themselves up like a ball by swallowing water (or air), which makes the spines stand out erect from the body.  Though this makes it hard for predators to swallow them, Andrew says that he has found porcupine fish in the stomachs of long-snouted lancets.

The toxin common to the fish in this family is tetrodotoxin, a neurotoxin that can cause paralysis and death in a very short timeframe. This has also been found in sea slugs found recently on Auckland’s Eastern beaches and was reported to have been the cause of death of two dogs.  So heed the warning and DO NOT TOUCH!

We have specimens of porcupine fish in Te Papa’s collection but, for me, the most intriguing is the puffer fish helmet in the Pacific collection.

Puffer fish helmet, 1900s, maker unknown. © Te Papa.

Puffer fish helmet, 1900s, maker unknown. © Te Papa.

The helmet is part of a war costume from Kiribati and was collected by Albert Ellis and his wife in the 1930s and gifted to the museum by their grand-daughter.

A warrior kitted out in this would have made a fearful sight, but the helmet wouldn’t have given the wearer much protection against weapons like these!

Rere (hand weapon), maker unknown, Kiribati, part of the Oldman Collection.© Te Papa.

Rere (hand weapon), maker unknown, Kiribati, part of the Oldman Collection.© Te Papa.

See more of Te Papa’s fish and Pacific collections on Collections Online.

Latest artworks uploaded to Collections Online

Collections Online now features more images of artworks from Te Papa’s Collection. In the past six weeks over 200 more images have been uploaded for you to view. But have you ever wondered about how we get these images online? One of the main challenges for Te Papa is copyright.

While Te Papa physically owns artworks, objects and specimens in our permanent collection, we don’t always own the copyright in the artworks and objects. Copyright is a property right that is separate from the physical ownership of the work. It is often retained by the artist or the artist’s estate and, like any other property, it can be on-sold or licensed.

My name is Victoria Leachman and it’s part of my job as Te Papa’s Rights Manager is to ask copyright owners for copyright licences so that Te Papa has permission to photograph and copy images of artworks and objects into Collections Online.

Recently I’ve had some help with this. This is Chris Fletcher.

Chris Fletcher, Rights Officer

Chris Fletcher, Temporary Rights Officer, 2009. Photograph by Emma Best. © Te Papa

Chris has been with Te Papa since late April and he’s here until the end of June. His focus has been on researching and sending out copyright licenses for Te Papa’s art collection in particular. So far Chris has sent out over 230 copyright licence requests and we’ve had a fantastic response back with more licences being signed and returned every day.  Thank you to all of the artists, copyright owners and copyright administrators who have been so generous in granting Te Papa these licences!

Kahikatea carving no.5, 1976 by Guy Ngan, wood sculpture. Purchased 1976 with G G Gibbes Watson Bequest funds.

Kahikatea carving no.5, 1976 by Guy Ngan, wood sculpture. Purchased 1976 with G G Gibbes Watson Bequest funds.

Once the licences are returned I update the copyright information and upload the images of the artworks to Collections Online. Here is one of Chris’s favourites.

Not all of the artworks and objects we have licenses for have been photographed but I’ve put together a group so you can see the ones that have been recently uploaded. This group is updated on a quarterly basis.

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