Tag Archives: collection

New exhibition of ceramics, glass and metalwork opens this Saturday

Te Papa shares the story of modern design through the collection of ceramics, glass and metalwork gifted by Wellingtonian Walter Cook. Featuring selected objects, the new exhibition, Walter Cook: a collector’s quest opens this Saturday on Level 6.

Flower dish, about 1906. WMF, Germany. Te Papa

Flower dish, about 1906. WMF, Germany. Te Papa

Walter Cook’s first purchase initiated him into what he called ‘the addictive habit and thrill of hunting quarry in second-hand shops’. During the years between 1961 and about 1991, he built up a collection which reflects the second hand and antique market in Wellington that is now of national importance.

“The collection was put together in the days before online sales and provides a clear picture of the antique dealers’ arena specifically in Wellington during that time.” says Justine Olsen, Decorative Arts and Design Curator at Te Papa. Many of these dealerships have since closed but can still be remembered by some Wellingtonians.

Walter Cook was a passionate, well read collector who sought out objects with broad ranging international connections. Pieces in the collection, which feature in the exhibition range from the Arts and Crafts movement ceramics to German art-nouveau pewter and Scandinavian modern design.

Dish. 1883. Designed by William De Morgan, England. Te Papa

Dish. 1883. Designed by William De Morgan, England. Te Papa

A wonderful example of the Arts and Crafts movement is a De Morgan ceramic dish from 1883, which features a striking hand-painted red design. Over the years, Walter developed quite the discerning eye and managed to find a Linthorpe Pottery jug by industrial designer, Christopher Dresser while in a junk shop in Auckland.

Walter and his wife Adriann gifted the collection to Te Papa in 1992 and this exhibition marks the 20th anniversary of the gift.

Read more and explore the objects in this exhibition

New Botany Display in Nature Space – informing you about topical conservation issues.

If you’ve visited Te Papa recently, and especially if you’ve brought children, you may have noticed some changes in the Nature Space Discovery Centre.  Part of this area was revamped in October to highlight the plight of wildlife affected by the RENA oil spill.

 This month, I have been working with Melanie Dash, Nature Space Supervisor, along with conservation, mount making, writing, interpretation, and installation staff to present a small Botany display.  This display is located opposite the RENA display in Nature Space on level 2.  Melanie and I have also sought images and advice from the Department of Conservation, Ngā Manu Trust, Auckland Council, and MAF.

New Display, Nature Space Discovery Centre, Level 2, Te Papa; Photo: Antony Kusabs, Te Papa.

New Display, Nature Space Discovery Centre, Level 2, Te Papa; Photo: Antony Kusabs, Te Papa.

 The display features one unusual fungus (Cordyceps robertsii) and two plant species, kauri (Agathis australis), and “flower of the underworld” (Dactylanthus taylorii).  The aim with the botany items, as with the RENA display, is to foster interest in current conservation issues.

 Kauri is one of New Zealand’s most notable tree species, but kauri forests in Northland, Great Barrier Island, and West Auckland are being infected by a soil borne fungus.  The fungus causes disease in kauri which excrete resin from their trunks, defoliate, and often die.  We can all help limit the spread of this disease by learning more about kauri dieback.

 Dactylanthus is the perfect plant to highlight conservation issues in New Zealand.  It’s current conservation status of ‘serious decline’ is due to habitat destruction, herbivory from possums and loss of pollinators (short-tailed bat) through predation.  In other words, a combination of the main causes of biodiversity decline in New Zealand.  The Department of Conservation is a good source of information on this species.

To find out more about the unusual fungus I mentioned, you’ll have to come to Te Papa.

How Te Papa contributes to plant conservation

In the next two weeks, some of Te Papa’s Botany staff will be looking for several poorly known mosses and liverworts.

For instance, the moss Dicranoweisia spenceri was recorded more than 60 years ago from near Mount Ruapehu but it hasn’t been reported from there since – is it still there? We’re going to check.

A specimen of the moss Dicranoweisia spenceri in Te Papa’s collection. This species has a conservation ranking of “Data deficient”; that is, not enough is known about its occurrence to classify the level of threat it faces. © Te Papa.

Conservation managers need to know what is rare and what is not. It allows them to prioritise (increasingly) stretched resources to those plants and animals at most risk of extinction.

New Zealand’s herbaria (collections of dried plant specimens) collectively have over one million specimens (Te Papa has c. 250000). These collections voucher, or provide physical proof, of what plants are in New Zealand, what they look like, and where they occur. Many species occur commonly and over large areas, but many others are only known from a few sites, placing them at risk of extinction.

Te Papa’s botany collection.

New Zealand Virtual Herbarium – an aggregate database of NZ’s herbaria.

One million specimens sounds a lot. But there’s still huge gaps in the documentation of New Zealand’s native plants (not to mention adventive and cultivated plants).

Mosses and liverworts pose a particular challenge. They’re small and underappreciated, and there’s far fewer people capable of identifying them compared with bigger plants.

What are mosses and liverworts?

There are about 520 mosses and 600 liverwort species in New Zealand. Yet in the recent threat evaluation of these groups, 135 taxa/entities are listed as “Data Deficient”. That is, not enough is known about them to even rate how threatened they are.

The 2010 evaluation of the threat status for New Zealand’s mosses and liverworts.

Which is why the Bryophyte and Lichen Workshop is so important. This is an annual gathering of people – amateurs and professionals, beginners and experts – interested in mosses, liverworts, and lichens. This year the Workshop is based in Matawai, between Opotiki and Gisborne. Three staff and a Research Associate from Te Papa are taking part. There’s very few previous records of mosses and liverworts from the Matawai area, so we’ll be collecting a specimen of every species we find, including common species. But we’ll have a close eye out for those regarded as Data Deficient, both during the Workshop and at targeted sites during our travel there and back.

I’ll let you know what we turn up.

Previous blogs on the Workshop: 2009, 2010.

Te Papa fish scientists leaving soon for the lost world: survey to the Kermadec Islands

The Kermadec Islands’ are the most isolated piece of rock that New Zealand has, some 1,000km North of Tauranga, right in the middle of very deep oceans. The isolation, recent geological origin and predominantly subtropical marine flora and fauna make them unique both nationally and internationally. I often imagine the Kermadec as one of the last untouched area on the planet.

Many species found at the Kermadecs do not occur on mainland New Zealand. The limited sampling to date has discovered that almost every major taxonomic group studied so far, with the exception of the algae and corals, has one or more species endemic to the islands.

On Wednesday, I am leaving with a team of Te Papa scientists to work on the fish fauna of this fantastic location. It’s going to be a three long days trip steaming to Raoul Island, the main island of the Kermadec. Then, we will mostly do video and collecting work, deploying systems from the shallow and colourful 50m depth zone, to the dark deep-sea waters beyond 1500m where no light penetrates. It is a very exciting time and I expect lots of new discoveries out of this survey. Hopefully, I will be able to share them with you with the help of satellite communication. Thank you technology!

More to come later…

Vincent

Boat and gear
Our Boat heavily loaded with gear during our previous survey off Kaikoura.

More about the Fish Team and our projects, including links to videos

Bryophyte Workshop

Last December, three Te Papa botanists attended the 2010 John Child Bryophyte and Lichen Workshop, held in Riverton. This is one of the principal ways we acquire new plant specimens.

Liverwort Trichocolea mollissima. Photo by Leon Perrie.

Liverwort Plagiochila. Several sporophytes are evident, albeit enclosed within perianths. Each sporophyte has a black capsule, where the spores are made, and a whitish, fleshy stalk (the seta). Photo by Leon Perrie.

Liverwort Schistochila. Photo by Leon Perrie.

Moss Tayloria. Often grows on dung! Photo by Leon Perrie.

Moss Scorpidium cossonii (with thanks to Peter Beveridge for the identification), in an alpine seepage. Photo by Leon Perrie.

We are still processing the specimens we collected during the 2010 Workshop. Identification of these small plants can take some time, usually requiring microscopic examination.

From the 2009 Workshop, 575 specimens were accessioned into Te Papa’s herbarium.

Recent acquisition: Tongan fangufangu (nose flute)

In March 2009, Te Papa was gifted a small but significant collection of objects from Derek J. Wilson. This collection included two Tongan fangufangu or nose flutes that were made from bamboo.

Fangufangu (nose flute); Te Papa: Gift of Derek J. Wilson, 2009

Fangufangu (nose flute); Te Papa; Gift of Derek J. Wilson, 2009

Historically, fangufangu were used to awaken the Tongan royalty from their sleep. The newly acquired fangufangu, have intact nodes at each end, forming a sealed cylinder. Around one of the fangufangu are burnt and incised images of birds, ships, human figures and the words “Vavau” and “Tuanuku”. Tuanuku is a coastal village located in the Vavau group of islands. This fangufangu, possibly records the coming and going of European ships in the harbour area in the 19th century. These are a welcome addition to the collection, as examples documenting a slice of Tongan history.

Click on the link to view the playing of fangufangu during Queen Elizabeth II’s royal visit to the Kingdom of Tonga:

Watch Video

Font designer: Joseph Churchward

In 2008, I co-curated a small show in our Illot Gallery about Samoan-born graphic designer Joseph Churchward, who has hand-crafted about 570 fonts to date. Last year, Joseph received the John Britten Award, from the Designers Institute of New Zealand, for outstanding leadership, vision and achievement in the field of type design. Here are four of my favourite Churchward font designs: 

  • Churchward Design
Churchward Design Print Negative; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Churchward Design Print Negative; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

  • Churchward Marianna
Churchward Marianna Black Print Negative; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Churchward Marianna Black Print Negative; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

  • Churchward Maori
Churchward Maori 1983 Hand Drawn Board; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Churchward Maori 1983 Hand Drawn Board; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

  • Churchward Alefapeta (Alphabet) Samoa
Churchward Alefapeta Samoa Poster; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

Churchward Alefapeta Samoa Poster; by Joseph Churchward; Te Papa Tongarewa; Purchased 2008

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