Posts tagged with Colin McCahon

The Gallery of Helen Hitchings – mixing the modern – art and design

‘Helen Hitchings inspecting a self -portrait on display in her Gallery’, circa 1950, by Photo News Ltd (Wellington, N.Z.). Te Papa (CA000124/001/0060)

When Helen Hitchings launched her gallery in 1949, it was a landmark moment for modernism in New Zealand. Te Papa celebrates this event with the exhibition in Ngā Toi /Arts Te Papa with the Gallery of Helen Hitchings. Former advertising assistant and theatre designer, Hitchings had established her dealer gallery in a converted warehouse space… Read more »

Colin McCahon’s Northland Panels travels north to the Auckland Art Gallery Toi o Tāmaki

  • Painting conservator Sarah Hillary, painting conservator Tijana Cvetkovic, curator Caroline McBride, curator Catherine Hammond and conservation scientist Tom Learner. Image courtesy of Auckland Art Gallery Toi o Tamaki
  • During installation of Northland Panels. Image courtesy of Auckland Art Gallery Toi o Tamaki
  • Sarah Hillary, Tom Learner and Tijana Cvetkovic discussing the painting's surface. Image courtesy of Auckland Art Gallery Toi o Tamaki
  • The painting installed in the gallery. This image has All Rights Reserved. Image © Courtesy of the Colin McCahon Research and Publication Trust

Earlier this year I travelled to Auckland Art Gallery with one of Te Papa’s masterpieces, Colin McCahon’s Northland Panels, 1958, which is the centrepiece of the exhibition Modern Paints Aoteraroa. This was the first time in 25 years that the iconic painting has travelled to another institution, and the first time in five years that… Read more »

Paula Green: The Life of a Poem

At the end of 2013, Te Papa started working on a series of creative responses to Colin McCahon’s Walk (Series C) (1973) – long an artistic trigger. We approached poet and writer Greg O’Brien who agreed to work with us. Greg contacted some of New Zealand’s most well-known poets. Over the summer, they wrote and… Read more »

A walk along Muriwai Beach

It was one of the best days this year for me:  walking along the vast, luminous west coast beach with jeweller Alan Preston. He strolled, collecting shells with an eye on the tide and recalled Colin McCahon’s influence on his work, White Foreshore.  McCahon’s years at Muriwai are reflected in his remarkable series of paintings including Walk… Read more »

Red Piano and Bronze Bulls coming to Wellington

Michael Parekowhai, He Kōrero Pūrākau mo te Awanui o Te Motu: story of a New Zealand river, 2011. Photograph by John Collie, courtesy of Christchurch Art Gallery, Te Puna o Waiwhetu. Te Papa (TMP013506)

After a successful season at the Venice Biennale, in Paris and Christchurch, Michael Parekowhai’s On First Looking into Chapman’s Homer will make its final stop at the national museum, Te Papa. Opening Saturday 25 August, a specially reconfigured installation will be shown in a single gallery space for four weeks and provides an exciting opportunity… Read more »

PICTURE FRAMES: figuring the edge of art.

  • Margaret Carpenter’s Portrait of Mrs W Collins, 1826. Frame original. © Museum of New Zealand Te Papa Tongarewa
  • Colin McCahon’s A letter to Hebrews, 1979, in Toi Te Papa exhibition. © Courtesy of the Colin McCahon Research and Publication Trust
  • Colin McCahon’s A letter to Hebrews, 1979, in Toi Te Papa exhibition. © Courtesy of the Colin McCahon Research and Publication Trust
  • Colin McCahon’s A letter to Hebrews, 1979, in Toi Te Papa exhibition. © Courtesy of the Colin McCahon Research and Publication Trust

Staging the show I rest my eye for a moment on the frame, taking a break from the work of looking hard at the painting I have come to see. Then, returning to the work at hand, I become conscious, if only just, of an adjustment to my perception; that my perception has undergone a… Read more »

Framing McCahon on Steinbach

Installation in Toi Te Papa after reframing. © courtesy of the Colin McCahon Research and Publication Trust

This is my opening post in a series to discuss approaches to the framing of paintings. This first one is a response to William McAloon’s post: Freedom to act and takes his blog post as a point of departure. I look at some of the issues involving the sympathetic framing of modernist paintings, and what… Read more »