Posts tagged with Colin McCahon

Paula Green: The Life of a Poem

At the end of 2013, Te Papa started working on a series of creative responses to Colin McCahon’s Walk (Series C) (1973) – long an artistic trigger. We approached poet and writer Greg O’Brien who agreed to work with us. Greg contacted some of New Zealand’s most well-known poets. Over the summer, they wrote and… Read more »

A walk along Muriwai Beach

It was one of the best days this year for me:  walking along the vast, luminous west coast beach with jeweller Alan Preston. He strolled, collecting shells with an eye on the tide and recalled Colin McCahon’s influence on his work, White Foreshore.  McCahon’s years at Muriwai are reflected in his remarkable series of paintings including Walk… Read more »

Red Piano and Bronze Bulls coming to Wellington

Michael Parekowhai, He Kōrero Pūrākau mo te Awanui o Te Motu: story of a New Zealand river, 2011. Photograph by John Collie, courtesy of Christchurch Art Gallery, Te Puna o Waiwhetu. Te Papa (TMP013506)

After a successful season at the Venice Biennale, in Paris and Christchurch, Michael Parekowhai’s On First Looking into Chapman’s Homer will make its final stop at the national museum, Te Papa. Opening Saturday 25 August, a specially reconfigured installation will be shown in a single gallery space for four weeks and provides an exciting opportunity… Read more »

PICTURE FRAMES: figuring the edge of art.

  • Margaret Carpenter’s Portrait of Mrs W Collins, 1826. Frame original. © Museum of New Zealand Te Papa Tongarewa
  • Colin McCahon’s A letter to Hebrews, 1979, in Toi Te Papa exhibition. © Courtesy of the Colin McCahon Research and Publication Trust
  • Colin McCahon’s A letter to Hebrews, 1979, in Toi Te Papa exhibition. © Courtesy of the Colin McCahon Research and Publication Trust
  • Colin McCahon’s A letter to Hebrews, 1979, in Toi Te Papa exhibition. © Courtesy of the Colin McCahon Research and Publication Trust

Staging the show I rest my eye for a moment on the frame, taking a break from the work of looking hard at the painting I have come to see. Then, returning to the work at hand, I become conscious, if only just, of an adjustment to my perception; that my perception has undergone a… Read more »

Framing McCahon on Steinbach

Installation in Toi Te Papa after reframing. © courtesy of the Colin McCahon Research and Publication Trust

This is my opening post in a series to discuss approaches to the framing of paintings. This first one is a response to William McAloon’s post: Freedom to act and takes his blog post as a point of departure. I look at some of the issues involving the sympathetic framing of modernist paintings, and what… Read more »

Freedom to act

Scared and Mondrian's last chrysanthemum, on show in Toi Te Papa.

  The other night we hung the two McCahons we bought last year – Scared and Mondrian’s last chrysanthemum. They’ve gone up in Toi Te Papa. In the mid-1970s Colin McCahon did a lot of paintings on a thick high quality paper called Steinbach. Legend has it that McCahon’s dealer Peter McLeavey bought 100 expensive… Read more »

Man of sorrows

Colin McCahon, King of the Jews, 1947 © courtesy of the Colin McCahon Research and Publication Trust

Te Papa has a strong collection of Colin McCahon’s early religious works, including three paintings from 1947 that depict events from story of the Passion: Christ taken from the cross, Entombment (after Titian), and King of the Jews. One of the enduring myths surrounding McCahon’s early paintings is that were rejected by critics. This is… Read more »