Tag Archives: cloaks

Tai Tamariki children’s kākahu – learning continues

by Becs Thomas, Assistant Head Teacher, Tai Tamariki Kindergarten

The experience of having Tai Tamariki Kindergarten children’s kākahu displayed in Kahu Ora Living Cloaks has been a wonderful learning journey for our kindergarten community, both culturally and in the learning of exhibition protocol and process. This week the second of our children’s kakahu was put on display.

Apolline and Urszula ready to transport the kākahu. Courtesy of Tai Tamariki Kindergarten

Apolline and Urszula ready to transport the kākahu. Courtesy of Tai Tamariki Kindergarten

The children regularly visit Te Papa in small groups and these visits have been the basis for research that focuses on how children make meanings, view themselves as learners and share understandings in museum environments.

Over time our tamariki have gained rich understandings of Te Papa and the culture and tikanga of ours and other museums. They have also used objects such as the kākahu in Kahu Ora, drawings, child/ teacher made booklets and reference books to help make connections between these different settings.

Kahu Ora has enabled children to extend on their knowledge of kākahu from previous experiences and explore and research the new. It has also given them the opportunity to interact with weavers, Te Papa staff and visitors who have passed on their valuable knowledge, skills and stories of Te Ao Māori. These experiences together have fostered learning and inspired the ongoing projects of creating kākahu back at kindergarten.

Apolline Michaud-Fidey’s cloak is the second Tai Tamariki kākahu to be displayed in Kahu Ora. Like Maia Waldegrave’s dog skin cloak before her, Apolline has designed and created her kākahu from start to finish.

Apolline's plan for her kākahu: "I got my ideas from looking at lost of different types of korowai like flax, feathers, letters and shapes". Courtesy of Tai Tamaraki Kindergarten

Apolline’s plan for her kākahu: “I got my ideas from looking at lost of different types of korowai like flax, feathers, letters and shapes”. Courtesy of Tai Tamaraki Kindergarten

The children have taken responsibility for their own learning throughout the creation of these kākahu and the teachers at Tai Tamariki and staff at Te Papa placed great value in their involvement in every step of the process of exhibiting in Kahu Ora.

Apolline transfers her plan on to her cloak. She studied images of three very different kākaku exhibited in Kahu Ora, and these provided inspiration for her cloak's finished design. Courtesy of Tai Tamariki Kindergarten

Apolline transfers her plan on to her cloak. She studied images of three very different kākaku exhibited in Kahu Ora, and these provided inspiration for her cloak’s finished design. Courtesy of Tai Tamariki Kindergarten

On Tuesday this week it was time for Apolline to exhibit her korowai. Pamela Lovis from Te Papa talked to Apolline and her friend Urszula about what was going to happen and the kakahu was then carefully placed in a box and transported by the designer and her support crew up to the exhibition space.

Urszula and Apolline carefully transport the kākahu from Tai Tamariki Kindergarten on the ground floor up to Kahu Ora. Courtesy of Tai Tamariki Kindergarten

Urszula and Apolline carefully transport the kākahu from Tai Tamariki Kindergarten on the ground floor up to Kahu Ora. Courtesy of Tai Tamariki Kindergarten

Maia’s Dog Skin cloak was gently removed and Pamela and Apolline worked together to display the new kākahu. Apolline gave direction as to how she thought it should look, helped to tie the ribbon and instructed the collar placement.

Pamela and Apolline discuss and display the kākahu, as Urszula looks on in interest. Courtesy of Tai Tamaraki Kindergarten

Pamela and Apolline discuss and display the kākahu, as Urszula looks on in interest. Courtesy of Tai Tamaraki Kindergarten

It became clear through this process that the kākahu was to be treated as a taonga.

Apolline's beautiful kākahu and label on display in the Weavers' Studio of the Kahu Ora exhibition. Courtesy of Tai Tamariki Kindergarten

Apolline’s beautiful kākahu and label on display in the Weavers’ Studio of the Kahu Ora exhibition. Courtesy of Tai Tamariki Kindergarten

It is hands on experiences such as this and the recent blessing of the kākahu that show our children how artefacts are treated and exhibited in Te Papa.

Apolline and Urszula with the kākahu on display in the Weavers' Studio of the Kahu Ora exhibition. Courtesy of Tai Tamariki Kindergarten

Apolline and Urszula with the kākahu on display in the Weavers’ Studio of the Kahu Ora exhibition. Courtesy of Tai Tamariki Kindergarten

Apolline and Urszula returned to Tai Tamariki to share their busy morning with their friends. I am really looking forward to documenting future visits and how our children can teach others about the knowledge they have formed.

Our kaiako, whanau and most importantly our tamariki feel such a sense of pride in seeing the Tai Tamariki kākahu exhibited in Kahu Ora. I feel that through each step of this exhibition process our young children have been shown first hand how their learning and contributions are valued in this museum environment.

Tai Tamariki Kindergarten childrens’ kakahu on display

Tai Tamariki Kindergarten opened in Te Papa in early February 2010. It’s a unique and wonderful thing for a kindergarten to be located within a museum like Te Papa. The children and staff at Tai Tamariki are frequent visitors to the museum exhibitions, making use of all the learning opportunities and inspiration the museum provides. Kahu Ora Living Cloaks has been popular with the children. After visiting the exhibition they designed and made their own kakahu.

Over the next two weeks we are displaying three of these wonderful kakahu in the Weavers’ Studio space. The first kakahu made by Maia Waldegrave, aged 4 is now on display. She was inspired by the dog skin cloak in the exhibition (complete with the ears and tails of several dogs).

Maia Waldegrave aged 4 from Tai Tamariki with her korowai. Courtesy of Tai Tamariki Kindergarten.

Maia Waldegrave aged 4 from Tai Tamariki with her korowai. Courtesy of Tai Tamariki Kindergarten.

It’s a real joy that this is happening – it was a highlight of my week!  To mark this special occasion we organised an opening blessing, lead by our Tainui resident kaumatua and kuia, Taki and Ratau Turner.

Tainui kaumatua Taki Turner and the Tai Tamariki children at the opening blessing. Courtesy of Tai Tamariki Kindergarten.

Tainui kaumatua Taki Turner and the Tai Tamariki children at the opening blessing. Courtesy of Tai Tamariki Kindergarten.

Tai Tamariki Kindergarten children and staff at the opening blessing for their kakahu. Courtesy Tai Tamariki Kindergarten.

Tai Tamariki Kindergarten children and staff at the opening blessing for their kakahu. Courtesy Tai Tamariki Kindergarten.

We talk a lot about museums as learning environments – places where we can change peoples hearts, minds and lives. I think the Tai Tamariki children’s kakahu are delightful examples of this in action.

More info about Tai Tamariki Kindergarten

Kahu Ora: Weaving stories and people

When taonga are brought out of the stores and into the light, they have a transformative power on their descendants. This tangible feeling is elicited immediately when you enter Kahu Ora: Living Cloaks.

At the opening of the exhibition, I entered the gallery to the sound of karakia reverberating around the walls of the gallery followed by a waiata sung by a visiting school. Returning to the exhibition yesterday was another sensory experience; the sounds of a waiata set to a performance of harakeke and the voices of the people experiencing the exhibition.

A woman uses a patu muka (flax-fibre beater) to prepare fibre for weaving, 1921 by James McDonald. Te Papa

A woman uses a patu muka (flax-fibre beater) to prepare fibre for weaving, 1921 by James McDonald. Te Papa

There are weavers in residence from Wednesday to Sunday each week from 12-4pm. Yesterday I had the chance to sit and talk with one of them, Kohai Grace, about a kākahu she is working on. The kākahu is being made for her whanau and has been touched by and worked on by many of her family members including one of the Collection Manager-Māori, Moana Parata. Moana explained to me how the feathers for the kākahu had been gifted to her by a Te Papa member in the natural history department who no longer had a use for them. They had been cleaned and prepared beautifully and the decision was made to use them in the kākahu. This story is symbolic of the connections between people that taonga Māori represent and how powerful this connection is.

As I walked through the exhibition yesterday I came across a kākahu that was given to ethnographer Elsdon Best by the Tūhoe rangatira Tūtakangāhau after the death of his granddaughter Marewa-i-te-Rangi. This connection brought me to tears, standing in front of a taonga of such intricate beauty from my own iwi, I felt humbled in her presence. My koroua is a direct descendant of Tūtakangāhau and my older brother is named after him, I also have a niece named after Marewa-i-te-Rangi so I felt the connection very profoundly. Last night I told my brother about the exhibition and he has decided to bring in his class when he next visits Wellington from Rotorua.

Kahu huruhuru (feather cloak), c. 1890, New Zealand. Maker unknown. Te Papa

Kahu huruhuru (feather cloak), c. 1890, New Zealand. Maker unknown. Te Papa

This is the transformative power of taonga Māori and the connection they have to their people. Taonga continue to connect people to one another and to themselves, accumulating kōrero and transcending time. Kahu Ora connects people and weaves together their kōrero, it has brought the taonga out of the stores to be warmed by their descendants and I implore you all to come along and experience it.

This weekend there are many events on at Te Papa as part of the Matariki celebrations. You can also find out more about kākahu on the Te Papa website.

Matariki Williams

Matariki Events at Te Papa
Kākahu Māori Cloaks website

Māori cloaks in the Kahu Ora exhibition – two days to go

It’s two days to go before we open our Kahu Ora Living Cloaks exhibition - and time to give you a little preview of what you will be able to see from Friday 8 June.

When an exhibition opens and all the taonga are in place, the graphics are up, and the lighting is done it’s hard to imagine all the work that’s been going on to get the exhibition installed.

Last week, at a quiet moment, they let me into the gallery to see how things were going.  Here is Sam, one of our exhibition team installers, preparing the case and mount to display the unique huru kuri, dog-skin pelt, cloak which we featured in an earlier blog post.

Sam Wallis preparing the case and complex mount for the huru kuri, dog skin pelt cloak, on loan from Puke Ariki, photograph by Pamela Lovis, copyright Te Papa 2012.

Sam Wallis preparing the case and complex mount for the huru kuri, dog skin pelt cloak, on loan from Puke Ariki, photograph by Pamela Lovis, copyright Te Papa 2012.

The exhibition graphics are the work of graphic designer, Wol Jobson – here he watches over the install of some of the larger wall graphics.

Wol Jobson, graphic designer, supervises install of some of the exhibition graphics. Photograph by Pamela Lovis, copryight Te Papa 2012.

Wol Jobson, graphic designer, supervises install of some of the exhibition graphics. Photograph by Pamela Lovis, copyright Te Papa 2012.

And finally, before I give away too much – here are several kākahu installed in their cases but carefully covered up until later this week when the conservators will come in and remove the covers.

The whakataukī, or saying, that you can see on the wall speaks to one of the ideas key to  this exhibition:

Ko te taura whiri, he whiri i te tangata
The muka (flax fibre) cord is like the cord that connects people.

Muka is the silky fibre extracted from the leaves of harakeke, or flax. After hours of skilled preparation Māori weavers use this muka to weave the kaupapa, or foundation, of a kākahu.

Kākahu in their cases, soon to be revealed in the Kahu Ora Living Cloaks exhibition. Photography by Pamela Lovis, copyright Te Papa 2012.

Kākahu in their cases, soon to be revealed in the Kahu Ora Living Cloaks exhibition. Photograph by Pamela Lovis, copyright Te Papa 2012.

So cloaks, or kākahu, are all about connections – the threads that weave us together as people, and the stories that connect people and kākahu. Come and see for yourself, in Kahu Ora Living Cloaks  from this Friday 8 June.

Unique dog skin cloak – soon to be on show at Te Papa

Every exhibition I work on is different. Each time I learn more and my basket of knowledge (my kete) expands and grows. This time it’s a wonderful exhibition about Māori cloaks, which features many kākahu from Te Papa’s collection, plus a small number of unique taonga which we’re fortunate to borrow from elsewhere.

Kahu Ora Living Cloaks opens in about 2 weeks time on Friday 7 June, and we start to install the taonga in the gallery next week. A week or so ago a very special cloak, a huru kurī, made from eight dog skin, or kurī, pelts stitched together arrived on loan from Puke Ariki in New Plymouth.

I was one of a  group of staff  who were excited to see this unique cloak – the only one of its kind that exists today – for the first time. We had read about it, researched it, and written about it for the exhibition, but this was the first chance to see this taonga close up. The person who once wisely cautioned me to never write a label for an object without seeing it for yourself – well they were right…

Te Papa staff look at the huru kurī cloak in Te Whare Pora, the collection store. Photograph by Moana Parata, copyright Te Papa.

Te Papa staff look at the huru kurī cloak in Te Whare Pora, the collection store. Photograph by Moana Parata, copyright Te Papa.

What really struck me was that each of the eight dog pelts stitched together to make the cloak is different. Some are white, some are dark black, and one has fox-like fur of quite a different texture. The white fur on another pelt is quite curly. And while I knew that the tails and pointed ears of the dogs were visible on this cloak it was another thing altogether to see them!

Te Papa staff look at the huru kurī, cloak stitched from whole dog skins, on loan from Puke Ariki. Photograph by Moana Parata, copyright Te Papa.

Te Papa staff look at the huru kurī, cloak stitched from whole dog skins, on loan from Puke Ariki. Photograph by Moana Parata, copyright Te Papa.

Under the careful supervision of Conservator Anne Peranteau we  looked at the other side of the cloak.  Anne pointed out where you could see the imprint of the dogs’ ribs, still visible in the dried skin. To see the thickness of the leather and the quality of the stitching made me realise how much skill and effort was involved in making this cloak.

This taonga will now be carefully mounted and displayed in a section of the Kahu Ora Living Cloaks exhibition that looks at Māori sewing technology and recent research in this area by experts such as Dr Patricia Te Arapo Wallace.

To find out more about the huru kurī, the history of the cloak and see more images go to:
http://vernon.npdc.govt.nz/search.do?id=294155&db=object&page=1&view=detail

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