Posts categorized as Ngā Toi Arts Te Papa

Adorn yourself in Ngā Toi|Arts Te Papa!

Adorn yourself! Photograph by Carmel Russell, © Te Papa

The Learning Innovation team are very excited about the new activities featuring in Te Whare Toi in this upcoming season of Ngā Toi | Arts Te Papa. We have been playing around with the wonderful range of dress-ups for ‘Adorn yourself!’ in the office this afternoon. This activity relates to the exhibitions European Splendour 1500—1800 and… Read more »

Connecting Past and Present

Close up of B.43877

This photograph below was lost the moment it was taken in 1929 or 1930. Mary Sporle, known as Dolly, proudly showed off her son Leslie for the camera at Wellington’s Berry & Co. studio with the intention of giving his grandparents a photograph of him. But her family believes she never returned to order prints, perhaps because the… Read more »

Conserving and dressing 18th century dresses

  • The Ladies Waldegrave, Sir Joshua Reynolds, 1780. National Gallery of Scotland NG 2171. Oil on canvas.
  • Here we are carrying out the final fitting of both the dress to unsure that the garment is properly supported but not under any stress. At this point we can also adjust the final height of the ensemble and check the silhouette that has been created. Photo by S. Gatley, copyright Te Papa.
  • The near-finished mount, complete with silk petticoat, jersey top cover and sleeve supports. There are strong small magnets attached to the front which will hold the bodice section in position- These are needed as the dress doesn’t have any buttons or other fastening. The opposing magnets will be placed on the outside of the garment. These should be difficult to see as they will be coloured to match the dress.
  • The torso after it has been padded into the correct size and period shape. There is a cotton tube underskirt to hold out the multiple layers of net underskirts instead of legs! Photo by S. Gatley, copyright Te Papa.

Textile conservator Anne Peranteau, and costume mount maker Sam Gatley describe the process of preparing two 18th century dresses for display in exhibtion. Historic dress, historic problems Anne Peranteau – In 1951, Te Papa was given three 18th century dresses, all dating to approximately 1780. Our work in the textile lab is currently focused on preparing two of these… Read more »

Paul Annear (1947-2016)

Black and white photo of Paul Annear

Studio jeweller, craftsman Te Papa sadly bids farewell to contemporary studio jeweller Paul Annear who passed away on 24 April in Phnom Penh, Cambodia. Characterful and enigmatic, Paul loved materials and the process of craft making. He studied anthropology and psychology at the University of Auckland- subjects that helped inform his jewellery in the years… Read more »

Max Gimblett and ‘The Art of Remembrance’

  • Large Quatrefoils_02_2
  • 'The Art of Remembrance', St David’s Memorial Church, Auckland, 2015. Photo: Jessica Chloe Photography. Courtesy of Max Gimblett ONZM and The Friends of St David’s Trust
  • 'The Art of Remembrance', St David’s Memorial Church, Auckland, 2015. Photo: Jessica Chloe Photography. Courtesy of Max Gimblett ONZM and The Friends of St David’s Trust
  • Gimblet Rememberance Upfront_49

On display as part of Ngā Toi | Arts Te Papa is an exhibition called The Art of Remembrance, featuring the work of contemporary New Zealand artist Max Gimblett ONZM. This blog post gives some more information about the project and its earlier incarnation as a public art project in Auckland last year.   The exhibition contains… Read more »