Posts categorized as Ngā Toi Arts Te Papa

Pukerua Bay School Museum visit European Splendour

Entering Splendour, Photograph by Justine Olsen, © Te Papa

The European Splendour 1500-1800 exhibition opened on Friday 16 September in Ngā Toi | Arts Te Papa. Our friends from Pukerua Bay School Museum: Aurelia (aged 9), Paddy (aged 11), Isaac (aged 12) and their teacher Cat Lunjevich, came to visit and spent time in conversation with our curators Justine and Mark. They have kindly written this post… Read more »

Wenceslaus Hollar: etching the 17th century

Etching - 17th century

Hollar vs. Lindauer So, you think Gottfried Lindauer is the most significant Czech artist in Te Papa’s collection? Wrong, certainly in terms of world fame, quantity and arguably in quality too! In Collections Online, Lindauer is trounced 68-21 by Wenceslaus Hollar (1607–77), whilst in our new Ngā Toi exhibition, Splendour, there are six Hollars alone… Read more »

The children from Tai Tamariki Kindergarten really enjoy visiting Ngā Toi | Arts Te Papa! A favourite exhibition last season was New Zealand Photography Collected – one of the largest showing of photography collections here at Te Papa. The exhibition was based on the recent book of the same name, written by our Curator Photography, Athol McCredie. This… Read more »

Adorn yourself in Ngā Toi|Arts Te Papa!

Adorn yourself! Photograph by Carmel Russell, © Te Papa

The Learning Innovation team are very excited about the new activities featuring in Te Whare Toi in this upcoming season of Ngā Toi | Arts Te Papa. We have been playing around with the wonderful range of dress-ups for ‘Adorn yourself!’ in the office this afternoon. This activity relates to the exhibitions European Splendour 1500—1800 and… Read more »

Connecting Past and Present

Close up of B.43877

This photograph below was lost the moment it was taken in 1929 or 1930. Mary Sporle, known as Dolly, proudly showed off her son Leslie for the camera at Wellington’s Berry & Co. studio with the intention of giving his grandparents a photograph of him. But her family believes she never returned to order prints, perhaps because the… Read more »

Conserving and dressing 18th c. Splendour

  • Here we are carrying out the final fitting of both the dress to unsure that the garment is properly supported but not under any stress. At this point we can also adjust the final height of the ensemble and check the silhouette that has been created. Photo by S. Gatley, copyright Te Papa.
  • The near-finished mount, complete with silk petticoat, jersey top cover and sleeve supports. There are strong small magnets attached to the front which will hold the bodice section in position- These are needed as the dress doesn’t have any buttons or other fastening. The opposing magnets will be placed on the outside of the garment. These should be difficult to see as they will be coloured to match the dress.
  • The torso after it has been padded into the correct size and period shape. There is a cotton tube underskirt to hold out the multiple layers of net underskirts instead of legs! Photo by S. Gatley, copyright Te Papa.
  • The mannequin torso with the bust and waist cut away. A cotton cover is attached to the newly shaped form ready for padding to be stitched into place. Photo by Sam Gatey, copyright Te Papa.

A co-authored post by Anne Peranteau, Textile Conservator and Sam Gatley, Costume Mountmaker Historic dress, historic problems In 1951, Te Papa was given three 18th century dresses, all dating to approximately 1780.   Our work in the textile lab is currently focused on preparing two of these gowns for display in the Splendour module of Nga… Read more »