Posts categorized as Ngā Toi Arts Te Papa

Conserving and dressing 18th c. Splendour

  • Here we are carrying out the final fitting of both the dress to unsure that the garment is properly supported but not under any stress. At this point we can also adjust the final height of the ensemble and check the silhouette that has been created. Photo by S. Gatley, copyright Te Papa.
  • The near-finished mount, complete with silk petticoat, jersey top cover and sleeve supports. There are strong small magnets attached to the front which will hold the bodice section in position- These are needed as the dress doesn’t have any buttons or other fastening. The opposing magnets will be placed on the outside of the garment. These should be difficult to see as they will be coloured to match the dress.
  • The torso after it has been padded into the correct size and period shape. There is a cotton tube underskirt to hold out the multiple layers of net underskirts instead of legs! Photo by S. Gatley, copyright Te Papa.
  • The mannequin torso with the bust and waist cut away. A cotton cover is attached to the newly shaped form ready for padding to be stitched into place. Photo by Sam Gatey, copyright Te Papa.

A co-authored post by Anne Peranteau, Textile Conservator and Sam Gatley, Costume Mountmaker Historic dress, historic problems In 1951, Te Papa was given three 18th century dresses, all dating to approximately 1780.   Our work in the textile lab is currently focused on preparing two of these gowns for display in the Splendour module of Nga… Read more »

Paul Annear (1947-2016)

Black and white photo of Paul Annear

Studio jeweller, craftsman Te Papa sadly bids farewell to contemporary studio jeweller Paul Annear who passed away on 24 April in Phnom Penh, Cambodia. Characterful and enigmatic, Paul loved materials and the process of craft making. He studied anthropology and psychology at the University of Auckland- subjects that helped inform his jewellery in the years… Read more »

Max Gimblett and ‘The Art of Remembrance’

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  • 'The Art of Remembrance', St David’s Memorial Church, Auckland, 2015. Photo: Jessica Chloe Photography. Courtesy of Max Gimblett ONZM and The Friends of St David’s Trust
  • 'The Art of Remembrance', St David’s Memorial Church, Auckland, 2015. Photo: Jessica Chloe Photography. Courtesy of Max Gimblett ONZM and The Friends of St David’s Trust
  • Gimblet Rememberance Upfront_49

On display as part of Ngā Toi | Arts Te Papa is an exhibition called The Art of Remembrance, featuring the work of contemporary New Zealand artist Max Gimblett ONZM. This blog post gives some more information about the project and its earlier incarnation as a public art project in Auckland last year.   The exhibition contains… Read more »

Hosting in Nga Toi in summer

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Working in Ngā Toi over summer was interesting because it was so vibrant.  Swarms of visitors off buses, cruise ships and from different backgrounds suddenly appeared.  Having an art gallery located within the museum certainly attracts those who may not normally visit! It was hectic introducing the feast of art on display,  giving out I SPY art trails, Art Detective Kits and audio guides to families, as well as keeping the Whare Toi (art… Read more »

Indigenous art curatorial practice; ideas and observations

  • Peter Robinson, Retorts and comebacks
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  • Black Rainbow

I am blogging a paper, as below, written in response to an invitation to talk about Indigenious art curatorial practice for the recent Pacific Art Association XII International Symposium. The symposium was held in Auckland during the week of 14 – 17 March 2016 and in a number of venues across the city including Orakei Marae,… Read more »

Thinking through time – Inspired: Ceramics and jewellery shaped by the past

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On Friday March 18 Te Papa opens a new exhibition on Level 6:- Inspired: Ceramics and jewellery shaped by the past. The exhibition draws on contemporary and historic objects from Te Papa and considers how objects can be connected across time. The phrase ‘thinking through time’ relates to an important part of the practices of… Read more »

Margaret Butler: An Invisible Sculptor?

Butler-portrait

I recently delivered a paper on the New Zealand sculptor Margaret Butler (1883-1947) at the University of Otago conference, ‘Making Women Visible’. Although one or two of her sculptures are occasionally exhibited, she is next to invisible to the wide public, certainly far more obscure than her older contemporary Frances Hodgkins. Yet whenever I see… Read more »