Category Archives: News

What’s going on behind the scenes: an update

Science, Library Services and Managing Risk to our Collections

You may have seen the story about Te Papa on Campbell Live on Monday night which questioned our commitment to Science, and the future of our collections.

Some of the points made in the story were misleading and inaccurate and this communication is to provide some clarification.

Te Papa’s collections sit at the heart of everything the Museum does. It’s the interpretation of the collections and the importance of research and scholarship behind that which supports us in telling and sharing our Nation’s story.  This has been a key driver behind the recent restructure and remains an important objective for the future.

Investing in Science

Te Papa’s commitment to Science is growing.  We have reorganised the structure of the existing Science programme to accommodate a broader approach to include Physical, Earth and Technological Sciences, including the remarkable history of Science in New Zealand, without diminishing our commitment to Natural History. This is an exciting prospect for Science at Te Papa which will take us in new directions and strengthen Te Papa’s long established position as the premiere Science museum in New Zealand.

We must adapt if Te Papa’s Science programme is to reflect the changing picture of Science in New Zealand and to inspire new generations of scientists for the future.

We are underpinning this commitment by strengthening our curatorial capability in these areas, and establishing six new scientific roles to fulfil this ambition. These include a new position of Head of Science to set the new strategic direction for Science and Technology, as well as two new Science Advisers for the Physical and Earth Sciences.  We have also created three Assistant Curator positions for the Sciences to ensure the foundations of our knowledge, its development and the nation’s curatorial expertise are secured for the future. Senior post-doctoral research positions will also be added as the research programme expands.

To care for our collections we need a mix of Collection Managers with broad skills to contribute across a number of collection areas and with the proven expertise to work in a specific area of the collections and work across other collection areas.  As a result, collection management roles will now meet a wider set of needs in regard to the collections.

We have not reduced our capability of practising/researching Scientists or Curators.

All research programmes that were in place in 2012 continue. To support the future direction of research, Dr Claudia Orange, Practice Leader Research is developing Te Papa’s research programme. A new independent Research Advisory Panel, which includes four external distinguished Science-based panellists, will provide oversight and monitor the direction of our research programme.

Our refreshment plan for the galleries at Te Papa over the next few years will include our major Natural History exhibits, Awesome Forces and Mountains to Sea, and these will showcase our own scientific research and that of our Science partners.

Library Services

Te Papa has changed the way the library service operates, which is also about ensuring our library collections sit with the departments or with the Curators that will use them. This model is in line with how most other Museums operate, internationally. We are also sharing our Library collections with other institutions such as Victoria University of Wellington with whom we have a Memorandum of Understanding specifically for mutual library access. There is no change to public access of the Library collection nor a reduction in the number of Library staff.

The Sciences Library (Hector Room) at the Tory St facility remains available to staff, in addition to an archive reading room available to the public by appointment. We also have a dedicated Sciences Librarian to support research in this area. There are no budget changes to Science Library resources, or Science publications, towards which a significant portion of the budget goes.

The Humanities Library located behind Te Huka ā Tai opened this week for staff to use for research purposes.

We will continue to provide a reading room service and research space for the public by appointment at a new location above Signs of a Nation, Level 4, which is due to open late-June. There will be no diminution of the existing service.

Prior to distributing the library collections to departments the Cable Street collection was reviewed; a practice which is normal in all libraries everywhere. It is standard practice for libraries to review their content to ensure that library collections are current and relevant.

Duplicate and out of scope publications were offered to other libraries and institutions. Those that remained were offered to staff. In some instances these publications were unable to re-homed, and were recycled. This was a very small proportion of publications.

Managing the Risk to Our Collections

Te Papa has the responsibility to ensure that all risks to its collections are minimised. We are examining long term storage solutions that take into account seismic and other natural risks as part of the development of our 10 year strategy. It would be irresponsible of the Museum not to explore such risks, which are real and present. We have been very proactive following the Christchurch earthquakes in improving health and safety and seismic strength of the building as well as the safe containment of the collections.

Te Papa is not diminishing any of its collections. We are scoping a number of storage options to minimise any risk to them. This includes ensuring that they continue to remain fully accessible research collections. The protection of our staff and its collections is at the forefront of our thinking. At this stage no decisions have been made any future locations. Any decision will take account of our stated commitment in the Vision to providing national access to the national collection through a variety of solutions.

What’s going on behind the scenes

There’s been some publicity about Te Papa lately and in particular our commitment to science and the future of the National Collections.  Just so we’re all clear, here are the facts.

Te Papa’s commitment to science hasn’t changed, in fact we are strengthening it.  We have not reduced our numbers of practising and researching scientists or curators.

We have broadened our sciences programme to include physical, earth and technological sciences.

We have also strengthened our curatorial capability and have established six new scientific roles including a new position of Head of Science. We have created three assistant curator positions and senior research positions will also be added as our research programme expands.

All research programmes underway last year remain in place.  We are also refreshing our major natural history exhibits, Awesome Forces and Mountains to Sea, and these will showcase our own scientific research as well as that of our science partners.

In other developments, we have changed the way Library Services operate. We have reviewed our library collection and the material now sits with the departments and curators who use them.  We then offered the remaining material to other institutions like Victoria University.  Any other material which was duplicated or out of scope was offered to staff.  In some instances these publications were unable to be re-homed and were recycled. This was a very small proportion of publications.

The Sciences Library, the Hector Room at Tory Street, is still there and there’s an archive reading room available by appointment.  We also now have a dedicated Sciences Librarian. We will continue to provide a reading room service and research space for the public by appointment at a new location on Te Papa’s Level 4.  That’s due to open at the end of next month.

One final point: the National Collection.  We have a responsibility to take excellent care of it and we take that responsibility extremely seriously.  We’ve been looking at long term storage solutions so that the Collection will be safe in the event of a natural disaster like an earthquake.  We’ve made no decision yet on where that might be, but rest assured our focus is on the preservation and safety of the Collection for future generations.

Hei Tiki journey to the heart of Chinese Jade culture

人形项饰-海蒂基远涉重洋来到中国这个古老的玉文化国度

Hei tiki (pendant in human form), Dec 2008, Rotorua. Gardiner, Lewis. Purchased 2009. Te Papa

Hei tiki (pendant in human form), Dec 2008, Rotorua. Gardiner, Lewis. Purchased 2009. Te Papa

Te Papa’s exhibition “Kura Pounamu: Treasured Jade Art of Aotearoa New Zealand” opens on 1 April at Liangzhu Museum, Hangzhou, China.

Liangzhu Museum is located in the heart of one of the largest and most significant jade archaeological sites in China dating back over 5000 years.

新西兰国家博物馆-蒂帕帕关于“毛利碧玉:新西兰文化艺术珍品展”即将于今年4月1日在中国杭州市的良渚博物院展出。 良渚博物院座落于中国最大的也是最显著的玉文化遗址区,良渚玉文化有超过5千年的历史。

Whales in New York

Te Papa’s exhibition Whales:Giants of the Deep opens at the American Museum of Natural History in New York on Saturday 23 March.

This blockbuster exhibition has been seen by over 1 million visitors during its  4 year tour in North America. Over 350,000 people visited the exhibition in Chicago alone.

Here is the link to the American Museum of Natural History website announcing the upcoming exhibition – Whales: Giants of the Deep.

Media interest is strong with a large US media contingent confirmed to attend the opening blessing at the American Museum of Natural History. A great installation image has already run in the Wall Street Journal.

The exhibition is physically huge. It travels in 10 x 48 ft trucks. A team of 4 Te Papa staff have worked with the American Museum of Natural History to install the exhibition, which includes two fully sized sperm whale skeletons.

Here is a back of house glimpse at the installation process.

Nearly there!!

Installation shots of Whales:Giants of the Deep, on at the American Museum of Natural History in New York

Installation shots of Whales:Giants of the Deep, on at the American Museum of Natural History in New York

Installation shots of Whales:Giants of the Deep, on at the American Museum of Natural History in New York

Installation shots of Whales:Giants of the Deep, on at the American Museum of Natural History in New York

Images  © AMNH/R. Mickens,   © AMNH/D. Finnin

Ralph Hotere, 1931-2013

Te Papa is deeply saddened by the death yesterday of Ralph Hotere – one of the country’s greatest artists. Our thoughts go out to his family, his friends, and the arts community.

Marti Friedlander, ‘Ralph Hotere outside “first studio” on Flagstaff, Port Chalmers’, circa 1976, black and white photograph, gelatin silver print. Purchased 1999 with New Zealand Lottery Grants Board funds, Te Papa.

Ralph once commented that ‘There are few things I can say about my work that are better than saying nothing’. Keeping this in mind, to remember this remarkable artist and his incredible contribution to New Zealand art, here is a selection of his works in Te Papa’s collection.

Ralph Hotere, ‘Cruciform II’, from the series ‘Human Rights’, 1964, acrylic on wood. Purchased 1981 with New Zealand Lottery Board funds, Te Papa. © Reproduced courtesy of Ralph Hotere. All rights reserved.

Ralph Hotere, ‘Black Phoenix’, 1984-88, burnt wood and metal. Purchased 1988 with Mary Buick Bequest funds, Te Papa. © Reproduced courtesy of Ralph Hotere. All rights reserved.

Ralph Hotere and Bill Culbert, ‘Blackwater’, 1998-99, lacquer on corrugated aluminium, fluorescent tubes, cable, wood. Purchased 1999 with New Zealand Lottery Grants Board funds, Te Papa. © Reproduced courtesy of Ralph Hotere. All rights reserved.

Ralph Hotere and Bill Culbert, ‘Pathway to the sea / Aramoana’, 1991, fluorescent lamps, paua shells, rocks. Purchased 1993, Te Papa.

If you are in Wellington we invite you to come into Te Papa and view one of Hotere’s last great works, ‘VOID’ (2006) made with long-time collaborator Bill Culbert.

Ralph Hotere and Bill Culbert, ‘VOID’, 2006, neon tubes, rubber, glass, steel, paint. Commissioned 2006, Te Papa.

From tomorrow morning, the following work will also be on public display in tribute:

Ralph Hotere, ‘ Lo negro sobre lo oro’, 1992, mixed media on glass, Purchased 1997 with New Zealand Lottery Grants Board funds, Te Papa. © Reproduced courtesy of Ralph Hotere. All rights reserved.

- Megan Tamati-Quennell (Curator, Contemporary Maori and Indigenous Art) and Sarah Farrar (Curator, Contemporary Art)

Do you use Facebook? We need your help!

A group of university students are performing a study involving Te Papa’s social media use and they need your help.

They have put this survey together, which will be open until Wednesday 13 February:
EDIT: The survey is now closed. A big thank you to all of you who took the time to complete it.

Your participation is greatly appreciated!!

Game Masters – The Forum announced

Masaya Matsuura, of NanaOn-Sha (Japan)

Masaya Matsuura, of NanaOn-Sha (Japan)

Game Masters – The Forum taking place on March 4–5th at Te Papa in Wellington, brings together game developers, artists, educators, researchers, and filmmakers. The goal of the forum is to share knowledge and expand awareness of game development opportunities – both in New Zealand and abroad.

‘Attendees will shatter the stereotypes of games and discover the cultural, educational, and social impact they are having,’ said Stephen Knightly, Chair of the NZ Game Developers Association. ‘They’ll also have the chance to network with others in the fastest growing sector of New Zealand’s screen industry.’

International speakers confirmed for the event include Masaya Matsuura, of NanaOn-Sha (Japan), and Luke Muscat from Halfbrick (Australia.)

Matsuura-san’s work includes the seminal PaRappa the Rapper and the innovative Vib Ribbon – a game which generated its platforming levels from the music CDs gamers placed in their PlayStations. He is a true pioneer of the videogame industry, whose games have inspired a generation of game designers, and continue to create fun and imaginative ways for people to immerse themselves in music.

Luke Muscat from Halfbrick (Australia)

Luke Muscat from Halfbrick (Australia)

Luke Muscat and his team of just six people at Halfbrick are behind some of the hottest, most well–known, and best-selling mobile games of all time, including Fruit Ninja, Jetpack Joyride, and Monster Dash. In the last two years alone, Luke’s games have been downloaded more than 300 million times.

The New Zealand industry is also well represented, starting with Mario Wynands – the Director of Sidhe/PikPok, New Zealand’s most successful and prolific developer and publisher of games across a wide range of platforms. In the last fifteen years, the company has released numerous successful and critically acclaimed titles, including Shatter, Speed Racer, Flick Kick Football, and Monsters Ate My Condo.

Game Masters – The Forum is really an opportunity to take a look under the hood of videogame development,’ suggested Helen Stuckey – a curator, researcher, and member of the Game Masters Industry Advisory Board. ‘It’s a chance to hear strong local and international speakers, to reflect on other ways to do business/make games, and an opportunity to consider the future of games themselves.’

Game Masters – The Forum will cover a wide range of topics, including those relevant to the game development industry and discussion of videogames as a cultural phenomenon. Subjects include Transmedia, Community Engagement, Games as Art, Serious Games, and Game History.

Attendees from industry, education, government, and the general public are all welcome, however tickets are strictly limited and there is no scope to expand the venue, so early booking is advised. Ticket prices start at $130 for both days, and numerous options are available, including student discounts, single day passes, and an expanded industry-specific option through which attendees will have opportunities to network with The Forum’s special guests.

For more information, refer to Game Masters – The Forum website. To book, or to find out more about the ticketing options, see The Forum registration page.

Weta Workshop’s Cave Trolls captivate Te Papa

Standing 3.6m tall, these impressive fibreglass troll sculptures were created by the original filmartists at Weta Workshop.

William (on the left), Tom (ready to stomp) and Bert, first met their adoring audience at San Diego Comic-Con in July 2012.

They then journeyed to Wellington to greet guests on the red carpet at the World Premiere of The Hobbit: An Unexpected Journey and are now on loan here at Te Papa until 22 January.

Visit Te Papa’s kids store for related merchandise and see more fantastical creatures, collectibles and prop replicas from Middle-earth at the Weta Cave in Miramar.

Weta Cave Trolls in Wellington Foyer. Photo Michael Hall. © Te Papa.

Weta Cave Trolls in Wellington Foyer. Photo Michael Hall. © Te Papa.

Weta Cave Trolls in Wellington Foyer. Photo Michael Hall. © Te Papa.

Weta Cave Trolls in Wellington Foyer. Photo Michael Hall. © Te Papa.

Two Te Papa exhibitions open at the National Museum of China

Two Te Papa exhibitions open at the National Museum of China

Kura Pounamu: Treasured stone of Aotearoa New Zealand
Brian Brake: Lens on China and New Zealand

2012 marks the 40th anniversary of diplomatic relations between the People’s Republic of China and New Zealand. To mark the occasion, Te Papa is delighted to partner with the National Museum of China to present two exhibitions that speak of the friendship between our two countries.

Kura Pounamu exhibition at the National Museum of China. Te Papa

Kura Pounamu exhibition at the National Museum of China. Te Papa

The hugely successful opening event on 31 October, was attended by over 300 invited guests and members of the public as well as New Zealand’s Ambassador to China and New Zealand Embassy and business representatives. Around 50 members of the press also attended and Te Papa’s Chief Executive, Mike Houlihan later interviewed on China Central TV.

Iwi representatives Shane Te Ruki (Ngati Maniapoto) and Richard Wallace (Ngai Tahu) opened the exhibition with a karakia.

Read more about these exhibitions

‘Vacant lot of cabbages’ documentation enters Te Papa’s archives

In 1978 contemporary New Zealand artist Barry Thomas undertook a public art project in inner city Wellington. Utilising a vacant lot on the corner of Willis and Manners Streets, the artist and his friends cut through a wire perimeter fence, delivered a truckload of top soil to the site and planted 180 cabbages.

Barry Thomas, 'Vacant lot of cabbages' documentation, 1978. Purchased 2012, Te Papa. Photo: courtesy of Barry Thomas.

Barry Thomas, ‘Vacant lot of cabbages’ documentation, 1978. Purchased 2012, Te Papa. Photo: courtesy of Barry Thomas.

The project Vacant lot of cabbages (also known as ‘The cabbage patch’) immediately caught the public attention and received extensive media coverage. Barry was interviewed in local newspaper The Evening Post where he challenged Wellingtonians to occupy the vacant lot and claim the site as their own. The lot was quickly filled with all sorts of objects—which the city council promptly cleared away—except for the cabbages. For several months the vacant-lot-turned-urban-garden became the site of informal gatherings, events and a one-week arts festival called ‘The Last Roxy Show’.

Vacant lot of cabbages featured in Jim and Mary Barr’s exhibition When art hits the headlines: a survey of controversial art in New Zealand at the National Art Gallery’s Shed 11 venue in 1987. The project is also discussed in Christina Barton’s history of temporary art in Wellington published in Wellington: a city for sculpture (Wellington: VUP and Wellington Sculpture Trust, 2007).

Journalist Chris Trotter has described Vacant lot of cabbages as ‘a conceptual artistic statement against the life-negating conservatism of the Muldoon years [which] quite literally grew into a life-affirming (and edible) challenge to Wellington’s bureaucratic soul’ (Dominion Post, 20 August 2010, full article here).

Barry Thomas, 'Vacant lot of cabbages' documentation, 1978. Purchased 2012, Te Papa. Photo: courtesy of Barry Thomas.

Barry Thomas, ‘Vacant lot of cabbages’ documentation, 1978. Purchased 2012, Te Papa. Photo: courtesy of Barry Thomas.

Te Papa has recently acquired Thomas’s archive of the Vacant lot of cabbages project for its collection as it documents an important moment in New Zealand’s art and social history. It is especially timely to consider the project in light of recent art initiatives (e.g. Letting Space in Wellington and Gap Filler in Christchurch)—not to mention wider social phenomena such as the Occupy movement, urban farming and guerrilla gardening.

Sarah Farrar
Curator of Contemporary Art

p.s. Wellingtonians take note – this Saturday 3-5pm at City Gallery there will be a discussion about recent temporary art  including Letting Space, Gap Filler and the Performance Arcade.

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