Category Archives: Museums

20 millionth visitor to Te Papa

Yesterday morning at around 10.45am, Te Papa reached a milestone achievement of 20 million visitors since opening in 1998.

Congratulations to Eliza Jost, the 20,000,000th visitor to Te Papa.

Eliza, originally from Sydney, has been in Wellington for six years and performing as a ballerina with the Royal New Zealand Ballet.

“I’m overwhelmed!” beamed Eliza, “Thank you so much Te Papa”.

Eliza greeted at Te Papa’s entrance by Kahu the Kea. Photograph by Norman Heke. Te Papa

Eliza greeted at Te Papa’s entrance by Kahu the Kea. Photograph by Norman Heke. Te Papa

Eliza was presented with a prize pack, which includes

  • TelstraClear vouchers to the value of $600 (inclusive of GST) that can be applied to any charges billed to a TelstraClear account.
  • HP Photosmart 7510 e-All-in-One Printer
  • Dinner at Monsoon Poon
  • A weekend at Rydges Wellington
  • Visa pressie card
  • Te Papa Fun Pack, including Te Papa Press books, Te Papa Store Vouchers and a Friends of Te Papa Membership
  • OurSpace Rides, free tickets for a year to Platinum Visa Gallery exhibitions and a Back of House Tour of your choice

Says Te Papa’s Chief Executive, Mike Houlihan, “This milestone confirms Te Papa’s status as the top tourist attraction in New Zealand”

Te Papa’s 20,000,000th visitor, Eliza Jost, with Chief Executive, Mike Houlihan and Kaihautū, Michelle Hippolite. Photograph by Norman Heke. Te Papa

Te Papa’s 20,000,000th visitor, Eliza Jost, with Chief Executive, Mike Houlihan and Kaihautū, Michelle Hippolite. Photograph by Norman Heke. Te Papa

Caring for museum collections in a molecular world

Museums are embracing technologies, such as DNA sequencing, to both enhance understanding of their collections and showcase scientific research to the public.  Many museums around the world now have molecular laboratories.  DNA sequencing has many useful applications for museum research; for example, it can be used to distinguish new species, determine the evolutionary relationships between species and identify the region of origin of artefacts such as kahu kiwi (kiwi feather cloaks).  However, it has only recently been appreciated that care should be taken in the construction and use of museum molecular labs.  Why is the situation for museums different to universities and other institutions where molecular biology labs are commonplace?

Museums are storehouses of important biological collections and these can become contaminated with copies of DNA that are generated in molecular laboratories.  A technique routinely used in molecular labs in the polymerase chain reaction (PCR). PCR is an extremely efficient method to produce millions of copies a targeted region of DNA. If one drop (1/10th of 1 ml) of a PCR is mixed into an Olympic swimming pool then one drop of this highly diluted mixture removed it will still contain around 400 copies of DNA!

Learn more about PCR (polymerse chain reaction)

In a museum setting, if care is not taken, these millions of copies of DNA could contaminate the biological specimens in museum collections.  These specimens, such as animal bones and pressed plants, typically contain small amounts of their own DNA because DNA degrades over time, starting with the death of the organism.  It is very easy for the low levels of DNA to become swamped by the copies of DNA generated by PCR.  Future attempts to use contaminated specimens for genetic research may be compromised with the contaminating PCR products detected instead of the specimen’s own DNA. So how do we avoid this problem?

Together with Leon Perrie, a colleague in Te Papa’s Natural Environment team, I recently suggested that strict protocols should be developed for constructing and using molecular laboratories within museums.  These include having labs and collections in different buildings, or at least having separate ventilation systems for each, and having a one-way movement of people, equipment and specimens from collection areas to labs. We hope that museum researchers take up these suggestions in order to protect the research potential of their important, and often irreplaceable, collections of biological specimens.

Read our full article (requires a subscription to Nature)

Leon and Lara in the Te Papa's collections. Photo Carlos Lehnebach.Te Papa

Leon and Lara in Te Papa’s collections. Photo Carlos Lehnebach.Te Papa

Te Papa researcher’s major contribution to NZ biodiversity inventory

Te Papa scientists figure prominently among the 238 researchers who have contributed to a major new publication: The Inventory of New Zealand Biodiversity.

Te Papa taxonomists whos work was instrumental in describing over 80% of the animal groups for New Zealand

Te Papa taxonomists whose work was instrumental in describing over 80% of the animal groups for New Zealand. Photo Jean-Claude Stahl. Copyright Te Papa.

 The third and final volume of this 12-year project was launched at Te Papa yesterday, and celebrated the work of scientists from 19 countries, cataloguing over 56,000 species.

Dennis Gordon with the third volume of the New Zealand Inventory of Biodiversity launched in Wellington 21 May 2012

Dennis Gordon with the third volume of the New Zealand Inventory of Biodiversity launched in Wellington 21 May 2012. Photo Jean-Claude Stahl. Copyright Te Papa.

The work was brought together by Dennis Gordon from NIWA, with contributions from all major research institutions in New Zealand including Crown Research Institutes, museum researchers such as Te Papa’s Natural Environment curators, and researchers in universities and government agencies. The work is used actively by researchers nationally and globally to describe and catalogue species occurring within the New Zealand Exclusive Economic Zone. For example, the New Zealand Organisms Register (NZOR), the official body which lists names of species occurring in New Zealand uses the Inventory as one of its primary sources of data. Find out more about NZOR.


http://www.nzor.org.nz/

Te Papa’s team of taxonomist are a small but highly effective group, contributing around 20% of the chapters authored on the major animal groups by professional New Zealand contributors to the books. They contributed to chapters that described over 80% ofNew Zealand’s animals. Their work encompasses a very broad range of species, with expertise on animals and plants from orchids to seaweeds, insects and parasites, deep sea fishes and whales to extinct birds.

The work is a monument to the collaborative efforts of researchers across New Zealand, and will have ongoing utility in helping us to manage species and their conservation threats, long term. We appreciate the efforts of the institutions and individuals involved, in particular NIWA, Landcare Research, and Canterbury University Press. Find out more information about the publication.


http://www.cup.canterbury.ac.nz/releases/2012/120405a.shtml

Wellington – There is still time to support Te Papa

5pm tomorrow, Friday 18 May, is the deadline for Wellington City Council to receive your written submissions on the Draft Long Term plan. It is in this plan that Wellington City Council proposes to cut our funding by $1.25 million, to $1 million for the next 10 years.

If you were meaning to send in a written submission but haven’t gotten round to it yet, there is still time! The Wellington City Council have an has an interactive website to make an official submissions online.

The main points to include are:

-          the WCC should maintain Te Papa’s funding at $2.25 million per year, funding should not be decreased
-          Wellington should support Te Papa as a major visitor attraction for the city that draws in tourists
-          Te Papa sustains employment equivalent to almost 1,500 Wellington city jobs annually.

Another option is to email all councillors at once via councillors@wcc.govt.nz or contact them individually via the Wellington City Council website

Remember the deadline for official submissions is this Friday 18 May at 5pm; however, councillors will only be making their decision on 27 June, so we encourage you to keep talking to them over the next month.

We would like to thank everyone who came in to support Te Papa by sticking up a post-it note on our Save Our Services boards and writing submissions while in Te Papa.  We will be delivering these to the Wellington City Council on your behalf.

Get stuck on art, or, stick it to the man!

Here at Te Papa we passionately believe in the power of art to enrich, empower and challenge our lives and we are committed to bringing art to the widest possible audience.

Te Papa's school holiday programme visit the 'Collecting Contemporary' exhibition with Crystal Sciascia, April 2012. Photo: Te Papa

Te Papa's school holiday programme visit the 'Collecting Contemporary' exhibition with Crystal Sciascia, April 2012. Photo: Te Papa

Recently, a small group of us have teamed up to develop and trial a new project called Stick it to the man in conjunction with one of our current art exhibitions. Collecting Contemporary is an exhibition of contemporary New Zealand art works from Te Papa’s collection. It includes work in a wide range of media from video to jewellery, painting to furniture design, photography to sculpture and more.

If you come to visit the Collecting Contemporary exhibition up on Level 5 over the next few weeks, come and take a look. Feel free to pick up a clipboard and respond to four quirky questions which prompt you to make a connection between the art work and your own life. It will make you look at that art work in a whole other way!

Some of our visitors 'sticking it to the man' (aka Te Papa's boss Mike Houlihan). Photo: Te Papa

Some of our visitors 'sticking it to the man' (aka Te Papa's boss Mike Houlihan). Photo: Te Papa

Would this activity drive you crazy? Do you love it? Would you like to see us do more of this sort of thing? Leave a comment below and tell us what you think.

Want to participate?  Come along and visit the exhibition on Level 5 at Te Papa. It’s free and open seven days, 10am-6pm, with late night Thursdays till 9pm.

Want to see an online version of this activity? Let us know and we’ll see what can be arranged…

We’ll report back in a few weeks time with an update of how the project is going.

- Edy MacDonald, Lucinda Blackley and Sarah Farrar

New Zealand AIDS Memorial Quilt gifted to Te Papa

Block 4 of the New Zealand AIDS Memorial Quilt

The New Zealand AIDS Memorial Quilt and associated archive has been gifted to Te Papa, and is now housed in the museum for posterity.  The Quilt is a profound and significant taonga – representing the many people who died of AIDS in New Zealand during the devastating epidemic in the 1980s and 90s.

The Quilt is made up of 16 blocks (measuring about 4 x 4 metres) – each block is made up of 8 panels – each panel represents a person who died of AIDS.  They were made by family members, partners, friends, and are moving testaments to their love and support.  Many of the panels are over 20 years old, but their power of remembrance, love and grief is just as strong as when they were first created.

And they’re powerful regardless of how they’ve been made.  You would expect them to be beautifully made by experienced sewers, but they were sometimes quite simply put together with whatever materials were at hand – rubber foam, paint, photographs, glue, glitter – even soft toys have been attached to the panels.  In the particular Quilt block pictured here, there is a three-dimensional camera in the bottom left panel made from foam rubber, vinyl and plastic.  Not one of your normal quilting methods!  But this Quilt block is particularly special because it includes the first panel to be made in New Zealand – for Peter Cuthbert who died in 1988, an early New Zealand victim of AIDS.

The Quilt was farewelled from Auckland on Sunday 29 April in a beautiful ceremony at St Matthew-in-the-City. Te Papa was represented by myself as the curator, Sara Guthrie (Collection Manager), and Dame Claudia Orange, who spoke movingly about Te Papa’s care and respect for the Quilt.

This Thursday, Te Papa will formally welcome the New Zealand AIDS Memorial Quilt onto its Marae.  We will display two blocks to the public from 10am to 2pm, and Michael Bancroft, Guardian of the Quilt, will give a talk into the fascinating history behind our Quilt and Quilt projects around the world (12.15pm on the Marae).

Posted on behalf of Stephanie Gibson, Curator History at Te Papa

W F Gordon’s Taranaki land war photographs

57th Regt. Captain Schomberg, Captain Woodall, Major Butler, Lieutenant Thompson, Dr McKinnon, circa 1870, Wanganui. Thomas Tuffin. Purchased 1916.

Early last century, New Plymouth man William Gordon assembled a photographic record of people (both Māori and European) who served in the New Zealand Wars of the 1860s. The Dominion Museum (Te Papa’s second predecessor) purchased the photographs in 1916 as part of the Gordon Collection.

Recently, I have been working on improving the documentation of the photographs by checking the prints and recording information written on them onto the catalogue records on the database. This has included making sure the names of the people in the photographs are spelt correctly so that anyone searching for images of their ancestors can find them through a simple search of their name.

Gordon’s collection includes some unusual examples of studio portraiture in New Zealand during the 1860s. For example, the photograph of Sub-Inspector Rowan and his ‘servant’ taken in Wanganui by ‘Photo Artist’, David Thompson on 7 January 1869, and the image of the wounded Colonel Lyon, taken in Auckland by Hartley Webster.

Sub-Inspector Rowan & servant, 07.01.1869, Wanganui. David Thompson. Purchased 1916. Te Papa

Sub-Inspector Rowan & servant, 07.01.1869, Wanganui. David Thompson. Purchased 1916. Te Papa

Colonel Lyon, circa 1860, Auckland. Hartley Webster. Purchased 1916. Te Papa

Colonel Lyon, circa 1860, Auckland. Hartley Webster. Purchased 1916. Te Papa

After obtaining a photograph, Gordon often attached a handwritten label detailing the subject’s name and information about their military service – when and where they died or whether they obtained an honour. Gordon then duplicated the original albumen print by taking a photograph of it and making a glass-plate negative. He then printed more copies from the new negative.

These are copies of images taken in the 1860s and 1870s, but made from photographic materials invented in the late 19th century – in this case silver gelatin photographic paper. A good example is this photograph of Captain Utterton taken by New Plymouth photographer George Hoby.

Captain Utterton, circa 1860, Taranaki. G, Hoby. Purchased 1916. Te Papa

Captain Utterton, circa 1860, Taranaki. G, Hoby. Purchased 1916. Te Papa

Captain Utterton, circa 1900, New Zealand. W. F. Gordon. Purchased 1916. Te Papa

Captain Utterton, circa 1900, New Zealand. W. F. Gordon. Purchased 1916. Te Papa

Other photographs in Gordon’s collection feature survivors photographed in later life. These include Solomon Black, who obtained the New Zealand Cross, and the splendidly turned out General Manley displaying an abundance of medals, including the Victoria Cross.

Solomon Black N.Z.C. Severely wounded Otauto March 1869, circa 1900, Scotland. Sharp Studios. Purchased 1916. Te Papa

Solomon Black N.Z.C. Severely wounded Otauto March 1869, circa 1900, Scotland. Sharp Studios. Purchased 1916. Te Papa

Surgeon General W. G. N. Manley, V.C. C.B. circa 1890, United Kingdom. Waite & Pettitt. Purchased 1916. Te Papa

Surgeon General W. G. N. Manley, V.C. C.B. circa 1890, United Kingdom. Waite & Pettitt. Purchased 1916. Te Papa

The collection gives some insight into the people who came to New Zealand from the United Kingdom in the 1860s to fight Māori on behalf of Queen Victoria. The image of George Goode, taken by the Metropolitan Photographic Company of Dublin about 1860, shows a hesitant young man on his university graduation. There is no record of his fate. The photograph of Captain Hamilton, taken on the Isle of Wight by Jabez Hughes in June 1863, shows a proud, if unsure, man in uniform. He died at Gate Pā a year later.

George Goode M.B.T.C. circa 1860, Dublin. Metropolitan Photographic Co. Purchased 1916. Te Papa

George Goode M.B.T.C. circa 1860, Dublin. Metropolitan Photographic Co. Purchased 1916. Te Papa

Captain J. F. C. Hamilton, H.M.S. Esk, killed Gate Pa Apl 1864, June 1863, Isle of Wight. Jabez Hughes. Purchased 1916. Te Papa

Captain J. F. C. Hamilton, H.M.S. Esk, killed Gate Pa Apl 1864, June 1863, Isle of Wight. Jabez Hughes. Purchased 1916. Te Papa


Te Papa Honours 40 Years of New Zealand Chinese Diplomacy

新西兰国家博物馆庆祝新西兰与中国建交40周年

As the New Zealand and Chinese Governments mark the fortieth anniversary of bilateral diplomatic relations, the National Museums of New Zealand and China are set to strengthen the bonds of the two cultures as they prepare to exchange exhibitions.

An announcement about forthcoming exchanges was made when Te Papa welcomed His Excellency Mr Jia Qinglin, Chairman of the Chinese People’s Political Consultative Conference with a powhiri.

Te Papa Chief Executive Michael Houlihan told Chairman Jia and his delegation that sharing exhibitions will benefit New Zealand’s profile in China, and China’s in New Zealand.

“Our Beijing-based exhibitions Kura Pounamu and Brian Brake: Lens on China and New Zealand will deepen the cultural connections and understanding between our two nations. These exhibitions also share the stories behind some ofNew Zealand’s most significant cultural treasures,” says Mr Houlihan.

Michael Houlihan presented Chairman Jia with a gift of pounamu, symbolising the friendships and growing cultural links between the peoples of New Zealand and China.

“In bringing exhibits from the National Museum of China, Te Papa is looking forward to giving New Zealanders greater insight and deeper understanding into five thousand years of Chinese history and civilisation,” says Mr Houlihan.

Kura Pounamu and Brian Brake: Lens on China and New Zealand will open at the National Museum of China in November 2012. Following that the National Museum of China will be bringing an exhibition to Te Papa.

His Excellency Mr Jia Qinglin and Hon Minister Dr Pita Sharples sharing a hongi on Te Papa's Marae. Photograph courtesy of the Xinhua News Agency.

His Excellency Mr Jia Qinglin and Hon Minister Dr Pita Sharples sharing a hongi on Te Papa’s Marae. Photograph courtesy of the Xinhua News Agency.

正值新西兰政府与中国政府庆祝两国建交40周年之际,新西兰国家博物馆和中国国家博物馆决定通过互办展览的形式进一步加深两国文化交流。

近日,新西兰国家博物馆为前来参访的中国全国政协主席贾庆林举行了毛利传统欢迎仪式,并在仪式上宣布了两国互办展览的消息。

新西兰国家博物馆馆长胡历瀚向贾庆林主席代表团一行表示,互办展览将有助于提升两国在对方国家的形象。

“即将在北京举办的《毛利玉—新西兰的传世珍宝》和《布莱恩·布瑞克:镜头里的中国和新西兰》展览将进一步深化两国的文化交流和互信。这些展品也将向中国人民展示新西兰一些最为独特的文化瑰宝背后的故事,” 胡历瀚说。

胡历瀚馆长向贾庆林主席赠送了一块毛利玉作为礼品,象征了新中两国人民的友谊和两国日益紧密的文化交流。

“新西兰国家博物馆希望通过展出中国国家博物馆的展品,使新西兰民众更深入地了解中国5000年的悠久历史和文化”, 胡历瀚说。

《毛利玉—新西兰的传世珍宝》和《布莱恩·布瑞克:镜头里的中国和新西兰》展览将于2012年11月在中国国家博物馆展出。之后,中国国家博物馆将在新西兰国家博物馆举办展览。

Wellingtonians – Tell your council to Save Te Papa – here’s why!

Firstly, a huge huge HUGE thanks to our visitors who filled out forms and stuck post-its to the SOS – Save Our Services board over the Easter Holiday and Week One of the School Holidays. We are going to take your comments, share them with the community and also take them directly to Wellington City Council.

Wellington City Councillors have said that Te Papa’s funding cut lies in the hands of Wellington ratepayers. We need ratepayers to make official council submissions supporting a return of funding to its pre-cut level of $2.25 million dollars.

Why? Council is keen to get a steer from the community about what it values – and we have thousands of stickies (like this one below) telling us You value Te Papa. We just need you to tell the Council that directly now.

Image

Some Food for Thought

Council is trying to ensure that residential ratepayers get great Value for Money, which is something we all understand and support. However,  Residential Ratepayers aren’t responsible for the entire Wellington City Council contribution. Te Papa is classed as a Visitor Attraction in Council’s budgets for economic development and this budget is majority funded by the Downtown Levy (a Targeted Rate paid by the owners of commercial, industrial and business properties – check out page 118 of the Draft Annual Plan 2011/12 for more definitions).

Here’s the financial statement from the Wellington Council Draft Annual Plan (City Promotions, Attractions and Events) 2011/12 – In the figures for Funding you’ll notice that Targeted Rates (in this case, the Downtown Levy) contribute more than General Rates – this illustrates that for a fraction of the total Council contribution, residential ratepayers get a great value-for-money service from Te Papa, and its one we are proud to provide.

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So – while the Council’s big theme is ensuring residential ratepayers are being given value for money – we can prove that local Wellingtonians do get that bang for your buck! We’re proud that as Wellington businesses foot the majority of the bill , we’ve helped them by stimulating $59 million in visitor spending, and city residents can access Wellington City Free Days (to our premium exhibitions) and also be the first to enjoy our collections and displays free of charge.

We need our Wellington City ratepayers to tell the council directly – via official council submissions – written submissions open today – to find out more, go to Wellington City Council’s website

With a HUGE thanks from the team at Te Papa

Help Save our Services at Te Papa

Save our Services

The story so far

Wellington City Councillors, while preparing budgets for the city’s long-term council plan, have recommended that they reduce the funding to Te Papa by 55 percent.

Council will be asking for public submissions between 16 April and 18 May 2012 – and will be making their decisions on the submissions Wellington ratepayers make.

What could happen?

A funding cut could mean that Te Papa reduces its services to Wellington ratepayers, for example:

  • Charges to use Discovery Centres
  • Increases in charges for StoryPlace
  • Fewer free exhibitions
  • Fewer new exhibitions

If you would like us to keep everything, let us know.

How you can help

We’re asking our city to help Save our Services by making public submissions:

  • Leave a comment below
  • Come to the museum – We have a display near our information centre and we’re asking people to grab a sticky-note, tell us what you think we need to save!
Save our Services board in the Wellington Foyer

Save our Services board in the Wellington Foyer

Te Papa’s economic impact on Wellington City

  • Te Papa is the most popular activity destination in Wellington City.
  • Te Papa adds $91.3 million every year to Wellington City’s economy
  • Visitors to Te Papa spend $59 million per year in Wellington City
  • 30% of Wellington City Council’s funding to Te Papa comes from ratepayer contributions
  • 70% of Wellington City Council’s funding to Te Papa comes from local business levies
  • 96% of our Wellington City visitors come back more than twice and 60% visit 5 or more times every year.
  • Te Papa sustains employment equivalent to almost 1,500 Wellington city jobs annually

More information

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